#: locale=de

## Aktion

### URL
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### Tooltip
HotspotPanoramaOverlayArea_08D3CDD4_9F4D_7218_41A8_9578C77AE750.toolTip = 1 Buchwald Marinera Orquesta Sinfonica Nacional del Peru -  1956
HotspotPanoramaOverlayArea_84A6C656_9D55_1E18_41D3_ED387BBCB7D7.toolTip = 1 Bürger_ Konzert Für Violoncello
HotspotPanoramaOverlayArea_26A7BF0D_9DBF_2E08_41D9_A68A86725BF3.toolTip = 1 Freistadtl Heimat Erde, JUBO, Vörösmarty, Großes Musikschulkonzert 2017
HotspotPanoramaOverlayArea_390607AB_9EBF_1E08_419A_F1F7088ACF9A.toolTip = 1 Singer_8 Serial Pieces
HotspotPanoramaOverlayArea_A86B5A13_9D4D_1618_4174_2C6CADE1CE38.toolTip = 1 Urban Zvuci ispod Medvednika
HotspotPanoramaOverlayArea_D6AB340E_9F4B_3208_41CC_51E3562B47F3.toolTip = 1 Winterberg sinfonie_no1
HotspotPanoramaOverlayArea_1A6D6176_9EBE_B939_41C9_7FE7A781D78A.toolTip = 1. WELTKRIEG BILDER
HotspotPanoramaOverlayArea_713CE432_643F_9D96_41BB_492431353EF1.toolTip = 1. WELTKRIEG BILDER
HotspotPanoramaOverlayArea_F1F6F2DC_9FF5_7608_41DA_9A13747C8C60.toolTip = 1. WELTKRIEG | BILDER
HotspotPanoramaOverlayArea_C787BAA7_999A_8B27_41DB_F5F834013FB7.toolTip = 1. WELTKRIEG | WW1
HotspotPanoramaOverlayArea_76966750_0F65_2188_4195_1EEA0975462A.toolTip = 1. WELTKRIEG | WW1
HotspotPanoramaOverlayArea_3428E7D5_2EE2_71FD_41A3_C310429C21A2.toolTip = 1. Weltkrieg Bilder
HotspotPanoramaOverlayArea_5ABFCA5B_48D6_D449_41BC_FBDBB7C7DE1B.toolTip = 1. Weltkrieg Bilder
HotspotPanoramaOverlayArea_CD9F32F3_5D02_0088_41D5_9D6C4E7BD426.toolTip = 1. Weltkrieg | WW 1
HotspotPanoramaOverlayArea_5ABC6BAA_48D9_D4CB_41D6_3786F20984A3.toolTip = 1. Weltkrieg | WW1
HotspotPanoramaOverlayArea_11A1CE92_9F4F_2E18_41DE_D51795F952FA.toolTip = 2 Buchwald Hoyle Suite kurz rauschm
HotspotPanoramaOverlayArea_802CF786_9D5D_7EF8_41D2_CF574AA31864.toolTip = 2 Julius Bürger - Symphonic Scherzo
HotspotPanoramaOverlayArea_3161EED8_9EBD_6E08_41DB_3BC0F2DE9070.toolTip = 2 Singer_Three Coloquies_A_only
HotspotPanoramaOverlayArea_AD839FF6_9D4F_EE18_41DF_1A35EE3D06C2.toolTip = 2 Urban Srpske igre br.9 - Trojanac
HotspotPanoramaOverlayArea_D471876E_9F55_3E08_41D9_EE97F344B38F.toolTip = 2 Winterberg konzert_nr2
HotspotPanoramaOverlayArea_BD12E703_9DB5_3FF8_41BA_E76D373BB271.toolTip = 3 Bürger Goodbye Vienna
HotspotPanoramaOverlayArea_0C189609_9F4B_1E08_41C9_F02D5A204058.toolTip = 3 Fuchs symphony_f_minor_2008
HotspotPanoramaOverlayArea_B595CF4A_9D4D_2E08_41E0_891D77FA168B.toolTip = 3 Urban Sonatina movs. 2 & 3
HotspotPanoramaOverlayArea_D79D8D76_9F55_1218_41E2_48BF8FCC8DFB.toolTip = 3 Winterberg streichquartett_1957
HotspotPanoramaOverlayArea_3F37A503_9EB7_13F8_41B2_725B8884F8E6.toolTip = 3 singer_requiem_homeless_01
HotspotPanoramaOverlayArea_5FE78BCD_9DBF_1608_41DF_91A042555F4D.toolTip = 4 Bild Anita Nacht für Nacht
HotspotPanoramaOverlayArea_D22B8CE8_9F55_1208_41DF_B98C65650849.toolTip = 4 Bricht Piano Sonata Op 39 movement 1
HotspotPanoramaOverlayArea_0958CD6A_9F4D_1208_41C2_F59277B828D7.toolTip = 4 Fuchs Jüdisches Schicksal_ANFANG und Alto Solo zusammen
HotspotPanoramaOverlayArea_BCE3A7DB_9DBB_7E08_4197_B61E5846D322.toolTip = 4 Gal Lieder der Nacht Zwischenspiel
HotspotPanoramaOverlayArea_AA9B4142_9D4B_3278_41C3_F758464CB8BD.toolTip = 4 Grosz_ English Hit Song_ Harbour Lights
HotspotPanoramaOverlayArea_2BD5874A_9DB5_3E08_41CB_5498DC98646C.toolTip = 5 Bild Anita Auf Wiedersehen
HotspotPanoramaOverlayArea_D7B3DE6A_9F5B_2E08_4197_917F000E5320.toolTip = 5 Bricht Symphony A min_1_Mäßig bewegt
HotspotPanoramaOverlayArea_07A6DA7B_9F4B_1608_41DD_06709D209331.toolTip = 5 Fuchs -string_quartet_d_minor_1
HotspotPanoramaOverlayArea_BE2B58A2_9DBD_1238_41D6_E285C999CD76.toolTip = 5 Gal_ Konzert Für Violoncello 
HotspotPanoramaOverlayArea_AA3E00B7_9D4B_1218_41DB_F00D387F6541.toolTip = 5 Grosz RondelsGehleise
HotspotPanoramaOverlayArea_D65FE276_9F4D_1618_41D9_90F33CC7D9D3.toolTip = 6 Bricht Suite_I Unruhig bewegt, schwankend
HotspotPanoramaOverlayArea_135537F4_9F4D_3E18_41D8_D195F490CA23.toolTip = 6 Fuchs in_der_fremde_rosemary_gordon_1965
HotspotPanoramaOverlayArea_B3097D50_9D4F_1218_41D3_3BA7F68FEA67.toolTip = 6 Grosz Symphonische Variationen Uber Ein Eigenes Thema, Op. 9 - Thema, Variation 6
HotspotPanoramaOverlayArea_8E6B220B_9D4B_1608_41C8_3C372025C97C.toolTip = 6 Gál_ Huyton Suite, Op. 92 - 4. Fa 
HotspotPanoramaOverlayArea_4A8D45F3_A2D5_F218_41E2_462C5E17D464.toolTip = < KÁLMÁN LEHÁR | KORNGOLD >
HotspotPanoramaOverlayArea_6406D05B_7539_A51B_41C4_BBACEFCB643F.toolTip = ABOUT EXILARTE
HotspotPanoramaOverlayArea_876794C5_9A9A_9F5B_41E0_3DC4F348FFD3.toolTip = ALEXANDER ZEMLINSKY
HotspotPanoramaOverlayArea_BC077681_9AEA_FBDB_41BF_109E48E1FFC1.toolTip = ALEXANDER ZEMLINSKY (DE)
HotspotPanoramaOverlayArea_B833A79B_9A96_99EF_41C2_E84C8BD790B7.toolTip = ALEXANDER ZEMLINSKY (EN)
HotspotPanoramaOverlayArea_744309A1_6C4A_96B2_41BF_67BAFF01555C.toolTip = ALMA ROSÉ
HotspotPanoramaOverlayArea_7097D96F_64C9_B78E_41BC_EA3F20E388B6.toolTip = ALMA ROSÉ
HotspotPanoramaOverlayArea_8C2EA046_9996_9759_41C0_795B05AF7B6D.toolTip = ALMA ROSÉ
HotspotPanoramaOverlayArea_8A60E609_99AA_9AEB_41DA_7D11B275A5E2.toolTip = ALMA ROSÉ (DE)
HotspotPanoramaOverlayArea_8A695684_99AB_9BD9_4187_F8D6D3416D82.toolTip = ALMA ROSÉ (EN)
HotspotPanoramaOverlayArea_83DBFE28_9AB7_8B29_41DE_F47344E836E5.toolTip = ANDRÉ ASRIEL
HotspotPanoramaOverlayArea_875A534F_9AAE_9967_41D3_89371F96D673.toolTip = ANDRÉ ASRIEL (DE)
HotspotPanoramaOverlayArea_86DC5E0C_9AAF_8AE9_41E0_00A1F0A62C05.toolTip = ANDRÉ ASRIEL (EN)
HotspotPanoramaOverlayArea_00326E60_9EF5_2E38_41C0_E94C902DC803.toolTip = ANDRÉ SINGER
HotspotPanoramaOverlayArea_021156A2_9EF5_FE38_41D0_2EC93AE1C614.toolTip = ANDRÉ SINGER (DE)
HotspotPanoramaOverlayArea_098B42CC_9EFA_F608_41CC_11302737FE69.toolTip = ANDRÉ SINGER (EN)
HotspotPanoramaOverlayArea_085C2A98_9EFD_3608_41D2_A9818939A2BC.toolTip = ANDRÉ SINGER Vitrine
HotspotPanoramaOverlayArea_2860B594_9D4D_1218_41DA_12DB35F7AF2B.toolTip = ANITA BILD
HotspotPanoramaOverlayArea_30FE454F_9D55_1208_41C1_DCEB337059C5.toolTip = ANITA BILD (DE)
HotspotPanoramaOverlayArea_31952AE4_9D55_F638_41A3_035C4CB085F3.toolTip = ANITA BILD (EN)
HotspotPanoramaOverlayArea_327ED491_9D55_3218_417C_2164AC54D13D.toolTip = ANITA BILD Vitrine
HotspotPanoramaOverlayArea_B825F081_9A96_B7DB_41D6_BB90714B56F3.toolTip = ARNOLD SCHÖNBERG
HotspotPanoramaOverlayArea_B9442F00_9AEE_8AD9_41C1_5E076304FF43.toolTip = ARNOLD SCHÖNBERG (DE)
HotspotPanoramaOverlayArea_BAB26202_9AEE_BAD9_41D5_84BB4F80B6A1.toolTip = ARNOLD SCHÖNBERG (EN)
HotspotPanoramaOverlayArea_BE7E60C6_9A96_B759_41DB_B8B8AA381012.toolTip = ARTUR SCHNABEL
HotspotPanoramaOverlayArea_B43AE577_9AA9_9927_41E0_6A4252991834.toolTip = ARTUR SCHNABEL (DE)
HotspotPanoramaOverlayArea_BF0DFEE5_9A9F_8B5B_41AF_8DE0ACA6A8DF.toolTip = ARTUR SCHNABEL (EN)
HotspotPanoramaOverlayArea_76EE7181_0F65_2088_41AB_E41875562C05.toolTip = AUSGANG
HotspotPanoramaOverlayArea_F3EF1D2B_99AE_892F_41C3_CECEC2F972CC.toolTip = AUSGANG
HotspotPanoramaOverlayArea_DA376357_58AA_B459_41D2_4A35505C882C.toolTip = AUSGANG
HotspotPanoramaOverlayArea_27362C90_7AB8_CD0B_41D2_2771298CB577.toolTip = AUSGANG
HotspotPanoramaOverlayArea_D7714F81_99F6_89DB_41E3_27BD5A62A166.toolTip = AUSGANG
HotspotPanoramaOverlayArea_CCAAB398_999F_99E9_41E2_25F7479DBAEB.toolTip = AUSGANG
HotspotPanoramaOverlayArea_1E75F906_0AE9_8C47_4191_20AD5D27EC98.toolTip = AUSGANGSPUNKT
HotspotPanoramaOverlayArea_19340C00_0AEA_843B_418E_598B3C184B80.toolTip = AUSGANGSPUNKT
HotspotPanoramaOverlayArea_9E16C442_3A67_B1E9_41AA_F755EAD79992.toolTip = André Singer Audio Terminal
HotspotMapOverlayArea_5F586EC4_3AA6_CEE9_41C3_BF55ED23E904.toolTip = André Singer | Egon Lustgarten
HotspotPanoramaOverlayArea_A6085607_3A5D_5177_41B2_3D9F22AA9A5A.toolTip = Anita Bild (Lelewer) Audio Terminal
HotspotPanoramaOverlayArea_19F3A1F3_0A1F_9FDD_4183_82474B0E7761.toolTip = BIOGRAPHIEN
HotspotPanoramaOverlayArea_1E7B0AA9_0A26_8C4D_41A1_709745227D65.toolTip = BIOGRAPHIEN
HotspotPanoramaOverlayArea_19E269E7_0A1E_8FC5_418A_A05D392640DC.toolTip = BIOGRAPHIEN
HotspotPanoramaOverlayArea_1BF9F711_0A2B_845D_41A3_A67EC8DB774C.toolTip = BIOGRAPHIEN
HotspotPanoramaOverlayArea_19046A08_0A29_8C4B_4197_5369B6F8ACE8.toolTip = BIOGRAPHIEN
HotspotPanoramaOverlayArea_1FBB2E1F_0A27_8445_41A0_A554E79604E3.toolTip = BIOGRAPHIEN
HotspotPanoramaOverlayArea_1B7326CD_0A7E_85C5_417C_3C4CC81F6ECE.toolTip = BIOGRAPHIEN
HotspotPanoramaOverlayArea_34928D82_7977_4F0F_41D1_02D15E10E92B.toolTip = BRIEFE FOTOS
HotspotPanoramaOverlayArea_313634CA_7978_BD1F_41AD_1A3E278730D3.toolTip = BRIEFE FOTOS
HotspotPanoramaOverlayArea_01B6CCD6_9EDD_F218_41D1_D2125011B951.toolTip = BUCHWALD FUCHS
HotspotPanoramaOverlayArea_66886FD5_6CC7_6A92_41AD_0FBCD8784347.toolTip = Beethoven, Violinsonate 5, 1. Satz
HotspotPanoramaOverlayArea_16145BD7_2922_11FD_4192_6A985571B515.toolTip = BÜRGER GÁL
HotspotPanoramaOverlayArea_D0C5C0FD_586F_B449_41B3_584F9DFBBD3C.toolTip = BÜRGER GÁL
HotspotPanoramaOverlayArea_61CC624B_5B06_0398_41D4_FD7203A9272D.toolTip = BÜRGER | GÁL
HotspotPanoramaOverlayArea_417EC7DC_5B02_00B8_41BB_4305AB05CAA9.toolTip = BÜRGER | GÁL
HotspotPanoramaOverlayArea_27367C92_7AB8_CD0F_41CB_8AFDC3ABDA44.toolTip = BÜRGER | GÁL
HotspotPanoramaOverlayArea_70BA2F20_643A_EBB2_41D0_F8029CF1A422.toolTip = CARL FLESCH
HotspotPanoramaOverlayArea_701DCA50_63F9_9592_4195_DB7D87185626.toolTip = CARL FLESCH
HotspotPanoramaOverlayArea_B28E8E26_9A69_8AD9_41DD_16E32D683CBA.toolTip = CARL FLESCH
HotspotPanoramaOverlayArea_73A5ABC1_64C9_EAF2_41BF_7A4DA74B81A1.toolTip = CARL FLESCH
HotspotPanoramaOverlayArea_B4F66280_9B99_FBD9_417E_282FEA38E860.toolTip = CARL FLESCH (DE)
HotspotPanoramaOverlayArea_B29763C4_9B9E_9959_41E0_ED223AF2B28C.toolTip = CARL FLESCH (EN)
HotspotPanoramaOverlayArea_1E9297EB_292E_31D5_41C4_056B78FD2AFB.toolTip = CARMEN
HotspotPanoramaOverlayArea_8E7448C2_9A96_9759_41D9_87255D2C1980.toolTip = CHARLOTTE EISLER (GEB. DEMANT) 
HotspotPanoramaOverlayArea_8091187B_9A96_B72F_41E0_FDFB65CCF2E4.toolTip = CHARLOTTE EISLER (GEB. DEMANT) (DE)
HotspotPanoramaOverlayArea_8E70A9A5_9A97_89DB_41C1_CF1FE395F363.toolTip = CHARLOTTE EISLER (GEB. DEMANT) (EN)
HotspotPanoramaOverlayArea_06980939_09FE_8C4D_4171_FB7077402F6C.toolTip = DAUERAUSSTELLUNG
HotspotPanoramaOverlayArea_1A4ADAE5_0A1E_8DC5_419C_A2DF663C7B60.toolTip = DAUERAUSSTELLUNG
HotspotPanoramaOverlayArea_642A29CA_4519_36DB_41C6_D102E2707C27.toolTip = DAVID GRÜNSCHLAG
HotspotPanoramaOverlayArea_645810A6_4509_354B_41D0_2E87566F3306.toolTip = DAVID GRÜNSCHLAG (DE)
HotspotPanoramaOverlayArea_67C70654_4517_3DCF_41C6_FEF41390D3FE.toolTip = DAVID GRÜNSCHLAG (EN)
HotspotMapOverlayArea_1CE169EB_3A7D_D2BF_41CA_50C05B0EA814.toolTip = Dauerausstellung Endpunkt \
Permanent Exhibition Turning Point
HotspotPanoramaOverlayArea_6688C562_6CC7_9FB6_41D1_AA6EDED2650B.toolTip = Die Liebe kommt, die Liebe geht | Operette Sissy (1932)
HotspotPanoramaOverlayArea_8161200C_9AB9_B6EA_41DD_B44FA309605B.toolTip = EDMUND EYSLER
HotspotPanoramaOverlayArea_85A1E924_9AB9_96D9_41DD_D192A92F9050.toolTip = EDMUND EYSLER (DE)
HotspotPanoramaOverlayArea_820E7F86_9ABA_89D9_41B1_3B9119F7979D.toolTip = EDMUND EYSLER (EN)
HotspotPanoramaOverlayArea_A83A3FCF_9BBE_8967_41D7_054E615C9C08.toolTip = EDUARD STEUERMANN
HotspotPanoramaOverlayArea_AA122012_9BB6_96F9_41D6_F1C23E34D822.toolTip = EDUARD STEUERMANN (DE)
HotspotPanoramaOverlayArea_ABFA1A12_9BA9_8AF9_41E2_0B3B1BD55E9B.toolTip = EDUARD STEUERMANN (EN)
HotspotPanoramaOverlayArea_0155FD85_9EF5_F2F8_41B1_29B399FCBE0D.toolTip = EGON LUSTGARTEN
HotspotPanoramaOverlayArea_0661CB40_9EF6_F678_41CF_8BC6BBF4545F.toolTip = EGON LUSTGARTEN (DE)
HotspotPanoramaOverlayArea_09C5956D_9EFB_1208_41AC_AD86BC85C55D.toolTip = EGON LUSTGARTEN (EN)
HotspotPanoramaOverlayArea_07718734_9EF7_1E18_41D8_A06BF4DBE860.toolTip = EGON LUSTGARTEN Vitrine
HotspotPanoramaOverlayArea_56BFE25E_43F9_35FB_41B8_D2417901F777.toolTip = EGON WELLESZ 
HotspotPanoramaOverlayArea_553DE9B3_43F9_D749_4199_A610677C1500.toolTip = EGON WELLESZ (DE)
HotspotPanoramaOverlayArea_55711244_43F9_F5CF_41CE_F63290511D1E.toolTip = EGON WELLESZ (EN)
HotspotPanoramaOverlayArea_07635865_09E6_8CC5_4184_185BE79C896F.toolTip = EINGANG SONDERAUSSTELLUNG
HotspotPanoramaOverlayArea_05D7D5AF_0A27_8445_4199_888E3FE9C003.toolTip = EINLEITUNG | INTRODUCTION
HotspotPanoramaOverlayArea_B443B0F1_9B99_973B_41E2_B78E1C1B06E4.toolTip = EMANUEL FEUERMANN
HotspotPanoramaOverlayArea_A9BE51EC_9BAB_B929_41C4_5F2B0587C949.toolTip = EMANUEL FEUERMANN (DE)
HotspotPanoramaOverlayArea_B4F9E421_9BAA_9EDB_4192_438FD0465030.toolTip = EMANUEL FEUERMANN (EN)
HotspotPanoramaOverlayArea_B7D21044_9BAA_9759_41D1_38518169701E.toolTip = ERICH LEINSDORF
HotspotPanoramaOverlayArea_B6DA7225_9BAE_9ADB_41DC_96AB2AAD5191.toolTip = ERICH LEINSDORF (DE)
HotspotPanoramaOverlayArea_B6D470F7_9BA9_9727_41E2_902FF0D24283.toolTip = ERICH LEINSDORF (EN)
HotspotPanoramaOverlayArea_884F90D8_99EF_9769_41D8_CE4110D4A435.toolTip = ERICH ZEISL
HotspotPanoramaOverlayArea_50124899_43F7_3579_41B4_6CD0811C296D.toolTip = ERICH ZEISL (DE)
HotspotPanoramaOverlayArea_97E62774_99EE_F939_41E1_6D3C987720C6.toolTip = ERICH ZEISL (EN)
HotspotPanoramaOverlayArea_84BC227B_9AAE_9B2F_41D6_CD74D96A35AE.toolTip = ERNST KRENEK
HotspotPanoramaOverlayArea_B90E452D_9A9B_B92B_41E0_0739A17204DB.toolTip = ERNST KRENEK (DE)
HotspotPanoramaOverlayArea_87DDDFD9_9A9A_896B_41C7_E56CA826BA32.toolTip = ERNST KRENEK (EN)
HotspotPanoramaOverlayArea_BD47673A_9AEA_9929_41D0_DFA24243B212.toolTip = ERNST TOCH
HotspotPanoramaOverlayArea_B18C071F_9A9A_9AE7_41DA_FC56EF91C037.toolTip = ERNST TOCH (DE)
HotspotPanoramaOverlayArea_BE51EF0A_9A99_8AE9_418D_73B146D14709.toolTip = ERNST TOCH (EN)
HotspotPanoramaOverlayArea_67614DA4_450A_CF4F_41CF_D9AF4ABBA880.toolTip = ERWIN WEISS
HotspotPanoramaOverlayArea_580A2AD0_457B_4AC7_41BD_D0E1AF374CCA.toolTip = ERWIN WEISS (DE)
HotspotPanoramaOverlayArea_6688835B_450B_5BF9_41C6_0FC6FCABE51C.toolTip = ERWIN WEISS (EN)
HotspotMapOverlayArea_73B141E0_64C6_96B2_41DB_DF87A654CC9C.toolTip = Egon und Emmy Wellesz Flügel
HotspotPanoramaOverlayArea_273F4C8F_7AB8_CD15_41D3_CDA924FCF0DD.toolTip = FOTOS UND BRIEFE
HotspotPanoramaOverlayArea_B1D1779E_9A99_B9E9_41D1_6F834A189A9E.toolTip = FRANZ SCHREKER
HotspotPanoramaOverlayArea_B10D5CB3_9A69_8F3F_41B1_D6433105FF0C.toolTip = FRANZ SCHREKER (DE)
HotspotPanoramaOverlayArea_B1122A44_9A6A_8B59_41C0_93F52A1DBA28.toolTip = FRANZ SCHREKER (EN)
HotspotPanoramaOverlayArea_55F542F2_9DCB_1618_41D3_263DBB26E9D7.toolTip = FREISTADL BILD
HotspotPanoramaOverlayArea_3BD049BB_9ED5_3208_41E2_577AFF313A78.toolTip = FREISTADTL BILD
HotspotPanoramaOverlayArea_EFE373FE_644F_9A8E_41B4_5F4A0BE2E5D2.toolTip = FREISTADTL | BILD
HotspotPanoramaOverlayArea_10CA0935_296E_7EBD_41B7_BA5A601D95EF.toolTip = FREISTADTL | BILD
HotspotPanoramaOverlayArea_67CDE8A9_796B_751D_4194_C328572AEE96.toolTip = FREISTADTL | BILD
HotspotPanoramaOverlayArea_1143BE67_6459_EDBE_41CF_BF3D313B42FA.toolTip = FREISTADTL | BILD
HotspotPanoramaOverlayArea_534C6006_42F9_354B_41BA_15F9D831EB56.toolTip = FRITZ KREISLER
HotspotPanoramaOverlayArea_4CB2B46D_42F9_7DD9_41C2_3D6548B3F16B.toolTip = FRITZ KREISLER (DE)
HotspotPanoramaOverlayArea_53EB4419_42F9_FD79_41B6_7F0333DDA337.toolTip = FRITZ KREISLER (EN)
HotspotPanoramaOverlayArea_58D7C3A9_430E_FB59_419E_1D69B1242C88.toolTip = FRITZ KREISLER AUF DEM SCHIFF | ON THE BOAT
HotspotPanoramaOverlayArea_87587E42_0FAB_2388_4187_589FFC679287.toolTip = FRITZ KREISLER BÜSTE
HotspotPanoramaOverlayArea_4F9BCB4E_9DD7_F608_41C1_FC7527402650.toolTip = FRITZ KREISLER IM EXIL
HotspotPanoramaOverlayArea_67CA58A8_796B_751B_41DD_E1C8A318B206.toolTip = FRITZ KREISLER IN WIEN
HotspotPanoramaOverlayArea_C7D3BB5D_6CC9_6B92_41D1_23CF6F088DF3.toolTip = FRITZ KREISLER UND WIEN -1
HotspotPanoramaOverlayArea_54037792_5B02_0088_41CC_059D483181C9.toolTip = FRITZ KREISLER UND WIEN -1
HotspotPanoramaOverlayArea_FFF0A4D9_9FCB_F208_41C7_3577B6F8CADE.toolTip = FRITZ KREISLER UND WIEN -1
HotspotPanoramaOverlayArea_9F66475E_0F9C_E1B8_419E_8DD825B6C69C.toolTip = FRITZ KREISLER UND WIEN -1
HotspotPanoramaOverlayArea_1266E851_2966_1EF5_41BF_199A0F3BB362.toolTip = FRITZ KREISLER UND WIEN -1
HotspotPanoramaOverlayArea_E038C39C_9F5B_1608_41E2_F2AEC1C49BD2.toolTip = FRITZ KREISLER UND WIEN -2
HotspotPanoramaOverlayArea_9C61B670_0F9F_E388_4196_D4E87B69F32F.toolTip = FRITZ KREISLER UND WIEN -2
HotspotPanoramaOverlayArea_9AB1B226_0F9D_6388_41A4_7457316082DD.toolTip = FRITZ KREISLER UND WIEN -2
HotspotPanoramaOverlayArea_C6985454_9FBB_7218_41DC_C0F157DBDCE2.toolTip = FRITZ KREISLER UND WIEN -2
HotspotPanoramaOverlayArea_370644EF_2F22_37AD_41B1_6F9F5FC1AE85.toolTip = FRITZ KREISLER UND WIEN -2
HotspotPanoramaOverlayArea_825CB6EE_9ABB_FB29_41D3_22B4B2EBE502.toolTip = FRITZ SPIELMANN
HotspotPanoramaOverlayArea_8573DEBA_9AAA_8B29_41DA_48A97C46518E.toolTip = FRITZ SPIELMANN (DE)
HotspotPanoramaOverlayArea_83ECFD1E_9AB6_8EE9_41CF_B858B0E80790.toolTip = FRITZ SPIELMANN (EN)
HotspotPanoramaOverlayArea_8D0075B0_9A69_9939_41CF_C58544AADAAC.toolTip = FRITZ STIEDRY
HotspotPanoramaOverlayArea_8FE3E9EF_9A6B_8927_41AA_A7852E76D58E.toolTip = FRITZ STIEDRY (DE)
HotspotPanoramaOverlayArea_8E7A7A6E_9A6A_8B29_41D2_A71D9EBA211E.toolTip = FRITZ STIEDRY (EN)
HotspotPanoramaOverlayArea_743CB8A4_6C3F_F6B2_41D5_770320FD45CE.toolTip = GALIMIR ROSTAL AMADEUS QUARTETTE
HotspotPanoramaOverlayArea_7450F407_6C47_7D7E_41D4_A26D7DA4E85A.toolTip = GALIMIR ROSTAL AMADEUS QUARTETTE
HotspotPanoramaOverlayArea_74464927_6C4A_97BE_4199_0B54171E690E.toolTip = GALIMIR ROSTAL AMADEUS QUARTETTE
HotspotPanoramaOverlayArea_74450C5A_6C4E_AD96_41C3_BA633993EC81.toolTip = GALIMIR ROSTAL AMADEUS QUARTETTE
HotspotPanoramaOverlayArea_7460A617_6C47_9D9E_41D2_1E2C3D2644A7.toolTip = GALIMIR ROSTAL AMADEUS QUARTETTE
HotspotPanoramaOverlayArea_7073B16B_6449_F7B6_41D8_13504F1B2F52.toolTip = GALIMIR ROSTAL AMADEUS QUARTETTE
HotspotPanoramaOverlayArea_8547897A_0FAD_6078_4144_F6232037AD34.toolTip = GEIGENKASTEN
HotspotPanoramaOverlayArea_E1656006_9EBA_96D9_41C2_D09D7DAD575B.toolTip = GEIGENSTIL | VIOLIN STYLE
HotspotPanoramaOverlayArea_66A00DA6_5B06_0088_41D0_816E2277BB7A.toolTip = GEIGENSTIL | VIOLIN STYLE
HotspotPanoramaOverlayArea_B3F289F1_0EBB_2088_4190_17521977A647.toolTip = GEIGENSTIL | VIOLIN STYLE
HotspotPanoramaOverlayArea_8A9392B3_9997_9B3F_41C9_651A101BD225.toolTip = GEORG TINTNER
HotspotPanoramaOverlayArea_8A42C793_999E_99FF_41D0_F21E1B456098.toolTip = GEORG TINTNER (DE)
HotspotPanoramaOverlayArea_8C8D4C81_9996_8FDB_41BB_82E23DD7860A.toolTip = GEORG TINTNER (EN)
HotspotPanoramaOverlayArea_59CA3C5C_4509_4DFF_41B4_6C25F01C2899.toolTip = GEORGE SZELL
HotspotPanoramaOverlayArea_5AE4C266_457F_F5CB_41C0_2F1D4E4859F9.toolTip = GEORGE SZELL (DE)
HotspotPanoramaOverlayArea_59A02C0E_450B_4D5B_41C4_8DECF69B3129.toolTip = GEORGE SZELL (EN)
HotspotMapOverlayArea_73B6B3A4_64CB_FAB2_41D0_FB4E24BC37D6.toolTip = GRAMMOPHON LIEBESFREUD LIEBESLEID
HotspotMapOverlayArea_B68932A6_3AFD_56A9_41BC_905E37B65921.toolTip = GRUNDISS SCHLIESSEN \
CLOSE FLOORPLAN
HotspotPanoramaOverlayArea_70768F30_644B_AB92_41CE_E25F485C2D03.toolTip = GRÜNSCHLAG | ADLER
HotspotPanoramaOverlayArea_70BAB903_643B_F776_41CE_675D0F945829.toolTip = GRÜNSCHLAG | ADLER
HotspotPanoramaOverlayArea_708A0029_64DA_95B2_41C3_1442425E2A50.toolTip = GRÜNSCHLAG | ADLER
HotspotPanoramaOverlayArea_BFBC6920_9A9E_B6D9_41C3_E7051475C5BA.toolTip = GUIDO ADLER
HotspotPanoramaOverlayArea_B37BB972_9A96_8939_41C4_10B3C2D6B140.toolTip = GUIDO ADLER (DE)
HotspotPanoramaOverlayArea_B0E6A3B1_9AAB_993B_41BF_4F808AB3E613.toolTip = GUIDO ADLER (EN)
HotspotPanoramaOverlayArea_5D8EA0C2_457B_56CB_41C1_64F9CACDDE6E.toolTip = GUILLERMO GRAETZER
HotspotPanoramaOverlayArea_5990E3B7_4577_3B49_41CE_CFB0C9C80C71.toolTip = GUILLERMO GRAETZER (DE)
HotspotPanoramaOverlayArea_670106D1_4509_DAC9_41CF_79CDAB8BDB65.toolTip = GUILLERMO GRAETZER (EN)
HotspotPanoramaOverlayArea_B0EB152A_9AAA_9929_41DB_F9522AEF4593.toolTip = GUSTAV MAHLER
HotspotPanoramaOverlayArea_B32A2F49_9A9B_896B_41DC_94EA6FD1BAEE.toolTip = GUSTAV MAHLER (DE)
HotspotPanoramaOverlayArea_B1C27D8E_9A9A_89E9_41D5_AD99EDC7F869.toolTip = GUSTAV MAHLER (EN)
HotspotPanoramaOverlayArea_A85BEDA4_9BB9_89D9_41B6_1EA003F01945.toolTip = HANNS EISLER
HotspotPanoramaOverlayArea_AD1F0F08_9BB6_8AE9_41D6_E7942C4FDE0F.toolTip = HANNS EISLER (DE)
HotspotPanoramaOverlayArea_A855D6CC_9BBE_7B69_41C8_087A5089FD2B.toolTip = HANNS EISLER (EN)
HotspotPanoramaOverlayArea_ADDC1ABD_9ECB_1608_41D6_F07953F6DB1A.toolTip = HANS GÁL
HotspotPanoramaOverlayArea_B5617FD4_9DCD_2E18_41E3_850336F27B78.toolTip = HANS GÁL (DE)
HotspotPanoramaOverlayArea_B83B6A17_9DCF_1618_41DF_F38EEFA9562F.toolTip = HANS GÁL (EN)
HotspotPanoramaOverlayArea_BBF6E163_9DCD_1238_41D5_828571A59F53.toolTip = HANS GÁL Vitrine
HotspotPanoramaOverlayArea_B7266A03_9BA9_8ADF_41D7_DE6FCF86CEE5.toolTip = HANS KELLER
HotspotPanoramaOverlayArea_A8D2D3D7_9BAE_B967_41D5_A8D5B390B49E.toolTip = HANS KELLER (DE)
HotspotPanoramaOverlayArea_B7C7F197_9BA9_99E7_41E3_158F9E5C5112.toolTip = HANS KELLER (EN)
HotspotPanoramaOverlayArea_DE4B9436_9F4B_3218_41C1_B9F448BF3EDA.toolTip = HANS WINTERBERG
HotspotPanoramaOverlayArea_A1B9F49D_9EBD_1208_4192_0B11EA988728.toolTip = HANS WINTERBERG (DE)
HotspotPanoramaOverlayArea_A243EDA5_9EBD_1238_41E3_A454E61C515F.toolTip = HANS WINTERBERG (EN)
HotspotPanoramaOverlayArea_A5B1D47F_9EBD_1208_41D7_47F495A42937.toolTip = HANS WINTERBERG Vitrine
HotspotPanoramaOverlayArea_80B8D8FC_9A69_B729_41B1_40C9BDBD7F6C.toolTip = HEINRICH JALOWETZ
HotspotPanoramaOverlayArea_8E18F1AE_9A6E_7929_41D4_2A082DA5518A.toolTip = HEINRICH JALOWETZ (DE)
HotspotPanoramaOverlayArea_8E2A2FAC_9A6F_8929_41E1_5F49F1842472.toolTip = HEINRICH JALOWETZ (EN)
HotspotPanoramaOverlayArea_865B8DDA_9A99_8969_41BC_47D837CA5D2A.toolTip = HEINRICH SCHENKER
HotspotPanoramaOverlayArea_BAC04602_9A9A_BAD9_41DE_79DF5EF54D4E.toolTip = HEINRICH SCHENKER (DE)
HotspotPanoramaOverlayArea_87409A1F_9A9B_8AE7_41CD_CDF2894148A6.toolTip = HEINRICH SCHENKER (EN)
HotspotPanoramaOverlayArea_BC8CACE8_9AF6_8F29_41C7_5E8D2A515FF7.toolTip = HERBERT ZIPPER
HotspotPanoramaOverlayArea_BF7D5F47_9AEE_8967_41CB_1A72DCE1F441.toolTip = HERBERT ZIPPER (DE)
HotspotPanoramaOverlayArea_BD993BE6_9AE9_8959_41E2_EC2A447EBBCC.toolTip = HERBERT ZIPPER (EN)
HotspotPanoramaOverlayArea_70CEA3A8_645B_9AB2_41D4_3A2028326C0F.toolTip = HUBERMANN | MORINI
HotspotPanoramaOverlayArea_74475938_6C4A_B792_41B3_4FE8596CDF96.toolTip = HUBERMANN | MORINI
HotspotPanoramaOverlayArea_7097D970_64C9_B792_41D8_697B57D6684E.toolTip = HUBERMANN | MORINI
HotspotPanoramaOverlayArea_AB276051_3ABD_71EB_41C2_42599568C737.toolTip = Hans Gál Audio Terminal
HotspotPanoramaOverlayArea_A328EF96_3A5D_CF69_4199_5892A336D2A9.toolTip = Hans Winterberg Audio Terminal
HotspotMapOverlayArea_7230E2DE_3AA7_D699_41A0_DAE8546011EB.toolTip = Hans Winterberg | Walter Bricht
HotspotPanoramaOverlayArea_1940C7BA_9F57_1E08_41B6_F5B6EDC8EE58.toolTip = IM EXIL
HotspotPanoramaOverlayArea_5F0E9947_9DB5_1278_41B6_A7F3ED06A0AC.toolTip = IM EXIL | BILDER
HotspotPanoramaOverlayArea_55FCC789_5B02_0098_41D2_E2C7D28F0A79.toolTip = IM EXIL | BILDER
HotspotPanoramaOverlayArea_67C598A6_796B_7517_4192_9A65827D981B.toolTip = IM EXIL | BILDER
HotspotPanoramaOverlayArea_1035E891_644E_9692_41D7_C589560E73A1.toolTip = IM EXIL | KOMPOSITIONSSTIL
HotspotPanoramaOverlayArea_003A5AD3_9ED7_3618_41DA_4C239E765B68.toolTip = IM EXIL | KOMPOSITIONSSTIL
HotspotPanoramaOverlayArea_2B7AF07F_9EB7_F208_41BA_F9BD86E68F45.toolTip = IM EXIL – BILDER
HotspotPanoramaOverlayArea_A8E8F3D1_9ED7_F618_41E1_C1F14C29656F.toolTip = JAN URBAN
HotspotPanoramaOverlayArea_B77594E6_9DBB_1238_41E2_DBCBD7B44B9E.toolTip = JAN URBAN (DE)
HotspotPanoramaOverlayArea_BBAFE310_9DBB_7618_41DE_760B11350E27.toolTip = JAN URBAN (EN)
HotspotPanoramaOverlayArea_BBA7BC8F_9DDB_3208_41C6_9141AD1396FD.toolTip = JAN URBAN Vitrine
HotspotPanoramaOverlayArea_BDB7C63A_9AEA_BB29_41D1_35A12BA7CE78.toolTip = JOSEF KRIPS
HotspotPanoramaOverlayArea_B1A106B6_9A97_BB39_41D3_6D54681BB810.toolTip = JOSEF KRIPS (DE)
HotspotPanoramaOverlayArea_BD40282E_9AEB_B729_41DD_7F68B41AD2B0.toolTip = JOSEF KRIPS (EN)
HotspotPanoramaOverlayArea_89ED763C_99AA_FB29_41DC_9B2077092260.toolTip = JOSEPH BEER
HotspotPanoramaOverlayArea_8BB2F0E3_99A9_B75F_41CB_07C9EC02544E.toolTip = JOSEPH BEER (DE)
HotspotPanoramaOverlayArea_89D44B9D_99A9_89EB_4173_2B8E3AA142AB.toolTip = JOSEPH BEER (EN)
HotspotPanoramaOverlayArea_6576298F_4516_F759_41B2_70FF217AFC3A.toolTip = JOSEPH ROSENSTOCK
HotspotPanoramaOverlayArea_625E3F5D_451B_4BF9_41C1_4B420165B7EF.toolTip = JOSEPH ROSENSTOCK (DE)
HotspotPanoramaOverlayArea_64E23EDD_4519_4AF9_41C5_C84403E24C97.toolTip = JOSEPH ROSENSTOCK (EN)
HotspotPanoramaOverlayArea_A4684522_9ECB_1238_41A0_7910503D090D.toolTip = JUDENTUM | JUDAISM
HotspotPanoramaOverlayArea_6E0E0F21_2962_3255_41C4_F9CDEC2F4EEA.toolTip = JUDENTUM | JUDAISM
HotspotPanoramaOverlayArea_514AA3BD_6446_9A92_41C7_8ADC9A1757CA.toolTip = JUDENTUM | JUDAISM
HotspotPanoramaOverlayArea_77B3F359_A2B5_1608_41E3_8C1F0A14AE82.toolTip = JUDENTUM | JUDAISM
HotspotPanoramaOverlayArea_71929EAF_64CB_AA8E_41C4_92D142B42357.toolTip = JUDENTUM | JUDAISM
HotspotPanoramaOverlayArea_AD80A0FF_9ECD_1208_41BD_64C23EDFB874.toolTip = JULIUS BÜRGER
HotspotPanoramaOverlayArea_BB37D2FA_9DCD_1608_41CE_07B254A3E33C.toolTip = JULIUS BÜRGER (DE)
HotspotPanoramaOverlayArea_BB9893C9_9DCB_1608_41D0_9967EFB32E63.toolTip = JULIUS BÜRGER (EN)
HotspotPanoramaOverlayArea_BB9C6C08_9DCE_F208_41D0_4D3DA8745F79.toolTip = JULIUS BÜRGER Vitrine
HotspotPanoramaOverlayArea_AF818B29_3AA2_D7BB_41B4_6CC53D735D72.toolTip = Jan Urban Audio Terminal
HotspotMapOverlayArea_040A936C_3AAF_B7B9_41C8_538C3AA4EDE0.toolTip = Jan Urban | Wilhelm Grosz
HotspotPanoramaOverlayArea_A9A0406E_3ABD_D1B9_4185_B1435670BBE2.toolTip = Julius Bürger Audio Terminal
HotspotMapOverlayArea_011106C5_3A62_DEEB_418D_8E5DE9482293.toolTip = Julius Bürger | Hans Gál
HotspotPanoramaOverlayArea_80F6812E_9A9A_7929_41D2_13CD55D7BEF6.toolTip = KARL WEIGL
HotspotPanoramaOverlayArea_819C84E4_9AAB_9F59_41D0_E20774B8FB29.toolTip = KARL WEIGL (DE)
HotspotPanoramaOverlayArea_810A4190_9AAA_99F9_41E0_C4660BF4D153.toolTip = KARL WEIGL (EN)
HotspotPanoramaOverlayArea_54CFBC3D_4309_4DB9_41CC_23BDA9CB5FA0.toolTip = KAROL RATHAUS 
HotspotPanoramaOverlayArea_54564433_43F6_FD49_41AD_4B9A4C9123C1.toolTip = KAROL RATHAUS (DE)
HotspotPanoramaOverlayArea_5445EA24_43F6_D54F_4194_192E88AA79D0.toolTip = KAROL RATHAUS (EN)
HotspotPanoramaOverlayArea_7059C034_6479_9592_417F_6781F5A4831E.toolTip = KOLISCH BUSCH QUARTETTE
HotspotPanoramaOverlayArea_708A0028_64DA_95B2_41B8_CD33DD84A9EC.toolTip = KOLISCH BUSCH QUARTETTE
HotspotPanoramaOverlayArea_5763EE6C_796B_4D1B_41DB_5B5658D1B4B7.toolTip = KOMPOSITIONSSTIL
HotspotPanoramaOverlayArea_90805ADF_0F6D_60B8_4192_420B29CAD7CA.toolTip = KOMPOSITIONSSTIL
HotspotPanoramaOverlayArea_6B175F19_65CA_AB92_4170_9A48146A571A.toolTip = KOMPOSITIONSSTIL
HotspotPanoramaOverlayArea_4EF3B50B_7979_7F1D_41DD_85DC98984EF6.toolTip = KOMPOSITIONSSTIL
HotspotPanoramaOverlayArea_4E25E3A3_7978_BB0D_41C5_4CD694499CA8.toolTip = KOMPOSITIONSSTIL
HotspotPanoramaOverlayArea_717E4580_643A_9F72_41C2_9C686B9FAF84.toolTip = KOMPOSITIONSSTIL
HotspotPanoramaOverlayArea_BF6928A1_0EAD_E088_4197_544C58208113.toolTip = KORNGOLD EN
HotspotPanoramaOverlayArea_524789E1_6446_96B2_41D7_44E4C9349C89.toolTip = KORNGOLD EN
HotspotPanoramaOverlayArea_1C316DE3_6447_AEB6_4182_031A78E49F5B.toolTip = KORNGOLD EN
HotspotPanoramaOverlayArea_BD66EE9C_0EAB_20B8_41A5_8CEB641E33FC.toolTip = KREISLER AUDIO TERMINAL
HotspotPanoramaOverlayArea_701F7CDD_63F9_6E92_41CD_54EBF4B5D187.toolTip = KREISLER AUDIO TERMINAL
HotspotPanoramaOverlayArea_7059C035_6479_9592_41C2_E23C0BBA5086.toolTip = KREISLER AUDIO TERMINAL
HotspotMapOverlayArea_73B5146D_64CE_BDB2_41C5_38CC71527D05.toolTip = KREISLER AUDIO TERMINAL
HotspotPanoramaOverlayArea_70CD32EA_645E_FAB6_41CB_CDE7BB33EC9A.toolTip = KREISLER AUDIO TERMINAL
HotspotPanoramaOverlayArea_CA0BE74A_99E9_9969_41E2_924CB8938279.toolTip = KREISLER BÜSTE
HotspotPanoramaOverlayArea_7084223D_57FE_0E04_41C2_AE29F9A7193E.toolTip = KREISLER BÜSTE
HotspotPanoramaOverlayArea_7274DA0B_5B0E_0398_41C7_08948E94085C.toolTip = KREISLER BÜSTE
HotspotPanoramaOverlayArea_0A1A0D20_9F75_3238_41E2_B810CFDC9345.toolTip = KREISLER BÜSTE
HotspotPanoramaOverlayArea_C38809D5_9999_897B_41D1_AF62ADDE2095.toolTip = KREISLER BÜSTE
HotspotPanoramaOverlayArea_310EE4CC_7978_BD1B_41DE_5DB054CCCF2C.toolTip = KREISLER BÜSTE
HotspotPanoramaOverlayArea_756AF895_5B06_0088_41C6_21BC827C0E9E.toolTip = KREISLER LIEBESFREUD | LIEBESLEID
HotspotPanoramaOverlayArea_2824DCA5_6439_6EB2_41CB_6FE8F5B5E825.toolTip = KREISLER STAMMBAUM
HotspotPanoramaOverlayArea_5702DD65_59AE_EC79_41CA_D87D706AEFBE.toolTip = KREISLER STAMMBAUM
HotspotPanoramaOverlayArea_93F269C7_0F6D_2088_4191_AE2695EBD1F2.toolTip = KREISLER STAMMBAUM
HotspotPanoramaOverlayArea_6B623B82_644A_EB76_41B2_658CA2F4D3AC.toolTip = KREISLER UND WIEN 1
HotspotPanoramaOverlayArea_6A89E0CF_64D9_968E_41D4_16FA06EDC4D4.toolTip = KREISLER UND WIEN 2
HotspotPanoramaOverlayArea_6688C561_6CC7_9FB2_41CF_1710EF5B89F5.toolTip = Kreisler, Liebesleid (1905)
HotspotPanoramaOverlayArea_6688C561_6CC7_9FB2_41CE_13C9005B32EA.toolTip = Kreisler, Streichquartett a-Moll (1919), 1. Satz
HotspotPanoramaOverlayArea_66888787_6CC7_9B7E_41C6_8146616E9558.toolTip = Kreisler, Viennese Rhapsodic Fantasietta
HotspotPanoramaOverlayArea_6B47C3FB_5B06_0078_41A4_15A85875099A.toolTip = LIEBESFREUD
HotspotPanoramaOverlayArea_475548C3_5B02_0088_41D1_006896D37DF0.toolTip = LIEBESFREUD | LIEBESLEID 
HotspotPanoramaOverlayArea_3A6DEE4D_5B02_0398_41AD_3DB3672E09D7.toolTip = LIEBESFREUD | LIEBESLEID 
HotspotPanoramaOverlayArea_27A074B9_7ABF_5D7D_41DB_3410F0035AB7.toolTip = LIEBESFREUD | LIEBESLEID  
HotspotPanoramaOverlayArea_F31D3A9E_99AF_8BE9_41D7_A015687DF364.toolTip = LIEBESFREUD | LIEBESLEID  
HotspotPanoramaOverlayArea_6B7686FB_5B06_0078_41C2_46D7907FD306.toolTip = LIEBESLEID
HotspotPanoramaOverlayArea_717D512B_643E_B7B6_41CB_7D1DCBFD7A70.toolTip = MANUSKRIPTE
HotspotPanoramaOverlayArea_67CA58A7_796B_7515_41B8_55D2C6B963BF.toolTip = MANUSKRIPTE
HotspotPanoramaOverlayArea_54039791_5B02_0088_41B3_A7CDFB9EEE7E.toolTip = MANUSKRIPTE
HotspotPanoramaOverlayArea_98BE2275_0F65_6388_41A6_E0094F415851.toolTip = MANUSKRIPTE
HotspotPanoramaOverlayArea_6A3A235A_643A_9B96_41D6_8B14B3B50B67.toolTip = MANUSKRIPTE 1
HotspotPanoramaOverlayArea_69DB72E3_6479_7AB6_41A3_3D761DC9243D.toolTip = MANUSKRIPTE 1
HotspotPanoramaOverlayArea_6A89E0D0_64D9_9692_41D9_DB54B83D32AF.toolTip = MANUSKRIPTE 1
HotspotPanoramaOverlayArea_69DA69E9_647A_96B2_41CF_CB892CD43E1B.toolTip = MANUSKRIPTE 2
HotspotPanoramaOverlayArea_6A3A235B_643A_9B96_41C7_59EB5EE4BDFA.toolTip = MANUSKRIPTE 2
HotspotPanoramaOverlayArea_69C312BA_644A_BA96_41A8_876338F50A7E.toolTip = MANUSKRIPTE 3
HotspotPanoramaOverlayArea_69DB72E2_6479_7AB6_4170_46B41570F15C.toolTip = MANUSKRIPTE 3
HotspotPanoramaOverlayArea_8EA094BB_999B_FF2F_41B8_CBA9120099A8.toolTip = MARCEL RUBIN
HotspotPanoramaOverlayArea_82BAE7B0_9A9E_9939_41D5_88DD8975CD93.toolTip = MARCEL RUBIN (DE)
HotspotPanoramaOverlayArea_8F201435_9A9A_9F3B_41D3_1265061883D2.toolTip = MARCEL RUBIN (EN)
HotspotPanoramaOverlayArea_0DA34911_9F4D_7218_41D8_D41A848F0E09.toolTip = MARTA AND JAN – PERSONAL DATA
HotspotPanoramaOverlayArea_B2618289_9B9F_9BEB_41B3_9D2E2A551BD1.toolTip = MAX BRAND
HotspotPanoramaOverlayArea_B7C8D99E_9B9A_89E9_41C3_F876E61ABDBD.toolTip = MAX BRAND (DE)
HotspotPanoramaOverlayArea_B5497A37_9B9B_8B27_4193_9E0313A8E1A9.toolTip = MAX BRAND (EN)
HotspotPanoramaOverlayArea_1BB3BC7F_0A7E_84C5_41A3_7BE9D04B1518.toolTip = MEDIEN TERMINAL
HotspotPanoramaOverlayArea_1848DCCA_0A2B_85CF_4193_B18F72ED4EAB.toolTip = MEDIEN TERMINAL
HotspotMapOverlayArea_73B91755_64C6_BB92_41D7_BE09FE51B939.toolTip = Manuskripte \
Manuscripts
HotspotPanoramaOverlayArea_5A830F21_9DB5_2E38_41D3_A88FEF45D974.toolTip = NS REGIME
HotspotPanoramaOverlayArea_458B0D68_9D7D_1208_41E1_CDE1DE9F1F45.toolTip = NS REGIME
HotspotPanoramaOverlayArea_D3146183_9F57_72F8_41DC_1284F8B705DF.toolTip = NS REGIME
HotspotPanoramaOverlayArea_BCCC7E73_9AEA_8B3F_41DE_68672C52C6EF.toolTip = PAUL AMADEUS PISK
HotspotPanoramaOverlayArea_BE628EA4_9AE9_8BD9_41E1_C30B3F260307.toolTip = PAUL AMADEUS PISK (DE)
HotspotPanoramaOverlayArea_BCC8A3E6_9AF7_F959_41D8_F4A807CFA53B.toolTip = PAUL AMADEUS PISK (EN)
HotspotPanoramaOverlayArea_1EA2110A_0AFA_9C4F_418D_AE1ED7BC9216.toolTip = PUBLIKATIONEN
HotspotPanoramaOverlayArea_4020E9DA_554D_56D8_41D1_B3D89F7BDFEF.toolTip = PUBLIKATIONEN
HotspotPanoramaOverlayArea_1EB8978A_0A2A_844F_4180_A50EE3499531.toolTip = PUBLIKATIONEN
HotspotPanoramaOverlayArea_1FAD9223_0A26_9C7D_418A_77FE75395490.toolTip = PUBLIKATIONEN
HotspotPanoramaOverlayArea_1B7B8EEB_0A1B_85CD_418B_DD74E8BBE2FE.toolTip = PUBLIKATIONEN
HotspotPanoramaOverlayArea_18017432_0A1B_845F_41A0_47B65DD3012A.toolTip = PUBLIKATIONEN
HotspotPanoramaOverlayArea_1812937A_0AFB_9CCF_4199_F73B39382CE4.toolTip = PUBLIKATIONEN
HotspotPanoramaOverlayArea_1AFB8FCE_0A29_83C7_417F_3FBD65452529.toolTip = PUBLIKATIONEN
HotspotPanoramaOverlayArea_0A709971_9ECD_3218_41B1_7AE1D1A298E8.toolTip = RICHARD FUCHS
HotspotPanoramaOverlayArea_0C9829D8_9EDB_7208_41DD_5A2BAD4468DD.toolTip = RICHARD FUCHS (DE)
HotspotPanoramaOverlayArea_0C9DB201_9EDB_11F8_41D7_BB51502D4A1F.toolTip = RICHARD FUCHS (EN)
HotspotPanoramaOverlayArea_0D704B0E_9EDD_1608_419F_CC2CC930377F.toolTip = RICHARD FUCHS Vitrine
HotspotPanoramaOverlayArea_B591F2E5_9B9A_9B5B_41D8_2FC6C3EE21E3.toolTip = RICHARD STÖHR
HotspotPanoramaOverlayArea_B6D79DB7_9B97_8927_41DD_1C36C73DA087.toolTip = RICHARD STÖHR (DE)
HotspotPanoramaOverlayArea_B416081E_9B96_F6E9_41CB_F94C94134C05.toolTip = RICHARD STÖHR (EN)
HotspotPanoramaOverlayArea_2907A602_9D4B_11F8_41C2_2FF6133F396C.toolTip = ROBERT FREISTADTL 
HotspotPanoramaOverlayArea_2DD5948C_9D4D_7208_41CC_649AF8C7D7A5.toolTip = ROBERT FREISTADTL  Vitrine
HotspotPanoramaOverlayArea_2C060C62_9D57_1238_41DD_FFEE2FAC97B8.toolTip = ROBERT FREISTADTL (DE)
HotspotPanoramaOverlayArea_327568F0_9D55_1218_41E0_C255D6CFAF3F.toolTip = ROBERT FREISTADTL (EN)
HotspotPanoramaOverlayArea_88F6F17D_99EA_B92B_41CB_59893835D0B2.toolTip = ROBERT FÜRSTENTHAL
HotspotPanoramaOverlayArea_50ABDE45_430B_CDC9_41C2_B04568F9E191.toolTip = ROBERT FÜRSTENTHAL (DE)
HotspotPanoramaOverlayArea_50430702_430B_5B4B_41AF_9EFEE3321CFA.toolTip = ROBERT FÜRSTENTHAL (EN)
HotspotPanoramaOverlayArea_70D1ADC6_6449_EEFE_41C9_2049DCC7A18E.toolTip = ROSÉ-QUARTETT
HotspotPanoramaOverlayArea_7059C034_6479_9592_41CB_2DD67853AC5B.toolTip = ROSÉ-QUARTETT
HotspotPanoramaOverlayArea_ABCF4DC0_0E9D_E088_41A2_E1C683CAEA75.toolTip = ROSÉ-QUARTETT
HotspotPanoramaOverlayArea_73A5ABC2_64C9_EAF6_41A9_BC2FB9B6FE0A.toolTip = ROSÉ-QUARTETT
HotspotPanoramaOverlayArea_70D09D50_6447_AF92_41B9_E2079FCA49A6.toolTip = ROSÉ-QUARTETT
HotspotPanoramaOverlayArea_670CF96B_6DDF_77B6_41D7_3DD91466C26F.toolTip = Richard Fuchs Audio Terminal
HotspotPanoramaOverlayArea_91EEC2A3_3A6E_D6AF_41BF_D8CDFEDD7B1F.toolTip = Richard Fuchs Audio Terminal
HotspotPanoramaOverlayArea_66F6D8BE_6C4B_B68E_41D0_E86E52572040.toolTip = Richard Fuchs Audio Terminal
HotspotPanoramaOverlayArea_6683DCD0_6CC9_AE92_41D6_026ACC9E642D.toolTip = Richard Fuchs Audio Terminal
HotspotPanoramaOverlayArea_66F49F59_6C4F_AB92_41CB_5564E9EDF719.toolTip = Richard Fuchs Audio Terminal
HotspotPanoramaOverlayArea_670A5251_6DDA_B592_41C7_3FA76695369A.toolTip = Richard Fuchs Audio Terminal
HotspotPanoramaOverlayArea_6704978A_6DCF_BB76_41C7_E0AB89C1931E.toolTip = Richard Fuchs Audio Terminal
HotspotPanoramaOverlayArea_9E126E11_3A63_716B_41A3_084324FDA171.toolTip = Robert Freistadtl (Frey) Audio Terminal
HotspotMapOverlayArea_6EDF01AA_3ABE_D2B9_41CC_F2D38CF8068B.toolTip = Robert Freistadtl | Anita Bild
HotspotPanoramaOverlayArea_701779C8_63C9_76F2_41C0_15FCF3FE2D9B.toolTip = SINGER LUSTGARTEN
HotspotPanoramaOverlayArea_21C556C9_9DBD_1E08_41A6_77E0E8A66119.toolTip = SINGER LUSTGARTEN
HotspotPanoramaOverlayArea_EFEAC3FF_644F_9A8E_41D4_6B52BC9F6DF4.toolTip = SINGER LUSTGARTEN
HotspotPanoramaOverlayArea_71C305F1_644A_9E92_41D5_D780807BDC13.toolTip = SINGER LUSTGARTEN
HotspotPanoramaOverlayArea_67CDA8AA_796B_751F_41D5_BAE3F59B0315.toolTip = SINGER LUSTGARTEN
HotspotPanoramaOverlayArea_1BD3A5C2_6459_9EF6_41CE_01811C8ED6D5.toolTip = SINGER LUSTGARTEN
HotspotPanoramaOverlayArea_AAA5D55A_0F65_61B8_41A7_71370052E879.toolTip = SINGER LUSTGARTEN
HotspotPanoramaOverlayArea_91CD0F20_0F6B_6188_41A4_0809CE143E5F.toolTip = SINGER | LUSTGARTEN
HotspotPanoramaOverlayArea_002E18C7_9EDF_3278_41DD_E96B06EAA8FF.toolTip = SISSY OPERETTE
HotspotPanoramaOverlayArea_10D6D7F0_645F_7A92_4193_6EA28755BEA9.toolTip = SISSY OPERETTE
HotspotPanoramaOverlayArea_701C7837_63FF_759E_41D8_85A92513D51E.toolTip = SISSY OPERETTE
HotspotPanoramaOverlayArea_C83334F9_99E9_9F2B_4198_68F522D9A4F1.toolTip = SOZIALES ENGAGEMENT
HotspotPanoramaOverlayArea_310ED4CC_7978_BD1B_41D3_A05DB2540895.toolTip = SOZIALES ENGAGEMENT
HotspotPanoramaOverlayArea_FAC0FE6E_9999_8B29_41C2_6EB21C66862D.toolTip = SOZIALES ENGAGEMENT
HotspotPanoramaOverlayArea_3E563DBA_0D65_20F8_4176_3BB065087A8E.toolTip = SOZIALES ENGAGEMENT
HotspotPanoramaOverlayArea_37570F4E_5B0E_0198_41BD_78B2D62E1A11.toolTip = SOZIALES ENGAGEMENT
HotspotMapOverlayArea_73B3E7C2_64C9_9AF6_41D4_05906BAC4FA7.toolTip = START PERMANENT & SPECIAL EXHIBITIONS
HotspotPanoramaOverlayArea_6626A8D5_450F_F6C9_4192_FCDEDF558FA0.toolTip = STEFAN SHKENASE
HotspotPanoramaOverlayArea_5BEEB89D_4579_3579_4187_FB8816562122.toolTip = STEFAN SHKENASE (DE)
HotspotPanoramaOverlayArea_584D8C95_4576_CD49_41A1_D99E7868EE7C.toolTip = STEFAN SHKENASE (EN)
HotspotPanoramaOverlayArea_0245B244_9ECD_1678_41C9_D971BA73ED80.toolTip = THEO BUCHWALD
HotspotPanoramaOverlayArea_04130413_9EDD_1218_41E0_1271938E107C.toolTip = THEO BUCHWALD (DE)
HotspotPanoramaOverlayArea_0D4812A4_9EDD_7638_41BB_361FE612A0FD.toolTip = THEO BUCHWALD (EN)
HotspotPanoramaOverlayArea_0C826C03_9ED5_31F8_41DE_7B15D465F420.toolTip = THEO BUCHWALD Vitrine
HotspotPanoramaOverlayArea_67099554_7969_5F0B_41D8_91BFACBB64E0.toolTip = TIMELINE AB 1945
HotspotPanoramaOverlayArea_ED098C1A_644A_ED96_41A9_642E53832ADF.toolTip = TIMELINE AB 1945
HotspotPanoramaOverlayArea_7ACF69BC_5B06_00F8_41A6_B33BDACAB8B2.toolTip = TIMELINE START
HotspotPanoramaOverlayArea_775CD91B_A2BB_7208_41C0_659B3A4D60AB.toolTip = TIMELINE START
HotspotPanoramaOverlayArea_714E216D_645A_97B2_41D3_42D46EE027C8.toolTip = TIMELINE START
HotspotPanoramaOverlayArea_AF0111A5_59AB_54F9_41C3_AC96E22A6646.toolTip = TIMELINE Start
HotspotPanoramaOverlayArea_E3ED05CB_5BFF_7C49_41D3_A970FCF23DE9.toolTip = TIMELINE Start
HotspotPanoramaOverlayArea_EB4F41A4_58B7_B4FF_41C6_EF766A29D84F.toolTip = TIMELINE Start
HotspotPanoramaOverlayArea_FAC8AB26_999A_8AD9_41E1_6DB914DD69E7.toolTip = TIMELINE Start
HotspotPanoramaOverlayArea_6A89E0CF_64D9_968E_41D8_7B5E72FDFC94.toolTip = TIMELINE ab 1845
HotspotPanoramaOverlayArea_6B623B81_644A_EB72_41D6_D8D8D76B0F52.toolTip = TIMELINE ab 1845
HotspotPanoramaOverlayArea_9F184A3D_0F67_23F8_4183_B8BC5E154621.toolTip = TIMELINE ab 1896
HotspotPanoramaOverlayArea_6B623B85_644A_EB72_41C8_013047BF33FB.toolTip = TIMELINE ab 1896
HotspotPanoramaOverlayArea_717A02B1_643A_9A92_41CE_D1DCD5F28A1B.toolTip = TIMELINE ab 1896
HotspotPanoramaOverlayArea_E7A178D1_58AF_5459_417C_FB63287F39C6.toolTip = TIMELINE ab 1896
HotspotPanoramaOverlayArea_95A1DFA3_58B7_6CF9_41D4_D41BC18C0002.toolTip = TIMELINE ab 1896
HotspotPanoramaOverlayArea_EB47C942_58A9_55BB_41CD_FFCB3CEB6614.toolTip = TIMELINE ab 1896
HotspotPanoramaOverlayArea_87376B47_58BE_D5B9_41D4_8AE4EB682884.toolTip = TIMELINE ab 1896
HotspotPanoramaOverlayArea_88795EED_0FAF_2098_4190_210E52C6325E.toolTip = TIMELINE ab 1896
HotspotPanoramaOverlayArea_81BFA8FD_58B9_B449_41A2_C29633130947.toolTip = TIMELINE ab 1896
HotspotPanoramaOverlayArea_95DEADFE_58AA_AC4B_41D2_33ECD02C8E2B.toolTip = TIMELINE ab 1910
HotspotPanoramaOverlayArea_6B66CF0E_644B_AB8E_41B5_28E4EF652DBC.toolTip = TIMELINE ab 1910
HotspotPanoramaOverlayArea_6AAB5660_64DA_BDB2_41B1_7ED20AD74008.toolTip = TIMELINE ab 1910
HotspotPanoramaOverlayArea_E09A2806_5BFE_D3BB_419F_9BA197861F76.toolTip = TIMELINE ab 1910
HotspotPanoramaOverlayArea_C4F7AB81_9FB5_36F8_41B7_F9A2D787B9AA.toolTip = TIMELINE ab 1920
HotspotPanoramaOverlayArea_8DD0324D_58AE_B449_41C0_64032631C27E.toolTip = TIMELINE ab 1920
HotspotPanoramaOverlayArea_6AAA978D_64DB_BB72_41D2_2404E911DBB3.toolTip = TIMELINE ab 1920
HotspotPanoramaOverlayArea_9525EF36_58B7_ADDB_41A1_81CE965C6D0F.toolTip = TIMELINE ab 1920
HotspotPanoramaOverlayArea_A57E2F13_58AF_ADD9_41BC_888B2288755E.toolTip = TIMELINE ab 1920
HotspotPanoramaOverlayArea_6B623B84_644A_EB72_41A3_BACCDB58B5FA.toolTip = TIMELINE ab 1920
HotspotPanoramaOverlayArea_6AA73DBA_64CA_EE96_41BD_B302786E98B8.toolTip = TIMELINE ab 1930
HotspotPanoramaOverlayArea_8AC79361_58BA_F479_41D5_503A782CFABF.toolTip = TIMELINE ab 1930
HotspotPanoramaOverlayArea_833B1125_0FA5_6188_419A_59D4C65EF91F.toolTip = TIMELINE ab 1930
HotspotPanoramaOverlayArea_6B623B83_644A_EB76_41C0_0144046F5B91.toolTip = TIMELINE ab 1930
HotspotPanoramaOverlayArea_BA371223_5856_B7F9_4157_9C94B4DC6DF9.toolTip = TIMELINE ab 1945
HotspotPanoramaOverlayArea_69DDD9A4_6479_B6B2_41B3_B549A744A62C.toolTip = TIMELINE ab 1945
HotspotPanoramaOverlayArea_83F8ABC0_58B9_54B7_41CB_93FF343A89D8.toolTip = TIMELINE ab 1945
HotspotPanoramaOverlayArea_69D8DE17_6447_AD9E_41D0_A26D99B49433.toolTip = TIMELINE ab 1945
HotspotPanoramaOverlayArea_69DD42DD_647E_9A92_41B9_D4FF7CF546B0.toolTip = TIMELINE ab 1945
HotspotPanoramaOverlayArea_9D36D024_3A62_B1A9_41C4_69864CDF1F5D.toolTip = Theo Buchwald Audio Terminal
HotspotMapOverlayArea_5E3C4D66_3AAD_53A9_41C1_15FD5E1220D6.toolTip = Theo Buchwald | Richard Fuchs
HotspotPanoramaOverlayArea_BB455EA6_0EA4_E088_413B_9BD8C77456AC.toolTip = URBAN GROSZ
HotspotPanoramaOverlayArea_249912AC_2926_1253_41A7_59360DC4CB21.toolTip = URBAN GROSZ
HotspotPanoramaOverlayArea_D4882862_585A_D47B_41AD_C3C97FDD7473.toolTip = URBAN GROSZ
HotspotPanoramaOverlayArea_D4ABAAE2_9F5B_1638_41DA_DF79327E90F8.toolTip = URBAN GROSZ
HotspotPanoramaOverlayArea_763C5217_5B0E_0388_41A8_AADD04636990.toolTip = URBAN | GROSZ
HotspotPanoramaOverlayArea_13A1D1EF_9F4D_F208_41D2_FC1C9A144514.toolTip = URBAN | GROSZ
HotspotPanoramaOverlayArea_8F355215_9A9A_7AFB_41C2_8B0707FFE4C7.toolTip = VALLY WEIGL
HotspotPanoramaOverlayArea_825B7A96_9A9B_8BF9_41E0_7744DA5E51CC.toolTip = VALLY WEIGL (DE)
HotspotPanoramaOverlayArea_80CA0F59_9A9A_896B_41DC_602EBF3B14C6.toolTip = VALLY WEIGL (EN)
HotspotPanoramaOverlayArea_701DCA51_63F9_9592_41C6_ADF62727B57A.toolTip = VERFOLGTE GEIGENVIRTUOS:INNEN
HotspotPanoramaOverlayArea_A9C12215_0E9F_2388_4190_89638D4E2745.toolTip = VERFOLGTE GEIGENVIRTUOS:INNEN
HotspotPanoramaOverlayArea_82F37AC5_9AB7_8B5B_41A0_39EDA2A7186E.toolTip = VICTOR LÉON
HotspotPanoramaOverlayArea_84EA4331_9ABF_F93B_41DE_E5A6F11A3AB0.toolTip = VICTOR LÉON (DE)
HotspotPanoramaOverlayArea_829229A5_9ABE_89DB_41B4_1DABA682F730.toolTip = VICTOR LÉON (EN)
HotspotPanoramaOverlayArea_747461EE_6C4E_968E_41C2_89C677DD9BDA.toolTip = VITRINE BRIEFE FOTOS
HotspotPanoramaOverlayArea_B8A53582_0EBB_6088_41A8_00B62BDA6427.toolTip = VITRINE BRIEFE FOTOS
HotspotPanoramaOverlayArea_310934CD_7978_BD15_41AC_BB34EEF8A52D.toolTip = VITRINE GEIGENKASTEN
HotspotPanoramaOverlayArea_49478346_A2DD_1678_41E0_DDD180AF4731.toolTip = VITRINE GEIGENKASTEN
HotspotPanoramaOverlayArea_37408F4F_5B0E_0198_41CC_8E8B5CF8328E.toolTip = VITRINE GEIGENKASTEN
HotspotPanoramaOverlayArea_D273FCDA_9F5B_1208_41E3_B4DF8776F2B4.toolTip = VITRINE GEIGENKASTEN
HotspotPanoramaOverlayArea_CFED74AC_999A_BF29_41D7_D093FCE02E9D.toolTip = VITRINE GEIGENKASTEN
HotspotPanoramaOverlayArea_0EC2C709_9F4F_3E08_41E3_AC04409CF810.toolTip = VITRINE GEIGENKASTEN
HotspotPanoramaOverlayArea_D2FA216E_99FB_B929_41C3_FE6C0BA4ED75.toolTip = VITRINE GEIGENKASTEN
HotspotPanoramaOverlayArea_3975E092_293E_0E77_41B8_4E7B45A0C890.toolTip = VITRINE GEIGENKASTEN
HotspotPanoramaOverlayArea_D71B3DE2_99FB_8959_41E2_A7B597E34AD8.toolTip = VITRINE KOSTÜME 2
HotspotPanoramaOverlayArea_D102FCF6_99F9_8F39_41E1_462B616B66DB.toolTip = VITRINE PORTRAIT
HotspotPanoramaOverlayArea_27362C91_7AB8_CD0D_41B7_222EECD3986B.toolTip = VITRINE PORTRAIT
HotspotPanoramaOverlayArea_310974CE_7978_BD17_41BD_3038CE0CF834.toolTip = VITRINE PORTRAIT
HotspotPanoramaOverlayArea_37408F50_5B0E_0188_41CD_105E50F6EF25.toolTip = VITRINE PORTRAIT
HotspotPanoramaOverlayArea_DB0B5B4F_58D6_B449_41B5_713E6F06D9D1.toolTip = VITRINE PORTRAIT
HotspotPanoramaOverlayArea_CE842A1A_9999_8AE9_41E1_A2B6E5C2476B.toolTip = VITRINE PORTRAIT
HotspotMapOverlayArea_73B4E1AF_64CF_968E_41DB_CDEA3BDDCACC.toolTip = Video Terminal
HotspotPanoramaOverlayArea_668722A0_6CCA_9AB2_41A7_DC216B5DB98A.toolTip = Voice Portrait, 1950er Jahre
HotspotPanoramaOverlayArea_8B536F1E_99AB_8AE9_41DD_2C11DA9F973D.toolTip = WALTER ARLEN
HotspotPanoramaOverlayArea_88A5803F_999B_B727_41D8_CB4A9811412B.toolTip = WALTER ARLEN (DE)
HotspotPanoramaOverlayArea_88BA6519_999A_9EEB_41C9_DEC24CDA686A.toolTip = WALTER ARLEN (EN)
HotspotPanoramaOverlayArea_DF9F0B92_9EB5_3618_41E0_A125820F23FC.toolTip = WALTER BRICHT
HotspotPanoramaOverlayArea_DCC73D5C_9EB7_1208_41BD_1C1A84E1F924.toolTip = WALTER BRICHT (DE)
HotspotPanoramaOverlayArea_A0736DE8_9EB7_1208_41E0_EA8963A54DFC.toolTip = WALTER BRICHT (EN)
HotspotPanoramaOverlayArea_A257F528_9EBF_1208_41DF_205967998610.toolTip = WALTER BRICHT Vitrine
HotspotPanoramaOverlayArea_A85B1ECF_9ED6_EE08_416D_AB2123450202.toolTip = WILHELM GROSZ
HotspotPanoramaOverlayArea_B57089B9_9DBD_3208_41DE_EE15E062EA18.toolTip = WILHELM GROSZ (DE)
HotspotPanoramaOverlayArea_BA0F4878_9DBD_1208_41DD_29C858B7DA61.toolTip = WILHELM GROSZ (EN)
HotspotPanoramaOverlayArea_A60B3960_9ED5_1238_41BD_8258604D1C9C.toolTip = WILHELM GROSZ Vitrine
HotspotPanoramaOverlayArea_E338711B_9EBA_96EF_41E3_2F15D985D93C.toolTip = WINTERBERG BRICHT
HotspotPanoramaOverlayArea_E20DCA0F_9E96_8AE7_41DE_534B53DA656C.toolTip = WINTERBERG BRICHT
HotspotPanoramaOverlayArea_57E7D65A_9DCF_1E08_41D3_6C585A499E23.toolTip = WINTERBERG BRICHT
HotspotPanoramaOverlayArea_A06E8786_0EAC_E088_41AB_E0068EB5ACB4.toolTip = WINTERBERG | BRICHT
HotspotPanoramaOverlayArea_71B57B3F_64C9_6B8E_41C4_751A06535A4C.toolTip = WINTERBERG | BRICHT
HotspotPanoramaOverlayArea_E8E2D707_9FF5_3FF8_41C5_B9F5E7B7732F.toolTip = WINTERBERG | BRICHT
HotspotPanoramaOverlayArea_7F8DE72B_A2B5_1E08_41D1_C0B66A52F15E.toolTip = WINTERBERG | BRICHT
HotspotPanoramaOverlayArea_A2579897_3AA5_7297_41C2_C4C641866057.toolTip = Walter Bricht Audio Terminal
HotspotPanoramaOverlayArea_A875E9E8_3ABD_B2B9_41BF_DD98EF16E73A.toolTip = Wilhelm Grosz Audio Terminal

## Media

### Audio
audiores_57A6C043_9DDB_3278_41CF_34E1956C077F.mp3Url = media/audio_046ABF2B_9F4B_6E08_41E0_C2C63E4651D8_de.mp3
audiores_581D0D5B_9DDB_3208_41C2_3FECE73D8AAF.mp3Url = media/audio_068C1961_9F4D_3238_41D4_D5E39D0E8019_de.mp3
audiores_57B9BC5D_9DDB_1208_41CA_C9713FF28621.mp3Url = media/audio_07FB69FB_9F4B_1208_41C2_43A868FC3F30_de.mp3
audiores_586A5DEE_9DDB_7208_41A7_F991ECB2CF27.mp3Url = media/audio_09B06FAA_9F4D_2E08_41D3_600FC7774FD2_de.mp3
audiores_58746875_9DDB_7218_41DD_836584C0BD04.mp3Url = media/audio_0FF3D3AD_9F4F_F608_41DD_5A23909BE734_de.mp3
audiores_5821E829_9DDB_1208_41DD_A7657816FA9F.mp3Url = media/audio_11F7703F_9F4F_1208_41E1_BFFD818501E6_de.mp3
audiores_569AB1C3_9DDD_3278_41D0_9021A1495135.mp3Url = media/audio_23B2E585_9DBE_F2F8_41D6_4BC322125E61_de.mp3
audiores_56A6CD49_9DDD_3208_41D5_BCD21391540E.mp3Url = media/audio_267C7773_9DBF_1E18_41CD_3DBFF5390F25_de.mp3
audiores_5765B909_9DDD_1208_418C_5930E017478C.mp3Url = media/audio_2F46BEA8_9EBB_6E08_41CC_1A6323EADF56_de.mp3
audiores_57AF9268_9DDB_3608_41D0_7488F744DF2F.mp3Url = media/audio_37DC28C6_9EBF_1278_41E3_6156B3C5C5F7_de.mp3
audiores_5743312B_9DDD_1208_41D4_81BA3AF38EE2.mp3Url = media/audio_38004089_9EBD_1208_41DB_88F68FEFE796_de.mp3
audiores_56F98F42_9DDD_6E78_41B9_2C2D825EB164.mp3Url = media/audio_5E26E506_9DBE_F3F8_41D2_1F49966B6779_de.mp3
audiores_23C817D2_5B02_0088_41BE_158CCC3F18D6.mp3Url = media/audio_63497C4F_5BFE_0798_41D6_9BFC8D996A88_de.mp3
audiores_23C34F7C_5B02_0078_41D1_713D592C9E6B.mp3Url = media/audio_63572D1D_5BFE_01B8_41B0_964EED0E9116_de.mp3
audiores_670848BB_6DC6_9696_41D0_A1659C712DFA.mp3Url = media/audio_670205E4_6DCA_9EB2_41C9_63BAE3B9B3B1_de.mp3
audiores_670852FA_6DC6_BA96_4170_708313312FBC.mp3Url = media/audio_67025A9E_6DCA_AA8E_41B3_D004045F8D1F_de.mp3
audiores_67085C8A_6DC6_AD76_41BD_C69E2F1B9781.mp3Url = media/audio_6702A858_6DCB_9592_41CC_5BC31384021A_de.mp3
audiores_67087A7C_6DC7_7592_41D1_86BBFDE91E95.mp3Url = media/audio_67031579_6DCA_BF92_41C8_4D5A9A3473C0_de.mp3
audiores_67088D0B_6DC7_AF76_41C4_80ACA1BA93EE.mp3Url = media/audio_67035AE0_6DCA_AAB2_41C0_6A488C226F5D_de.mp3
audiores_6708A3FB_6DC7_9A96_41D0_23661EC3AFEA.mp3Url = media/audio_67039D79_6DC9_AF92_41C5_3D0E89BDB8D1_de.mp3
audiores_BB7A5D6B_9DBF_1208_41D0_7A9BE0DFA5E9.mp3Url = media/audio_80156272_9D5B_1618_41BD_E542CD71119E_de.mp3
audiores_BA802A55_9DBD_1618_41AE_71FF635C1185.mp3Url = media/audio_82B09646_9DBB_7E78_41DB_6A6E39B4A869_de.mp3
audiores_86572C93_9D57_7218_41B5_988BD18D5379.mp3Url = media/audio_87626276_9D55_7618_41BD_9579DC2ED4B3_de.mp3
audiores_84279403_9D4F_11F8_41E0_31E405019CA1.mp3Url = media/audio_88E03BF6_9D4D_1618_41B4_6189ED61F3F3_de.mp3
audiores_A72BE506_9ED5_13F8_41A3_60E7F75622FA.mp3Url = media/audio_A55F2DC1_9D55_3278_4174_8D6A775B7F6E_de.mp3
audiores_A73F7C09_9ED6_F208_41BC_426A5D03E3FE.mp3Url = media/audio_AA12166F_9D4B_7E08_41D2_3749AECF1627_de.mp3
audiores_A735345D_9ED6_F208_41D5_4BE7EBB5FCE7.mp3Url = media/audio_AAE090B9_9D4B_120B_41C2_84970522A46E_de.mp3
audiores_A6C7C8B5_9ED7_1218_41D1_E3E4D08064E4.mp3Url = media/audio_AD0D05FE_9D4F_1208_41AE_A16C43CD8AF2_de.mp3
audiores_A6DD5AA4_9ED7_3638_41B3_3E41C43CE648.mp3Url = media/audio_B0CFC4C9_9D4F_1208_41E3_07EED82DF483_de.mp3
audiores_A6E0E4A3_9ED7_1238_41E0_EA19259A7E6C.mp3Url = media/audio_B1B50615_9D4D_3E18_41D0_3F4AD5D7EC19_de.mp3
audiores_BA8FCCA1_9DBD_3238_41D2_27FF0A3AB177.mp3Url = media/audio_B9A1CA46_9DBD_F678_41B7_3D75D9A87C2B_de.mp3
audiores_BA84A20C_9DBE_F608_41D3_5A9BE1FB7FBB.mp3Url = media/audio_BC32E1A3_9DB7_3238_41D3_65481F9B1E7B_de.mp3
audiores_CD50D97B_9F4E_F208_41AB_81C73F9B3C6B.mp3Url = media/audio_D4A05E7C_9F55_6E08_41E2_BEF13A763EB1_de.mp3
audiores_CD5CBC68_9F4F_1208_41C9_5907EC4A37A0.mp3Url = media/audio_D4C4A74E_9F5B_FE08_41C4_83F8BC08B5DD_de.mp3
audiores_CD4D9FD6_9F4F_2E18_4162_4905C827C756.mp3Url = media/audio_D5BF0E76_9F55_EE18_41D5_6B8B88AEE77A_de.mp3
audiores_CD525D8A_9F4D_3208_41D8_6E01E6D67A3E.mp3Url = media/audio_D6EAC3B0_9F4B_1618_41C0_F116A899863E_de.mp3
audiores_CD4C38A4_9F4D_1238_41D0_AB801BFCC413.mp3Url = media/audio_D78D78AD_9F55_7208_41DC_87B670E7F4E7_de.mp3
audiores_CD559D1F_9F4F_3208_41E0_10CC01C78087.mp3Url = media/audio_D7E54D83_9F5B_12F8_41A0_77C5B11FA60D_de.mp3

### Floorplan

### Image
imlevel_A86B6BEC_84FB_5C11_41B1_36E3A1CE108C.url = media/map_70F92418_6446_9D92_41D6_8F1120C4B34D_de_0.jpg
imlevel_A86B4BED_84FB_5C13_41CD_1F9C338B813D.url = media/map_70F92418_6446_9D92_41D6_8F1120C4B34D_de_1.jpg
imlevel_A868BBED_84FB_5C13_4191_674B0553240E.url = media/map_70F92418_6446_9D92_41D6_8F1120C4B34D_de_2.jpg
imlevel_A8689BED_84FB_5C13_41A6_7F2D8EBC01BC.url = media/map_70F92418_6446_9D92_41D6_8F1120C4B34D_de_3.jpg
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### Popup Image

### Titel
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### Body
htmlText_7086AADA_64CB_EA96_41C7_255D975765E2.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Alma Rosé</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Vienna, 1906 – 1944, Auschwitz-Birkenau</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">As the daughter of Arnold Rosé and Gustav Mahler’s sister Justine, she was named after her aunt, Alma Mahler. Following lessons with her father, she studied with Otakar Ševčík at Vienna’s Music Academy (today, the mdw). With her marriage to the violin virtuoso Váša Příhoda, she moved to Záryby, North of Prague and became a Czech citizen. In 1932, she founded an all-female salon orchestra called “Die Wiener Walzermädeln” (Viennese Waltz Girls). She and Příhoda divorced in 1935 and following Austria’s annexation, she fled with her father to London in 1939. Unable to work in England, she went to Den Haag where she was protected for a short time thanks to a marriage of convenience. Her attempt to flee to Switzerland was foiled with her arrest by the Gestapo in France from where she was deported to Auschwitz-Birkenau. From July 1943 until her death in April 1944 (presumably due to food poisoning), she led the notorious Women’s Orchestra at Auschwitz.</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_708754F7_64CA_BE9E_41D2_781B9E6F2F82.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Alma Rosé</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Wien, 1906 – 1944, KZ Auschwitz-Birkenau</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Als Tochter von Arnold Rosé und Gustav Mahlers Schwester Justine erhielt sie den Namen ihrer Tante Alma, Mahlers Frau. Nach dem ersten Violinunterricht bei ihrem Vater studierte sie bei Otakar Ševčík an der mdw. Nach ihrer Heirat mit dem Violinvirtuosen Váša Příhoda zog sie nach Záryby im Norden von Prag und erhielt die tschechische Staatsbürgerschaft. 1932 gründete sie das Salonorchester „Die Wiener Walzermädeln“. Die Scheidung von Příhoda erfolgte 1935. Nach dem sogenannten „Anschluss“ Österreichs an Nazi-Deutschland floh sie 1939 mit ihrem Vater nach London. Um ihren Lebensunterhalt zu verdienen, ging sie nach Den Haag. Durch eine Scheinehe war ihr nur vorübergehende Sicherheit beschieden. Sie wollte in die Schweiz flüchten, wurde aber in Frankreich gefangen genommen und nach Auschwitz-Birkenau deportiert. Von Juli 1943 bis zu ihrem Tod im April 1944 (vermutlich durch eine Lebensmittelvergiftung) musste sie das berüchtigte Mädchenorchester von Auschwitz leiten.</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_7052F730_644B_7B92_41D7_1A5EDF9225E0.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Amadeus Quartet</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Siegmund Nissel: Munich, 1922 – 2008, London; <BR/>Peter Schidlof: Gollersdorf/Lower Austria, 1922 – 1987, Sunderland/Cumbria; <BR/>Norbert Brainin: Vienna, 1923 – 2005, London</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Nissel, born to Austrian parents, moved to Vienna at the age of nine and in 1938, together with Peter Schidlof arrived in Great Britain as part of the Kindertransport. Norbert Brainin was able to come to England in the same year. All three were interned as “enemy aliens” in 1940. The three young musicians met up in various internment camps. They became pupils of Max Rostal and together with the English cellist Martin Lovett formed a quartet in 1946 that in 1948 was named Amadeus Quartet. Cultural transfer from Vienna is made manifest with their countless concerts and more than 200 recordings. </SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_7052F732_644B_7B96_41C8_2E2668E547C6.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Amadeus-Quartett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Siegmund Nissel: München, 1922 – 2008, London; <BR/>Peter Schidlof: Gollersdorf/Niederösterreich, 1922 – 1987, Sunderland/Cumbria; <BR/>Norbert Brainin: Wien, 1923 – 2005, London</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Siegmund Nissel, Sohn österreichischer Eltern, kam als Neunjähriger nach Wien und gelangte 1938 wie Peter Schidlof mit einem Kindertransport nach England. Auch Norbert Brainin gelang im selben Jahr die Flucht nach Großbritannien. 1940 wurden alle drei als „enemy aliens“ interniert und trafen in verschiedenen Lagern aufeinander. Sie wurden Schüler bei Max Rostal. Mit dem englischen Cellisten Martin Lovett gründeten sie 1946 ein Streichquartett, das ab 1948 unter dem Namen Amadeus-Quartett auftrat. Mit über 200 Aufnahmen und unzähligen Konzerten wird bei diesem Ensemble der exilbedingte kulturelle Transfer von Wien sichtbar. </SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_70AF3653_64DA_FD96_41D3_B8558F934D9F.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Bronisław Huberman</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Częstochowa, Russian Empire (today: Poland), 1882 – 1947, Corsier-sur-Vevey, Switzerland</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">The Polish, Jewish violin virtuoso Bronisław Huberman began studying with Joseph Joachim in Berlin at the age of 10. First concert tours took him throughout Europe, and from 1896 to 1898, he also toured the United States and Russia. Huberman donated much of his income for charity and promoted many young performers. Huberman lived in Vienna from 1926 to 1936 where he taught at the Music Academy (today, the mdw). Due to increasing anti-Semitism, he relocated to Switzerland in 1937. When in 1940, the war hindered his return to Switzerland from South Africa, he immigrated to the United States, returning after the war to Switzerland for further tours and performances. He died in 1947. With the founding of the Palestine Symphony Orchestra, (today, Israel Philharmonic Orchestra) Huberman was able to rescue countless individuals from the Nazi Regime.</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_70AF3652_64DA_FD96_41C2_AC8FC8214AF8.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Bronisław Huberman</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Częstochowa, Russisches Kaiserreich (heute: Polen), 1882 – 1947, Corsier-sur-Vevey, Schweiz</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Der aus einer polnisch-jüdischen Familie stammende Geigenvirtuose Bronisław Huberman studierte bereits mit zehn Jahren bei Joseph Joachim in Berlin. Erste Konzertreisen führten ihn durch ganz Europa und von 1896 bis 1898 absolvierte er Tourneen in den USA und Russland. Huberman stiftete zahlreiche Konzerthonorare für wohltätige Zwecke und förderte junge Musiker:innen. Von 1926 bis 1936 lebte er in Wien und unterrichtete ab 1934 an der mdw. Aufgrund des immer stärker werdenden Antisemitismus ließ sich Huberman 1937 in der Schweiz nieder. Als er 1940 wegen des Krieges von seiner Konzerttournee in Südafrika nicht mehr in die Schweiz zurückreisen konnte, immigrierte er in die USA. Nach dem Krieg kehrte er nach weiteren Konzertreisen in die Schweiz zurück und verstarb 1947. Mit der Gründung des Palestine Symphony Orchestra (heute: Israel Philharmonic Orchestra) konnte Huberman von 1936 bis 1940 zahlreiche Menschen vor dem NS-Regime retten. </SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_70631D11_644A_AF92_41D0_B9889D1A0F36.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Busch Quartet</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Adolf Busch: Siegen, Germany, 1891 – 1952, Guilford/Vermont; <BR/>Fritz Busch: Siegen, 1890 – 1951, London; <BR/>Hermann Busch: Siegen, 1897 – 1975, Bryn Mawr/Pennsylvania</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Adolf Busch completed his violin and composition studies in Cologne. In 1912, he was appointed concertmaster of the Wiener Concertverein (today, Vienna Symphony Orchestra). A year later and together with his brother the famous conductor Fritz Busch, he founded the Busch Quartet. From 1918 to 1922, Busch was professor of violin at Berlin’s Music Academy. He appeared as soloist with many important conductors such as Arturo Toscanini, Bruno Walter and Wilhelm Furtwängler. From 1927 to 1939, he worked in Basel and taught, among others, Yehudi Menuhin. As an opponent of National Socialism, he refused to appear in Germany after 1933 and in 1939, he immigrated to the United States. Together with his brother, the cellist Hermann Busch and the pianist Rudolf Serkin, a fellow refugee from Austria, he founded the Busch-Serkin-Trio. The Marlboro Music Festival in Vermont, founded by Busch and Serkin, still exists today. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV></BODY></HTML></div>
htmlText_7068C480_6447_9D72_41B3_E10B8BB78DB6.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Busch-Quartett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Adolf Busch: Siegen, Deutschland, 1891 – 1952, Guilford/Vermont; <BR/>Fritz Busch: Siegen, 1890 – 1951, London; <BR/>Hermann Busch: Siegen, 1897 – 1975, Bryn Mawr/Pennsylvania</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Adolf Busch absolvierte sein Violin- und Kompositionsstudium in Köln. 1912 wurde er Konzertmeister des Wiener Concertvereins (heute: Wiener Symphoniker). Ein Jahr später gründete er das Busch-Quartett gemeinsam mit seinem Bruder, dem berühmten Dirigenten Fritz Busch. Von 1918 bis 1922 war Adolf Busch Professor für Violine an der Berliner Musikhochschule. Er konzertierte mit berühmten Dirigenten wie Arturo Toscanini, Bruno Walter oder Wilhelm Furtwängler. Von 1927 bis 1939 arbeitete er in Basel und unterrichtete u. a. Yehudi Menuhin. Als Gegner der Nationalsozialist:innen trat er ab 1933 nicht mehr in Deutschland auf und immigrierte 1939 in die USA. Mit seinem Bruder, dem Cellisten Hermann Busch und dem Pianisten Rudolf Serkin, der ebenfalls vor dem NS-Regime geflüchtet war, gründete er das Busch-Serkin-Trio. Das von ihm und Serkin gegründete Marlboro Music Festival in Vermont hat bis heute Bestand.</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_70C14786_6446_9B7E_41D7_3053EE2EDEA4.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Carl Flesch</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Wieselburg-Moson (heute: Mosonmagyaróvár, Ungarn), 1873 – 1944, Luzern</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Flesch studierte ab 1886 bei Jakob Grün an der mdw, obwohl er seine ersten Konzerterfolge bereits 1885 in Wien und Berlin gefeiert hatte. 1908 übersiedelte der Geiger von Berlin nach Bukarest, in der Hoffnung, eine Anstellung an der Akademie zu erlangen. Mit Artur Schnabel und dem Cellisten Jean Gérardy, später mit Hugo Becker, gründete er ein hoch angesehenes Trio. Auch das Duo Flesch-Schnabel verzeichnete Erfolge. Flesch wurde 1924 Gründungsmitglied des Curtis Institute in Philadelphia und 1928 Professor in Berlin. 1935 flüchtete er vor dem NS-Regime nach London und zog 1939 nach Holland, wo er inhaftiert wurde. 1942 ging er nach Ungarn, bis er schließlich 1943 eine Anstellung am Konservatorium in Luzern erhielt. Flesch war ein sehr gefragter Lehrer; er unterrichtete u. a. Max Rostal, Szymon Goldberg, Ida Haendel, Ricardo Odnoposoff, Alma Moodie, Ginette Neveu, Henryk Szeryng und sogar Marlene Dietrich.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:right;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Text: Michael Haas</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_70C80B98_6446_AA92_41CA_1541A80AC0D5.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Carl Flesch</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Wieselburg-Moson (today: Mosonmagyaróvár, Hungary), 1873 – 1944, Lucerne</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">From 1886, Flesch studied at Vienna’s Conservatory (today, the mdw) with Jakob Grün despite already having given celebrated performances in Vienna and Berlin in 1885. In 1908, Flesch left Vienna for Bucharest in the hope of obtaining an appointment at the music academy. He co-founded together with the pianist Artur Schnabel and cellist Jean Gérardy, later with Hugo Becker, a highly regarded piano trio. The duo Flesch and Schnabel was equally successful. In 1924, Flesch became a founding professor at the Curtis Institute in Philadelphia and in 1928 he was given a professorship in Berlin. In 1935, he fled Nazi persecution in Berlin and settled in London, later moving to the Netherlands where he was arrested. In 1942, he went to Hungary until 1943 when he was offered a position at the Lucerne Conservatory. Flesch was a much sought-after teacher and h‚is students included among others, Max Rostal, Szymon Goldberg, Ida Haendel, Ricardo Odnoposoff, Alma Moodie, Ginette Neveu, Henryk Szeryng and even Marlene Dietrich.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:right;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Text: Michael Haas</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_709A93F1_64FB_BA92_41C3_11E225DCFF7F.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>David Grunschlag (Grünschlag)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Drohobytsch/Galicia (today: Ukraine), 1914 – 1996, Philadelphia</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">David Grunschlag came to Vienna to study violin through the efforts of his father. He played for Bronisław Huberman at the age of 14 who was impressed enough to provide a place for him to study in Berlin. He returned to Vienna in 1931 where he continued his studies with Franz Mairecker and Huberman. Mairecker’s attempts to provide a position for Grunschlag with the Vienna Philharmonic failed when Grunschlag refused to convert to Christianity. In 1936, Huberman invited him to become part of his newly founded Palestine Symphony Orchestra (today, Israel Philharmonic Orchestra). In 1938, Grunschlag organized the immigration of his parents and two sisters, the piano duo Toni and Rosi Grunschlag to the USA, where he joined them in 1958, following an offer from Eugene Ormandy with the Philadelphia Symphony Orchestra. He also held a teaching position at Combs College.</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_709A93F4_64FB_BA92_41D0_83381BBF5D17.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>David Grunschlag (Grünschlag)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Drohobytsch/Galizien (heute: Ukraine), 1914 – 1996, Philadelphia</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Auf Betreiben seines Vaters kam David Grunschlag für seine Ausbildung zum Geiger nach Wien. Mit 14 Jahren spielte er Bronisław Huberman vor, der so beeindruckt war, dass er Grunschlag den Weg für ein Studium in Berlin ebnete. 1931 kehrte er nach Wien zurück, wo er bei Franz Mairecker und Huberman Unterricht nahm. Maireckers Versuche, Grunschlag eine Position bei den Wiener Philharmonikern zu verschaffen, scheiterten an seiner Weigerung zum Christentum zu konvertieren. 1936 lud ihn Huberman ein, seinem Palestine Symphony Orchestra (heute: Israel Philharmonic Orchestra) beizutreten. 1938 organisierte Grunschlag die Immigration seiner Eltern und seiner Schwestern, des Klavierduos Toni und Rosi Grunschlag, in die USA. 1958 ging auch er nach Amerika, wo ihm Eugene Ormandy eine Stelle beim Philadelphia Orchestra anbot, daneben unterrichtete er am Combs College.</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_70AF364E_64DA_FD8E_41CF_2A7D85364BAA.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Erika (Erica) Morini</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Vienna, 1905 – 1995, New York</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Erika Morini was initially taught by her father Oscar Morini, a pupil of Jakob Grün and Joseph Joachim, who together with his wife Malka ran a music school in Vienna’s second district. She continued her studies at the Music Academy (today, the mdw) with Otakar Ševčík. Her parents manipulated her age in order to lengthen her carrier as a child prodigy, leading to performances for the Emperor Franz Joseph, as well as performances in Leipzig and Berlin. Her first appearance at Carnegie Hall took place in 1921 under conductor Artur Bodanzky. In 1938, she and her husband fled Austria following its annexation by Nazi Germany and settled in New York. In addition to a full concert life, she also taught at the Mannes School of Music. Morini was given an honorary doctorate at Smith’s College and in 1963, at the New England Conservatory. She made recordings of all the major violin concertos, including the Tchaikovsky under conductor Igor Stravinsky. In 1976 she retired form performance and teaching altogether. Shortly before her death at age 91, her musical possessions, including her priceless 1727 Stradivari “Davidoff” were stolen and have never been recovered. </SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_70AF364F_64DA_FD8E_41BB_81DCBDCA3CEC.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Erika (Erica) Morini</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Wien, 1905 – 1995, New York</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Unterrichtet wurde Erika Morini zunächst von ihrem Vater Oscar Morini, einem Schüler von Jakob Grün und Joseph Joachim, der gemeinsam mit seiner Frau Malka eine Musikschule im der Wiener Leopoldstadt leitete. Ihr Studium setzte sie an der mdw bei Otakar Ševčík fort. Ihre Eltern manipulierten ihr Alter, um sie länger als Wunderkind präsentieren zu können, was zu Auftritten für Kaiser Franz Joseph sowie zu Konzerten in Leipzig und Berlin führte. Ihr Debut in der Carnegie Hall fand 1921 unter dem Dirigenten Artur Bodanzky statt. 1938, nach dem sogenannten „Anschluss“ Österreichs, floh sie mit ihrem Mann nach New York. Neben ihrer regen Konzerttätigkeit unterrichtete Morini auch an der Mannes School of Music. Sie erhielt Ehrendoktorate vom Smith’s College sowie vom New England Conservatory. Es erschienen Aufnahmen aller bedeutender Violinkonzerte von ihr, einschließlich dem Tschaikowsky Konzert unter dem Dirigenten Igor Strawinsky. 1976 zog sie sich ganz von der Konzert- und Unterrichtstätigkeit zurück. Kurz vor ihrem Tod im Alter von 91 Jahren wurden ihre musikalischen Besitztümer, darunter ihre unbezahlbare 1727 Stradivari „Davidoff“, gestohlen und nie wiedergefunden.</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_709A361F_64FA_FD8E_41C8_33C20CAE7D33.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Ferdinand Adler</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Klausenburg (today: Cluj-Napoca, Romania), 1903 – 1952, Vienna</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Ferdinand Adler began his musical studies in Budapest and from 1923, continued in Vienna at the Music Academy (today, the mdw) in the class of Gottfried Feist. His first professional engagement was in Bad Ischl as concertmaster of the local Spa Orchestra. Later he worked as an orchestral member in Lucerne as well as remaining active as a chamber musician. After the annexation of Austria, Adler was arrested as a Jew, and sent to Dachau Concentration Camp where he remained until May 1939. It was the same year that Adler managed to immigrate to Shanghai. With countless appearances in Shanghai, he enriched local concert and chamber music life, eventually becoming established as one of the most famous musicians in the city. He was made concertmaster of the Shanghai Municipal Orchestra as well as appointed professor for violin at the Shanghai Conservatory. Following his return to Vienna in 1947, he was able to continue his career with an appointment as concertmaster of the State Opera Orchestra. Adler died in 1952 of a heart attack in the middle of rehearsals.</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_74CC60C7_6C5E_96FE_41D3_1FEA897E6814.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Ferdinand Adler</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Klausenburg (today: Cluj-Napoca, Romania), 1903 – 1952, Vienna</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Ferdinand Adler began his musical studies in Budapest and from 1923, continued in Vienna at the Music Academy (today, the mdw) in the class of Gottfried Feist. His first professional engagement was in Bad Ischl as concertmaster of the local Spa Orchestra. Later he worked as an orchestral member in Lucerne as well as remaining active as a chamber musician. After the annexation of Austria, Adler was arrested as a Jew, and sent to Dachau Concentration Camp where he remained until May 1939. It was the same year that Adler managed to immigrate to Shanghai. With countless appearances in Shanghai, he enriched local concert and chamber music life, eventually becoming established as one of the most famous musicians in the city. He was made concertmaster of the Shanghai Municipal Orchestra as well as appointed professor for violin at the Shanghai Conservatory. Following his return to Vienna in 1947, he was able to continue his career with an appointment as concertmaster of the State Opera Orchestra. Adler died in 1952 of a heart attack in the middle of rehearsals.</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_709A3620_64FA_FDB2_41C8_C50DD524C961.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Ferdinand Adler</B></SPAN><SPAN STYLE="font-size:30px;"> </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Klausenburg (heute: Cluj-Napoca, Rumänien), 1903 – 1952, Wien</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Ferdinand Adler erhielt seine musikalische Ausbildung zunächst in Budapest und ab Herbst 1923 an der mdw in der Violinklasse von Gottfried Feist. Sein erstes berufliches Engagement führte ihn nach Bad Ischl, wo er als Konzertmeister des örtlichen Kurorchesters wirkte. Später arbeitete Adler als Orchestermusiker in Luzern und war auch regelmäßig als Kammermusiker tätig. Nach dem sogenannten „Anschluss“ wurde Adler als Jude in Wien verhaftet und ins KZ Dachau verschleppt, wo er bis Mai 1939 inhaftiert blieb. Noch im selben Jahr gelang ihm die Immigration nach Schanghai. Mit seinen zahlreichen Auftritten als Solist und Kammermusiker bereicherte er das dortige Musikleben und avancierte zu einem der berühmtesten Musiker:innen der Stadt. Man ernannte ihn zum Konzertmeister des Schanghai Municipal Orchestra und zum Professor für Violine am Schanghai National Conservatory of Music. Nach seiner Rückkehr nach Wien im Jahr 1947 konnte Adler seine musikalische Karriere wieder aufnehmen und wurde schließlich Konzertmeister des Wiener Staatsopernorchesters in der Volksoper, dem Ausweichquartier der Staatsoper. Adler verstarb 1952 während einer Probe an einem Herzinfarkt.</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_74CC60C9_6C5E_96F2_41D2_38ED567D49BD.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Ferdinand Adler</B></SPAN><SPAN STYLE="font-size:30px;"> </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Klausenburg (heute: Cluj-Napoca, Rumänien), 1903 – 1952, Wien</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Ferdinand Adler erhielt seine musikalische Ausbildung zunächst in Budapest und ab Herbst 1923 an der mdw in der Violinklasse von Gottfried Feist. Sein erstes berufliches Engagement führte ihn nach Bad Ischl, wo er als Konzertmeister des örtlichen Kurorchesters wirkte. Später arbeitete Adler als Orchestermusiker in Luzern und war auch regelmäßig als Kammermusiker tätig. Nach dem sogenannten „Anschluss“ wurde Adler als Jude in Wien verhaftet und ins KZ Dachau verschleppt, wo er bis Mai 1939 inhaftiert blieb. Noch im selben Jahr gelang ihm die Immigration nach Schanghai. Mit seinen zahlreichen Auftritten als Solist und Kammermusiker bereicherte er das dortige Musikleben und avancierte zu einem der berühmtesten Musiker:innen der Stadt. Man ernannte ihn zum Konzertmeister des Schanghai Municipal Orchestra und zum Professor für Violine am Schanghai National Conservatory of Music. Nach seiner Rückkehr nach Wien im Jahr 1947 konnte Adler seine musikalische Karriere wieder aufnehmen und wurde schließlich Konzertmeister des Wiener Staatsopernorchesters in der Volksoper, dem Ausweichquartier der Staatsoper. Adler verstarb 1952 während einer Probe an einem Herzinfarkt.</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_43434E51_5C39_6D92_41A4_5AF9103F49FD.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Fritz Kreisler and Judaism</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Galicia belonged to the Habsburg realms from 1772 until the end of the First World War and was where Fritz Kreisler’s Jewish family originated.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Kreisler’s father Samuel was a doctor in Tarnopol (today: Ternopil, Ukraine), who moved to Vienna with his wife Anna who came from a Jewish family in Dobromil (today: Dobromyl, Ukraine). In 1871, the couple settled in the city’s second district, known as Leopoldstadt and were soon part of the local Jewish community. Samuel regularly played chess with the composer Carl Goldmark and psychoanalyst Sigmund Freud, who was one of Samuel’s medical patients. The musical talent of both sons, Fritz and Hugo, was encouraged by the family. Music was seen by Eastern Jews arriving in Vienna as an accessible vehicle of integration into Viennese bourgeois society. Despite the obvious providence of the family, it took a long time to locate the necessary and seamless documentation of the family’s Jewish heritage. Kreisler did not want the general public to view him as a Jewish musician, most likely in order to evade anti-Semitic actions taking place at that time. These were, to some extent, influenced by Richard Wagner’s pamphlet Jewishness and Music. Kreisler hid the fact that he was Jewish, declared himself as Roman Catholic and even gave a false address of his birth place in Vienna. Kreisler’s wife Harriet who was also his manager, encouraged these decisions. News reports from the 1920s about Kreisler rarely mentioned his Jewish origins and in the first officially sanctioned biography of the virtuoso violinist from 1950, stated that he was Roman Catholic and lived in Vienna’s fourth district. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Harriet was a Nazi sympathizer and hoped that her husband might be accorded the status of “Honorary Aryan”. Kreisler’s refusal to perform in Germany after 1933 was seen a political act. The Ministry of Interior in the German Reich classified Kreisler as fully Jewish. This status was later changed to “half Jewish” by direct intervention from the Reichskanzlei. Hitler’s admiration for the violinist, his wartime history and his wife’s connections to the Nazi Regime were most likely responsible for this change of status. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">In 1947, he and his protestant-born wife declared themselves to be Roman Catholic. Harriet again made claims concerning the Catholic backgrounds of both families. There is, however, no record of Kreisler ever being baptized and he remained a registered member of Vienna’s Jewish Community until his death.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:right;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Text: Ulrike Anton</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_6AC8CC13_6447_AD96_4199_D7B617EECF2E.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Fritz Kreisler and Vienna</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Fritz Kreiser was born on February 2, 1875 as the third child of a Jewish family in Vienna’s second district, Leopoldstadt. His first lessons came from his amateur violinist father. He entered the Conservatory of the Society of the Friends of Music (today, the mdw), where he studied with Joseph Hellmesberger Jr. and attended theory classes with Anton Bruckner. Upon completion of his three-year course, he was unanimously awarded a gold medal. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">He performed Max Bruch’s Second Violin Concerto at his debut with the Vienna Philharmonic in 1898. His audition for the Vienna Court Opera House Orchestra from 1896 was a failure because the concertmaster, Arnold Rosé, felt that Kreisler sight read poorly and had an insecure sense of rhythm. It is notable that in 1891, Kreisler sent a letter of application to the Vienna Philharmonic offering his services as soloist in Bruch’s Violin Concerto. Despite his international career with residences in Berlin and New York, Vienna remained an important place for Kreisler. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Kreisler composed the operetta </SPAN><SPAN STYLE="font-size:30px;"><I>Sissy</I></SPAN><SPAN STYLE="font-size:30px;"> about the love between Empress Elisabeth and Emperor Franz Joseph. It is a work that indulges in nostalgia for the Dual Monarchy of Austria-Hungary and was premiered at the Theater an der Wien on December 23, 1932. It was an enormous success. Kreisler also incorporated his earlier works including </SPAN><SPAN STYLE="font-size:30px;"><I>Liebesfreud</I></SPAN><SPAN STYLE="font-size:30px;"> and </SPAN><SPAN STYLE="font-size:30px;"><I>Liebesleid</I></SPAN><SPAN STYLE="font-size:30px;">. The title role had originally been composed for Marta Eggerth. She prepared the role with Kreisler over a period of months in his villa in Berlin, but in the end was unable to take it on due to a commitment to make the movie </SPAN><SPAN STYLE="font-size:30px;"><I>Where Is This Lady</I></SPAN><SPAN STYLE="font-size:30px;">? (music by Franz Lehár). Paula Wessely took the role of Elisabeth instead. Marta Eggerth and her husband Jan Kiepura also immigrated to the United States in 1939. Reunited in New York, Eggerth and Kreisler remained close for the rest of his life. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Vienna awarded him the city’s honorary ring in 1935. It is particularly interesting that in filling out his residence documentation following the ceremony and the premiere of Sissy, he declared his citizenship as American. He did not become an American citizen until 1943. One might assume that the political situation at the time in Austria had already warned him of difficult times to come. He did not return to Vienna when he along with Bruno Walter was awarded Vienna’s Dr. Karl Renner Prize in 1959.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:right;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Text: Nobuko Nakamura</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_E8B56CCD_58AB_AC49_41BA_1EB6D6FF8F50.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Fritz Kreisler and the First World War</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">News of the outbreak of what would become the First World War reached the married couple during a vacation in Switzerland. As an Austrian reserve officer he immediately responded to his call-up, with his wife volunteering to work as a nurse in field hospitals. Almost immediately upon arriving at the Russian Front, Kreisler was wounded. After his recovery he relocated to the United States in November 1914. The events surrounding Kreisler’s war efforts became an important news feature and were covered in Austrian, German and American papers. In the American papers, comments were made that he was an artist and therefore stood above such political events. Due to growing interests in the war, Kreisler published in New York (1915) a report entitled Four Weeks in the Trenches – The War Story of a Violinist, in which he recounted his own wartime experiences.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Kreisler began his concert career soon after arriving in the United States and offered numerous charitable performances in aid of war victims and their families along with destitute Austrian and German musicians. With America’s entrance into the war in 1917, these concerts were highly criticized, leading Kreisler to withdraw from most concert appearances, spending the rest of the war years composing. He celebrated his return to the stage with a resoundingly successful concert in October 1919 in New York’s Carnegie Hall, followed by returns to major concert venues in France and England. By the mid-1920s he had seamlessly reconnected with his pre-war career. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:center;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Text: Ulrike Anton</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_F7DBF1F6_5859_D45B_4182_424C48D60E3A.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Fritz Kreisler and the First World War</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">News of the outbreak of what would become the First World War reached the married couple during a vacation in Switzerland. As an Austrian reserve officer he immediately responded to his call-up, with his wife volunteering to work as a nurse in field hospitals. Almost immediately upon arriving at the Russian Front, Kreisler was wounded. After his recovery he relocated to the United States in November 1914. The events surrounding Kreisler’s war efforts became an important news feature and were covered in Austrian, German and American papers. In the American papers, comments were made that he was an artist and therefore stood above such political events. Due to growing interests in the war, Kreisler published in New York (1915) a report entitled Four Weeks in the Trenches – The War Story of a Violinist, in which he recounted his own wartime experiences.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Kreisler began his concert career soon after arriving in the United States and offered numerous charitable performances in aid of war victims and their families along with destitute Austrian and German musicians. With America’s entrance into the war in 1917, these concerts were highly criticized, leading Kreisler to withdraw from most concert appearances, spending the rest of the war years composing. He celebrated his return to the stage with a resoundingly successful concert in October 1919 in New York’s Carnegie Hall, followed by returns to major concert venues in France and England. By the mid-1920s he had seamlessly reconnected with his pre-war career. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:center;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Text: Ulrike Anton</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_5ABEC9C9_48D6_D449_41D2_88B3BFFB0F44.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Fritz Kreisler and the First World War</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">News of the outbreak of what would become the First World War reached the married couple during a vacation in Switzerland. As an Austrian reserve officer he immediately responded to his call-up, with his wife volunteering to work as a nurse in field hospitals. Almost immediately upon arriving at the Russian Front, Kreisler was wounded. After his recovery he relocated to the United States in November 1914. The events surrounding Kreisler’s war efforts became an important news feature and were covered in Austrian, German and American papers. In the American papers, comments were made that he was an artist and therefore stood above such political events. Due to growing interests in the war, Kreisler published in New York (1915) a report entitled Four Weeks in the Trenches – The War Story of a Violinist, in which he recounted his own wartime experiences.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Kreisler began his concert career soon after arriving in the United States and offered numerous charitable performances in aid of war victims and their families along with destitute Austrian and German musicians. With America’s entrance into the war in 1917, these concerts were highly criticized, leading Kreisler to withdraw from most concert appearances, spending the rest of the war years composing. He celebrated his return to the stage with a resoundingly successful concert in October 1919 in New York’s Carnegie Hall, followed by returns to major concert venues in France and England. By the mid-1920s he had seamlessly reconnected with his pre-war career. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:center;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Text: Ulrike Anton</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_27D81BFB_65CA_AA96_41C9_AFB4C5979986.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Fritz Kreisler and the Nazi Regime</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Berlin had for many years been the center of Kreisler’s activities. As early as 1913, he and his wife Harriet moved into an apartment at Kurfürstendamm 67 which the couple continued to maintain even while residing in New York (1914 – 1920). In 1924, Kreisler had a villa built on some land he had acquired in Berlin’s prestigious suburb of Grunewald. Following Hitler’s appointment as chancellor, Kreisler’s appearances were interrupted by anti-Semitic protests and subject to calls for boycott against Jewish musicians. His compositions were banned. He turned down an invitation by Wilhelm Furtwängler to appear as soloist with the Berlin Philharmonic and from this point cancelled all further appearances in Germany. In spite of this, Kreisler continued to be registered in his Grunewald villa with his wife, a Nazi sympathizer, until 1939. He maintained his international career and thanks to his Austrian citizenship felt safe in Nazi Germany. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">With Austria’s annexation by Nazi Germany in March 1938, Kreisler lost his Austrian citizenship. In September 1939, his works were put on an official blacklist compiled by the Nazi Ministry of Culture. In their </SPAN><SPAN STYLE="font-size:30px;"><I>Encyclopedia of Jews in Music</I></SPAN><SPAN STYLE="font-size:30px;">, he was listed as “half Jewish”. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">It was only after long and but eventually successful negotiations about acquiring the French citizenship that he was able to relocate and arrive in exile in New York on September 1939. He acquired American citizenship in 1943 and from this point never returned to Europe.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:right;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Text: Ulrike Anton</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_E7FB032F_6449_7B8E_41B1_999C49366C7F.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Fritz Kreisler im Exil – New York, 1939 bis 1945</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Der Weg ins Exil führte Fritz Kreisler und seine Frau Harriet im September 1939 von Frankreich in die USA. Sie schifften sich in Le Havre auf der SS Washington ein und erreichten New York am 18. September. Kreislers Immigration erregte die Aufmerksamkeit der Presse: Die New York Times brachte ein kurzes Interview und ein Foto in einem Artikel über prominente Fahrgäste, die sich an Bord des völlig überfüllten Schiffes befanden. Kreisler nahm seine Konzerttätigkeit in den USA sehr rasch wieder auf und setzte sich auch während des Krieges für wohltätige Zwecke ein. Im April 1941 hatte er einen schweren Unfall. Beim Überqueren der Madison Avenue erfasste ihn ein Lieferwagen, und er erlitt schwere Kopfverletzungen die für einige Zeit sein Gedächtnis sowie sein Hör- und Sehvermögen beeinträchtigten. Nach der mehrmonatigen Rekonvaleszenz nahm er seine Auftrittstätigkeit in eingeschränkter Form wieder auf und konzentrierte sich ab Sommer 1944 vor allem auf Radiokonzerte.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Eine Folge des Unfalls dürfte auch der deutliche Rückgang in der kompositorischen Produktivität gewesen sein. Seine einzige Originalkomposition während der Zeit des Exils in New York war die Viennese Rhapsodic Fantasietta für Violine und Orchester, die er 1941 begann und erst nach seiner Genesung fertigstellen konnte. Das Werk ist eine tragisch-nostalgische Hommage an seine Geburtsstadt Wien, geschrieben vor dem Hintergrund des Krieges und des Verlustes seiner Heimat. Erste Aufführungen des Werks spielte Kreisler 1942 im Palace Theatre in Albany und in der Carnegie Hall in New York. Weiters entstand eine Bearbeitung für Violine und Klavier des langsamen Satzes von Sergei Rachmaninows 2. Klavierkonzert (Preghiera – Gebet, 1940). Die Operette Rhapsody, für die Kreisler seine Musik zu Sissy zur Verfügung gestellt hatte, wurde leider am Broadway ein Misserfolg. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Kreislers öffentliche Konzerttätigkeit endete 1949. Danach konnte man ihn live nur noch bis 1950 in Rundfunksendungen hören. Nach Europa kehrte er nie wieder zurück. Nahezu blind und taub verstarb er 1962 an einer Herzerkrankung. Er ist auf dem Woodlawn Cemetery in New York begraben. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:right;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Text: Ulrike Anton</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_E7FC232D_6449_7BB2_41C2_5D7DECF43A55.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Fritz Kreisler in Exile – New York, 1939 to 1945</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">The route to exile took Fritz Kreisler and his wife Harriet from France to the USA in September 1939. They arrived in New York from Le Havre on the SS Washington on September 18. Kreisler’s immigration was noted in the New York Times with a short interview and photo accompanied by an article on the many prominent people aboard the exceptionally overcrowded passenger liner. Kreisler could restart his American career quickly and was involved in charitable activities for the duration of the war. In April 1941, Kreisler had a serious accident. Crossing Madison Avenue, he was hit by a delivery truck and suffered serious head injuries limiting memory and his senses of sight and hearing. After many months of rehabilitation, he was able to take up his former activities again, albeit in a much reduced way. From the summer of 1944, he concentrated his efforts exclusively on radio broadcasts. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">A reduction in his compositional output must also be a consequence of the accident. The only work to be written throughout his entire period in New York was Viennese Rhapsodic Fantasietta for violin and orchestra, started in 1941, and only completed after a lengthy recuperation. The work is a tragic nostalgic “homage” to his birthplace Vienna, composed in the context of war and loss of homeland. It was premiered by Kreisler in 1942 at the Palace Theatre in Albany, followed by Carnegie Hall in New York. He also arranged a version of the slow movement for violine and piano of Rachmaninoff’s Second Piano Concerto called Preghiera (Prayer) in 1940. His operetta Rhapsody, using music from Sissy fell through on Broadway.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Kreisler’s public appearances came to an end in 1949; after that, he was only heard in live broadcasts until 1950. He would never return to Europe. Nearly totally blind and deaf, he died in New York in 1962 of heart disease and is buried in Woodlawn Cemetery in New York. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:right;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Text: Ulrike Anton</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_6ACE591F_645A_B78E_41D2_02AEB381FF23.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Fritz Kreisler und Wien</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Fritz Kreisler wurde am 2. Februar 1875 als drittes Kind einer jüdischen Familie in Wien/Leopoldstadt geboren. Seinen ersten Geigenunterricht erhielt er von seinem Vater, der Hobbygeiger war. Im Alter von sieben Jahren trat er in das Conservatorium der Gesellschaft der Musikfreunde in Wien (heute: mdw) ein, studierte bei Joseph Hellmesberger jun. und besuchte den Theorieunterricht von Anton Bruckner. Am Ende seines dreijährigen Studiums wurde ihm einstimmig eine Goldmedaille zuerkannt.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">1898 interpretierte er bei seinem Debüt mit den Wiener Philharmonikern das zweite Violinkonzert von Max Bruch. Ein Probespiel an der Wiener Hofoper, das er zwei Jahre zuvor absolviert hatte, war gescheitert, weil der Konzertmeister Arnold Rosé meinte, Kreisler könne schlecht vom Blatt spielen und habe kein Rhythmusgefühl. Bemerkenswert ist, dass Kreisler bereits 1891 ein Bewerbungsschreiben an die Wiener Philharmoniker mit dem Angebot geschickt hatte, Bruchs Konzert als Solist aufzuführen. Trotz seiner Weltkarriere – Kreisler hatte mehrere Wohnsitze (u. a. Berlin und New York) – blieb Wien ein wichtiger Ort für ihn.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Kreisler komponierte die Operette </SPAN><SPAN STYLE="font-size:30px;"><I>Sissy</I></SPAN><SPAN STYLE="font-size:30px;"> über die Liebe von Kaiserin Elisabeth und Kaiser Franz Joseph. Dieses Werk, das in Nostalgie für die ehemalige Donaumonarchie schwelgt, hatte am 23. Dezember 1932 im Theater an der Wien Premiere und wurde zu einem großen Erfolg. Kreisler verwendete dabei seine früheren Werke, darunter </SPAN><SPAN STYLE="font-size:30px;"><I>Liebesfreud</I></SPAN><SPAN STYLE="font-size:30px;"> und </SPAN><SPAN STYLE="font-size:30px;"><I>Liebesleid</I></SPAN><SPAN STYLE="font-size:30px;">. Die Titelrolle schrieb er für die Starsängerin Marta Eggerth, die schließlich 1939 auch in die USA immigrierte. Sie erarbeitete die Partie über einen Zeitraum von mehreren Monaten gemeinsam mit Kreisler in seiner Berliner Villa, musste aber aufgrund eines Vertrags mit ihrer Filmproduktionsfirma das Vorhaben aufgeben. Stattdessen spielte sie die Hauptrolle im Film </SPAN><SPAN STYLE="font-size:30px;"><I>Where Is This Lady</I></SPAN><SPAN STYLE="font-size:30px;">? (Musik: Franz Lehár). Ihren Part in der Operette </SPAN><SPAN STYLE="font-size:30px;"><I>Sissy</I></SPAN><SPAN STYLE="font-size:30px;"> übernahm Paula Wessely. Auch in New York verkehrten Eggerth und Kreisler bis zu seinem Lebensende miteinander. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Zu seinem 60. Geburtstag verlieh ihm die Stadt Wien 1935 den Ehrenring. Interessant ist, dass Kreisler, als er seine Meldezettel in Wien anlässlich dieser Feier und seines Besuchs der Sissy-Premiere ausfüllen musste, sich beide Male als US-Staatsbürger deklarierte. Seine amerikanische Staatsbürgerschaft bekam er allerdings erst 1943. Die Vermutung liegt nahe, dass er sich bereits zur damaligen Zeit mit der politischen Lage in Österreich unwohl gefühlt haben könnte. Als man ihm 1959 den Dr. Karl Renner Preis zuerkannte – auch Bruno Walter erhielt dieselbe Auszeichnung – blieb er der Verleihung fern. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:right;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Text: Nobuko Nakamura</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_7EDD459C_5C4A_9E92_41D0_67B897CE9554.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Fritz Kreisler und das Judentum</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Galizien, das von 1772 bis zum Ende des Ersten Weltkriegs zur Habsburgermonarchie gehörte, war die Heimat der jüdischen Vorfahr:innen von Fritz Kreisler.  </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Kreislers Vater Samuel war Arzt in Tarnopol (heute: Ternopil, Ukraine) und ging gemeinsam mit seiner späteren Ehefrau Anna, die ebenfalls einer jüdischen Familie in Dobromil (heute: Dobromyl, Ukraine) entstammte, nach Wien. Das Paar siedelte sich 1871 in der Wiener Leopoldstadt an, wo es Teil des gesellschaftlichen jüdischen Lebens wurde. Samuel Kreisler spielte regelmäßig Schach mit dem Komponisten Carl Goldmark und dem Psychoanalytiker Sigmund Freud, dessen Hausarzt er war. Die musikalische Begabung der beiden Söhne, Fritz und Hugo, wurden in der Familie Kreisler sehr gefördert – Musik wurde von vielen jüdischen Zuwander:innen als ein Mittel zur Integration in die bürgerliche Gesellschaft gesehen. Trotz der eindeutigen Provenienz der Familie gelang es der Forschung erst sehr spät Fritz Kreislers jüdische Herkunft lückenlos zu dokumentieren. Kreisler wollte von der Außenwelt als Nichtjude wahrgenommen werden, sicherlich um sich nicht der antisemitischen Hetze aussetzen zu müssen, die zu dieser Zeit, befeuert u. a. durch Richard Wagners Pamphlet Das Judentum in der Musik, enormen Auftrieb hatte. Kreisler verschwieg bewusst seine Religionszugehörigkeit, deklarierte sich als Katholik und machte später sogar falsche Angaben zu seinem Wiener Geburtsstätte. Kreislers Ehefrau Harriet, die gleichzeitig Managerin des Stargeigers war, forcierte diese Vorgehensweise. Auch in der Berichterstattung über Kreisler in den 1920er Jahren wird seine jüdische Herkunft fast nie erwähnt und in der ersten Biographie über den Stargeiger (1950), die vom Ehepaar Kreisler autorisiert wurde, liest man vom vermeintlichen Katholiken Kreisler, der in Wien/Wieden wohnhaft war. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Harriet sympathisierte mit dem NS-Regime und hoffte, dass ihr Mann zum „Ehrenarier“ ernannt werden würde. Kreislers Weigerung ab 1933 weiterhin in Deutschland aufzutreten, kam einer politischen Stellungnahme gegen das Nazi-Regime gleich. Die Reichsstelle für Sippenforschung stufte Kreisler ihn 1939 als „Volljuden“ ein. Dieser Status wurde jedoch auf direkten Befehl aus der Reichskanzlei auf „Halbjude“ geändert. Hitlers persönliche Begeisterung für den Ausnahmegeiger, Kreislers aktive Teilnahme am Ersten Weltkrieg und die Kontakte, die seine Ehefrau zum NS-Regime pflegte, dürften dabei eine entscheidende Rolle gespielt haben.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">1947 bekannten sich sowohl Kreisler als auch seine protestantische Ehefrau in New York zum Katholizismus. Wieder beteuerte Harriet Kreisler bei dieser Gelegenheit den angeblichen katholischen Hintergrund beider Familien. Für eine Taufe Kreislers gibt es keinen Beleg und die jüdische Kultusgemeinde in Wien führte ihn bis zu seinem Tod als Mitglied.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:right;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Text: Ulrike Anton</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_27D9ABFD_65CA_AA92_41D4_88B50F130F6E.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Fritz Kreisler und das NS-Regime</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Berlin war lange Jahre Lebensmittelpunkt und Wohnort von Fritz Kreisler. Bereits 1913 zog er mit seiner Frau Harriet in eine Wohnung am Kurfürstendamm 67, die das Ehepaar trotz eines mehrjährigen Aufenthalts in New York (1914 – 1920) behielt. Schließlich erwarb Kreisler 1924 ein Grundstück in der Bismarckallee 32 im Berliner Stadtteil Grunewald, wo er sich eine Villa bauen ließ. Mit der Machtübernahme Hitlers in Deutschland waren die Auftritte des Stargeigers aufgrund seiner jüdischen Herkunft von Störungen und Boykottaufrufen begleitet. Auch seine Kompositionen wurden nicht mehr gespielt. Eine Einladung des Dirigenten Wilhelm Furtwängler bei einem Konzert als Solist mit den Berliner Philharmonikern aufzutreten, lehnte er im Juli 1933 schriftlich ab und beendete auch jede weitere Konzerttätigkeit in Deutschland. Trotz dieser Entscheidung lebte er weiterhin mit seiner Frau, die mit den Nationalsozialist:innen sympathisierte, in der gemeinsamen Berliner Villa, in der sie bis 1939 gemeldet blieben. Seine internationale Karriere setzte Kreisler in dieser Zeit fort, in Nazi-Deutschland fühlte er sich vorerst durch seine österreichische Staatsbürgerschaft geschützt. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Mit dem sogenannten „Anschluss“ Österreichs an Nazi-Deutschland im März 1938 war Kreislers österreichischer Reisepass ungültig geworden. Die Reichsmusikkammer setzte seine Kompositionen im September 1939 auf die „Liste unerwünschter musikalischer Werke“ und auch im </SPAN><SPAN STYLE="font-size:30px;"><I>Lexikon der Juden in der Musik</I></SPAN><SPAN STYLE="font-size:30px;"> wurde er als „Halbjude“ bezeichnet.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Nach langwierigen und schließlich erfolgreichen Bemühungen um die französische Staatsbürgerschaft gelang im September 1939 der Weg ins amerikanische Exil, wo Kreisler sich mit seiner Frau in New York niederließ und 1943 eingebürgert wurde. Europa hat der Stargeiger nach seiner Emigration nie wieder betreten. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:right;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Text: Ulrike Anton</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_EE069C6F_58AE_AC49_41D1_173EBBC5332B.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Fritz Kreisler und der Erste Weltkrieg</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Die Nachricht vom Ausbruch des Ersten Weltkriegs erreichte das Ehepaar Kreisler bei einem Urlaubsaufenthalt in der Schweiz. Als österreichischer Reserveoffizier folgte Kreisler sofort dem Einberufungsbefehl; seine Frau Harriet meldete sich als Pflegerin zum Dienst in Lazaretten. Gleich zu Beginn des Krieges wurde Kreisler an der russischen Front verwundet und übersiedelte nach seiner Genesung im November 1914 nach New York. Die Ereignisse um Kreislers Kriegseinsatz erregten große Aufmerksamkeit in den österreichischen, deutschen und amerikanischen Zeitungen. In der US-Berichterstattung wurde besonders hervorgehoben, dass er ein Künstler sei, der über den politischen Ereignissen stehe. Aufgrund des großen öffentlichen Interesses veröffentlichte Kreisler in New York 1915 einen ausführlichen Bericht unter dem Titel Four Weeks in the Trenches – The War Story of a Violinist (Vier Wochen im Schützengraben – Die Kriegsgeschichte eines Geigers), in dem er seine persönlichen Kriegserlebnisse darstellte. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Kreisler nahm seine Konzerttätigkeit rasch nach seiner Ankunft in den USA wieder auf und absolvierte zahlreiche Wohltätigkeitsauftritte für Kriegsopferfamilien und in Not geratene deutsche und österreichische Musiker:innen. Nach dem Kriegseintritt der USA 1917 wurden diese Aktivitäten des gefeierten Stars jedoch äußerst negativ beurteilt, was Kreisler schließlich dazu bewegte, kaum mehr aufzutreten und sich stattdessen bis zum Kriegsende nur noch dem Komponieren zu widmen. Seine fulminante Rückkehr als Geigenvirtuose feierte er im Oktober 1919 in der New Yorker Carnegie Hall. Auch in England und Frankreich kehrte er auf die großen Bühnen zurück und konnte somit ab Mitte der 1920er Jahre nahtlos an seine großen internationalen Erfolge anknüpfen. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:center;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Text: Ulrike Anton</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_F4E85F45_5859_6DB9_41D0_45EA27BF7565.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Fritz Kreisler und der Erste Weltkrieg</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Die Nachricht vom Ausbruch des Ersten Weltkriegs erreichte das Ehepaar Kreisler bei einem Urlaubsaufenthalt in der Schweiz. Als österreichischer Reserveoffizier folgte Kreisler sofort dem Einberufungsbefehl; seine Frau Harriet meldete sich als Pflegerin zum Dienst in Lazaretten. Gleich zu Beginn des Krieges wurde Kreisler an der russischen Front verwundet und übersiedelte nach seiner Genesung im November 1914 nach New York. Die Ereignisse um Kreislers Kriegseinsatz erregten große Aufmerksamkeit in den österreichischen, deutschen und amerikanischen Zeitungen. In der US-Berichterstattung wurde besonders hervorgehoben, dass er ein Künstler sei, der über den politischen Ereignissen stehe. Aufgrund des großen öffentlichen Interesses veröffentlichte Kreisler in New York 1915 einen ausführlichen Bericht unter dem Titel Four Weeks in the Trenches – The War Story of a Violinist (Vier Wochen im Schützengraben – Die Kriegsgeschichte eines Geigers), in dem er seine persönlichen Kriegserlebnisse darstellte. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Kreisler nahm seine Konzerttätigkeit rasch nach seiner Ankunft in den USA wieder auf und absolvierte zahlreiche Wohltätigkeitsauftritte für Kriegsopferfamilien und in Not geratene deutsche und österreichische Musiker:innen. Nach dem Kriegseintritt der USA 1917 wurden diese Aktivitäten des gefeierten Stars jedoch äußerst negativ beurteilt, was Kreisler schließlich dazu bewegte, kaum mehr aufzutreten und sich stattdessen bis zum Kriegsende nur noch dem Komponieren zu widmen. Seine fulminante Rückkehr als Geigenvirtuose feierte er im Oktober 1919 in der New Yorker Carnegie Hall. Auch in England und Frankreich kehrte er auf die großen Bühnen zurück und konnte somit ab Mitte der 1920er Jahre nahtlos an seine großen internationalen Erfolge anknüpfen. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:center;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Text: Ulrike Anton</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_5ABDCF12_48DA_EDDB_41D5_D3EB7451D721.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Fritz Kreisler und der Erste Weltkrieg</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Die Nachricht vom Ausbruch des Ersten Weltkriegs erreichte das Ehepaar Kreisler bei einem Urlaubsaufenthalt in der Schweiz. Als österreichischer Reserveoffizier folgte Kreisler sofort dem Einberufungsbefehl; seine Frau Harriet meldete sich als Pflegerin zum Dienst in Lazaretten. Gleich zu Beginn des Krieges wurde Kreisler an der russischen Front verwundet und übersiedelte nach seiner Genesung im November 1914 nach New York. Die Ereignisse um Kreislers Kriegseinsatz erregten große Aufmerksamkeit in den österreichischen, deutschen und amerikanischen Zeitungen. In der US-Berichterstattung wurde besonders hervorgehoben, dass er ein Künstler sei, der über den politischen Ereignissen stehe. Aufgrund des großen öffentlichen Interesses veröffentlichte Kreisler in New York 1915 einen ausführlichen Bericht unter dem Titel Four Weeks in the Trenches – The War Story of a Violinist (Vier Wochen im Schützengraben – Die Kriegsgeschichte eines Geigers), in dem er seine persönlichen Kriegserlebnisse darstellte. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Kreisler nahm seine Konzerttätigkeit rasch nach seiner Ankunft in den USA wieder auf und absolvierte zahlreiche Wohltätigkeitsauftritte für Kriegsopferfamilien und in Not geratene deutsche und österreichische Musiker:innen. Nach dem Kriegseintritt der USA 1917 wurden diese Aktivitäten des gefeierten Stars jedoch äußerst negativ beurteilt, was Kreisler schließlich dazu bewegte, kaum mehr aufzutreten und sich stattdessen bis zum Kriegsende nur noch dem Komponieren zu widmen. Seine fulminante Rückkehr als Geigenvirtuose feierte er im Oktober 1919 in der New Yorker Carnegie Hall. Auch in England und Frankreich kehrte er auf die großen Bühnen zurück und konnte somit ab Mitte der 1920er Jahre nahtlos an seine großen internationalen Erfolge anknüpfen. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:center;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Text: Ulrike Anton</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_3FE82867_7979_5515_41D7_D50D5D76A8A0.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Fritz Kreisler – A Cosmopolitan in Exile</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">From Child Prodigy to “King of Violinists”</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">The new exhibition by the Exilarte Center at the mdw – University of Music and Performing Arts Vienna profiling the life and significance of Fritz Kreisler has grown out of the 10th Fritz Kreisler Violin Competition, an event that has regularly taken place since 1979. Kreisler was an exceptional musician, whose interpretations have remained references right into the present. His technical mastery was exceptional, his musicianship unique and among his contemporaries, his personal sound, sense of phrasing and use of vibrato elicited both enthusiasm and provocation. Even today, his style of performance remains intensely fascinating for both audiences and professionals. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">The exhibition shows different periods in the life of one of the greatest violin virtuosos of the 20th century, a story that began in Vienna and his studies at the mdw with Joseph Hellmesberger Jr. and Anton Bruckner. He had already completed a successful American tour at the age of thirteen. At that time, performances with the Philharmonic Orchestras of Vienna and Berlin opened the doors to both success and wealth for any young soloist. The First World War interrupted his career when he was enlisted in the Austrian army and wounded on the Russian Front. He was boycotted in America following its entrance into the war and as a result, he withdrew from public performances. He was able to re-establish his career with a concert at Carnegie Hall in 1919. Kreisler became a media star with a full performance calendar and a contract with RCA Victor Records committing him to many recordings. He was able to gain quite a reputation with his so-called Classical Manuscripts, though praise turned to criticism when it emerged these were in fact his own compositions. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">From 1933, and in solidarity with the conductors Fritz Busch and Bruno Walter, Kreisler refused to perform in the German “Reich”. Because of his Jewish heritage, the Nazis banned performances, compositions and recordings. In September 1939, he immigrated with his wife Harriet (née Lies) to the United States and became an American citizen in 1943. Kreisler was not just a cosmopolitan; he was also an exile. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">The exhibition also highlights new material showing his philanthropic and charitable activities, putting on display new material that considerably adds to the difficult situation of research.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:right;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Text: Gerold Gruber</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV></BODY></HTML></div>
htmlText_01586553_5B02_0188_41D0_5D5091919427.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Fritz Kreisler – A Cosmopolitan in Exile</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">From Child Prodigy to “King of Violinists”</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">The new exhibition by the Exilarte Center at the mdw – University of Music and Performing Arts Vienna profiling the life and significance of Fritz Kreisler has grown out of the 10th Fritz Kreisler Violin Competition, an event that has regularly taken place since 1979. Kreisler was an exceptional musician, whose interpretations have remained references right into the present. His technical mastery was exceptional, his musicianship unique and among his contemporaries, his personal sound, sense of phrasing and use of vibrato elicited both enthusiasm and provocation. Even today, his style of performance remains intensely fascinating for both audiences and professionals. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">The exhibition shows different periods in the life of one of the greatest violin virtuosos of the 20th century, a story that began in Vienna and his studies at the mdw with Joseph Hellmesberger Jr. and Anton Bruckner. He had already completed a successful American tour at the age of thirteen. At that time, performances with the Philharmonic Orchestras of Vienna and Berlin opened the doors to both success and wealth for any young soloist. The First World War interrupted his career when he was enlisted in the Austrian army and wounded on the Russian Front. He was boycotted in America following its entrance into the war and as a result, he withdrew from public performances. He was able to re-establish his career with a concert at Carnegie Hall in 1919. Kreisler became a media star with a full performance calendar and a contract with RCA Victor Records committing him to many recordings. He was able to gain quite a reputation with his so-called Classical Manuscripts, though praise turned to criticism when it emerged these were in fact his own compositions. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">From 1933, and in solidarity with the conductors Fritz Busch and Bruno Walter, Kreisler refused to perform in the German “Reich”. Because of his Jewish heritage, the Nazis banned performances, compositions and recordings. In September 1939, he immigrated with his wife Harriet (née Lies) to the United States and became an American citizen in 1943. Kreisler was not just a cosmopolitan; he was also an exile. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">The exhibition also highlights new material showing his philanthropic and charitable activities, putting on display new material that considerably adds to the difficult situation of research.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:right;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Text: Gerold Gruber</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV></BODY></HTML></div>
htmlText_2BF2F7B6_7AAB_BB77_41D4_6BBC5BA3FF6F.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Fritz Kreisler – A Cosmopolitan in Exile</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">From Child Prodigy to “King of Violinists”</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">The new exhibition by the Exilarte Center at the mdw – University of Music and Performing Arts Vienna profiling the life and significance of Fritz Kreisler has grown out of the 10th Fritz Kreisler Violin Competition, an event that has regularly taken place since 1979. Kreisler was an exceptional musician, whose interpretations have remained references right into the present. His technical mastery was exceptional, his musicianship unique and among his contemporaries, his personal sound, sense of phrasing and use of vibrato elicited both enthusiasm and provocation. Even today, his style of performance remains intensely fascinating for both audiences and professionals. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">The exhibition shows different periods in the life of one of the greatest violin virtuosos of the 20th century, a story that began in Vienna and his studies at the mdw with Joseph Hellmesberger Jr. and Anton Bruckner. He had already completed a successful American tour at the age of thirteen. At that time, performances with the Philharmonic Orchestras of Vienna and Berlin opened the doors to both success and wealth for any young soloist. The First World War interrupted his career when he was enlisted in the Austrian army and wounded on the Russian Front. He was boycotted in America following its entrance into the war and as a result, he withdrew from public performances. He was able to re-establish his career with a concert at Carnegie Hall in 1919. Kreisler became a media star with a full performance calendar and a contract with RCA Victor Records committing him to many recordings. He was able to gain quite a reputation with his so-called Classical Manuscripts, though praise turned to criticism when it emerged these were in fact his own compositions. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">From 1933, and in solidarity with the conductors Fritz Busch and Bruno Walter, Kreisler refused to perform in the German “Reich”. Because of his Jewish heritage, the Nazis banned performances, compositions and recordings. In September 1939, he immigrated with his wife Harriet (née Lies) to the United States and became an American citizen in 1943. Kreisler was not just a cosmopolitan; he was also an exile. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">The exhibition also highlights new material showing his philanthropic and charitable activities, putting on display new material that considerably adds to the difficult situation of research.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:right;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Text: Gerold Gruber</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV></BODY></HTML></div>
htmlText_D4C406A9_58B9_7CC9_41CB_ACFB04B9517C.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Fritz Kreisler – A Cosmopolitan in Exile</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">From Child Prodigy to “King of Violinists”</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">The new exhibition by the Exilarte Center at the mdw – University of Music and Performing Arts Vienna profiling the life and significance of Fritz Kreisler has grown out of the 10th Fritz Kreisler Violin Competition, an event that has regularly taken place since 1979. Kreisler was an exceptional musician, whose interpretations have remained references right into the present. His technical mastery was exceptional, his musicianship unique and among his contemporaries, his personal sound, sense of phrasing and use of vibrato elicited both enthusiasm and provocation. Even today, his style of performance remains intensely fascinating for both audiences and professionals. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">The exhibition shows different periods in the life of one of the greatest violin virtuosos of the 20th century, a story that began in Vienna and his studies at the mdw with Joseph Hellmesberger Jr. and Anton Bruckner. He had already completed a successful American tour at the age of thirteen. At that time, performances with the Philharmonic Orchestras of Vienna and Berlin opened the doors to both success and wealth for any young soloist. The First World War interrupted his career when he was enlisted in the Austrian army and wounded on the Russian Front. He was boycotted in America following its entrance into the war and as a result, he withdrew from public performances. He was able to re-establish his career with a concert at Carnegie Hall in 1919. Kreisler became a media star with a full performance calendar and a contract with RCA Victor Records committing him to many recordings. He was able to gain quite a reputation with his so-called Classical Manuscripts, though praise turned to criticism when it emerged these were in fact his own compositions. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">From 1933, and in solidarity with the conductors Fritz Busch and Bruno Walter, Kreisler refused to perform in the German “Reich”. Because of his Jewish heritage, the Nazis banned performances, compositions and recordings. In September 1939, he immigrated with his wife Harriet (née Lies) to the United States and became an American citizen in 1943. Kreisler was not just a cosmopolitan; he was also an exile. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">The exhibition also highlights new material showing his philanthropic and charitable activities, putting on display new material that considerably adds to the difficult situation of research.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:right;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Text: Gerold Gruber</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV></BODY></HTML></div>
htmlText_D6871C4F_58BF_AC49_41CF_36A0B59EB528.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Fritz Kreisler – Ein Kosmopolit im Exil</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Vom Wunderkind zum „König der Geiger“</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Aus Anlass des 10. Internationalen Fritz Kreisler Violinwettbewerbs, der seit 1979 an der mdw – Universität für Musik und darstellende Kunst Wien ausgetragen wird, wurde die neue Ausstellung des Exilarte Zentrum der mdw entwickelt, um das Leben und die Bedeutung Fritz Kreislers der Öffentlichkeit zu präsentieren. Kreisler war ein Ausnahmemusiker, dessen Interpretationen bis heute Referenzcharakter aufweisen. Sein technisches Können war außergewöhnlich, seine Musikalität einzigartig, er vermochte seine Zeitgenoss:innen zu begeistern, aber auch zu irritieren, da er seine persönliche Tongebung, das intensive Vibrato und spezielle Phrasierungstechniken sehr eigenwillig einsetzte. Bis heute ist sein Geigenstil ein Faszinosum sowohl für das musikliebende Publikum als auch für Profis. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Die Ausstellung zeigt die verschiedenen Lebensabschnitte eines der größten Violinvirtuos:innen des 20. Jahrhunderts, dessen Erfolgsstory von Wien ausging (Studium bei Joseph Hellmesberger jun. an der mdw und bei Anton Bruckner). Bereits mit 13 Jahren ging er auf eine erfolgreiche Amerikatournee. Konzerte mit den Wiener sowie den Berliner Philharmonikern öffneten ihm den Weg zu einer der brillantesten und lukrativsten Solist:innen-Karrieren der damaligen Zeit. Der Erste Weltkrieg unterbrach seine Karriere, da er von der österreichischen Armee eingezogen und an der russischen Front verwundet wurde. In den USA wurde er nach dem Kriegseintritt der Amerikaner:innen boykottiert und zog sich von der Öffentlichkeit zurück. Mit einem Konzert in der New Yorker Carnegie Hall 1919 konnte er seine Karriere wieder fortsetzen. Kreisler wurde zu einem Medienstar, sein Konzertkalender war voll ausgelastet und auch der Vertrag mit der Schallplattenfirma RCA Victor Company verpflichtete ihn zu einer großen Anzahl von Aufnahmen. In dieser Zeit erntete er mit seinen sogenannten Klassischen Manuskripten, die er früheren Komponisten zuschrieb, viel Bewunderung, aber nach Bekanntwerden der Tatsache, dass es sich vielmehr um Eigenkompositionen handelte, auch viel Kritik.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Ab 1933 lehnte es Fritz Kreisler ab, aus Solidarität mit Dirigenten wie Fritz Busch und Bruno Walter im „Deutschen Reich“ aufzutreten. Aufgrund seiner jüdischen Herkunft verboten die Nazis alle seine Auftritte, Kompositionen und Aufnahmen. Im September 1939 immigrierte er mit seiner Frau Harriet (geb. Lies) in die USA und wurde 1943 amerikanischer Staatsbürger. Kreisler war daher einerseits Kosmopolit und andererseits vom Exilant:innen-Schicksal betroffen.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Die Ausstellung zeigt aber auch seine philanthropischen und karitativen Tätigkeiten auf, und wir können in diesem Zusammenhang auf neu entdecktes Material hinweisen, das die schwierige Forschungslage ergänzt. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:right;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Text: Gerold Gruber</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV></BODY></HTML></div>
htmlText_2BF2B7B7_7AAB_BB75_41D3_401CCC0B2DC3.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Fritz Kreisler – Ein Kosmopolit im Exil</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Vom Wunderkind zum „König der Geiger“</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Aus Anlass des 10. Internationalen Fritz Kreisler Violinwettbewerbs, der seit 1979 an der mdw – Universität für Musik und darstellende Kunst Wien ausgetragen wird, wurde die neue Ausstellung des Exilarte Zentrum der mdw entwickelt, um das Leben und die Bedeutung Fritz Kreislers der Öffentlichkeit zu präsentieren. Kreisler war ein Ausnahmemusiker, dessen Interpretationen bis heute Referenzcharakter aufweisen. Sein technisches Können war außergewöhnlich, seine Musikalität einzigartig, er vermochte seine Zeitgenoss:innen zu begeistern, aber auch zu irritieren, da er seine persönliche Tongebung, das intensive Vibrato und spezielle Phrasierungstechniken sehr eigenwillig einsetzte. Bis heute ist sein Geigenstil ein Faszinosum sowohl für das musikliebende Publikum als auch für Profis. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Die Ausstellung zeigt die verschiedenen Lebensabschnitte eines der größten Violinvirtuos:innen des 20. Jahrhunderts, dessen Erfolgsstory von Wien ausging (Studium bei Joseph Hellmesberger jun. an der mdw und bei Anton Bruckner). Bereits mit 13 Jahren ging er auf eine erfolgreiche Amerikatournee. Konzerte mit den Wiener sowie den Berliner Philharmonikern öffneten ihm den Weg zu einer der brillantesten und lukrativsten Solist:innen-Karrieren der damaligen Zeit. Der Erste Weltkrieg unterbrach seine Karriere, da er von der österreichischen Armee eingezogen und an der russischen Front verwundet wurde. In den USA wurde er nach dem Kriegseintritt der Amerikaner:innen boykottiert und zog sich von der Öffentlichkeit zurück. Mit einem Konzert in der New Yorker Carnegie Hall 1919 konnte er seine Karriere wieder fortsetzen. Kreisler wurde zu einem Medienstar, sein Konzertkalender war voll ausgelastet und auch der Vertrag mit der Schallplattenfirma RCA Victor Company verpflichtete ihn zu einer großen Anzahl von Aufnahmen. In dieser Zeit erntete er mit seinen sogenannten Klassischen Manuskripten, die er früheren Komponisten zuschrieb, viel Bewunderung, aber nach Bekanntwerden der Tatsache, dass es sich vielmehr um Eigenkompositionen handelte, auch viel Kritik.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Ab 1933 lehnte es Fritz Kreisler ab, aus Solidarität mit Dirigenten wie Fritz Busch und Bruno Walter im „Deutschen Reich“ aufzutreten. Aufgrund seiner jüdischen Herkunft verboten die Nazis alle seine Auftritte, Kompositionen und Aufnahmen. Im September 1939 immigrierte er mit seiner Frau Harriet (geb. Lies) in die USA und wurde 1943 amerikanischer Staatsbürger. Kreisler war daher einerseits Kosmopolit und andererseits vom Exilant:innen-Schicksal betroffen.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Die Ausstellung zeigt aber auch seine philanthropischen und karitativen Tätigkeiten auf, und wir können in diesem Zusammenhang auf neu entdecktes Material hinweisen, das die schwierige Forschungslage ergänzt. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:right;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Text: Gerold Gruber</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV></BODY></HTML></div>
htmlText_015F5555_5B02_0188_41C0_F0426C58B011.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Fritz Kreisler – Ein Kosmopolit im Exil</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Vom Wunderkind zum „König der Geiger“</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Aus Anlass des 10. Internationalen Fritz Kreisler Violinwettbewerbs, der seit 1979 an der mdw – Universität für Musik und darstellende Kunst Wien ausgetragen wird, wurde die neue Ausstellung des Exilarte Zentrum der mdw entwickelt, um das Leben und die Bedeutung Fritz Kreislers der Öffentlichkeit zu präsentieren. Kreisler war ein Ausnahmemusiker, dessen Interpretationen bis heute Referenzcharakter aufweisen. Sein technisches Können war außergewöhnlich, seine Musikalität einzigartig, er vermochte seine Zeitgenoss:innen zu begeistern, aber auch zu irritieren, da er seine persönliche Tongebung, das intensive Vibrato und spezielle Phrasierungstechniken sehr eigenwillig einsetzte. Bis heute ist sein Geigenstil ein Faszinosum sowohl für das musikliebende Publikum als auch für Profis. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Die Ausstellung zeigt die verschiedenen Lebensabschnitte eines der größten Violinvirtuos:innen des 20. Jahrhunderts, dessen Erfolgsstory von Wien ausging (Studium bei Joseph Hellmesberger jun. an der mdw und bei Anton Bruckner). Bereits mit 13 Jahren ging er auf eine erfolgreiche Amerikatournee. Konzerte mit den Wiener sowie den Berliner Philharmonikern öffneten ihm den Weg zu einer der brillantesten und lukrativsten Solist:innen-Karrieren der damaligen Zeit. Der Erste Weltkrieg unterbrach seine Karriere, da er von der österreichischen Armee eingezogen und an der russischen Front verwundet wurde. In den USA wurde er nach dem Kriegseintritt der Amerikaner:innen boykottiert und zog sich von der Öffentlichkeit zurück. Mit einem Konzert in der New Yorker Carnegie Hall 1919 konnte er seine Karriere wieder fortsetzen. Kreisler wurde zu einem Medienstar, sein Konzertkalender war voll ausgelastet und auch der Vertrag mit der Schallplattenfirma RCA Victor Company verpflichtete ihn zu einer großen Anzahl von Aufnahmen. In dieser Zeit erntete er mit seinen sogenannten Klassischen Manuskripten, die er früheren Komponisten zuschrieb, viel Bewunderung, aber nach Bekanntwerden der Tatsache, dass es sich vielmehr um Eigenkompositionen handelte, auch viel Kritik.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Ab 1933 lehnte es Fritz Kreisler ab, aus Solidarität mit Dirigenten wie Fritz Busch und Bruno Walter im „Deutschen Reich“ aufzutreten. Aufgrund seiner jüdischen Herkunft verboten die Nazis alle seine Auftritte, Kompositionen und Aufnahmen. Im September 1939 immigrierte er mit seiner Frau Harriet (geb. Lies) in die USA und wurde 1943 amerikanischer Staatsbürger. Kreisler war daher einerseits Kosmopolit und andererseits vom Exilant:innen-Schicksal betroffen.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Die Ausstellung zeigt aber auch seine philanthropischen und karitativen Tätigkeiten auf, und wir können in diesem Zusammenhang auf neu entdecktes Material hinweisen, das die schwierige Forschungslage ergänzt. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:right;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Text: Gerold Gruber</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV></BODY></HTML></div>
htmlText_3FE93869_7979_551D_41C1_1EFE76B9CBE5.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Fritz Kreisler – Ein Kosmopolit im Exil</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Vom Wunderkind zum „König der Geiger“</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Aus Anlass des 10. Internationalen Fritz Kreisler Violinwettbewerbs, der seit 1979 an der mdw – Universität für Musik und darstellende Kunst Wien ausgetragen wird, wurde die neue Ausstellung des Exilarte Zentrum der mdw entwickelt, um das Leben und die Bedeutung Fritz Kreislers der Öffentlichkeit zu präsentieren. Kreisler war ein Ausnahmemusiker, dessen Interpretationen bis heute Referenzcharakter aufweisen. Sein technisches Können war außergewöhnlich, seine Musikalität einzigartig, er vermochte seine Zeitgenoss:innen zu begeistern, aber auch zu irritieren, da er seine persönliche Tongebung, das intensive Vibrato und spezielle Phrasierungstechniken sehr eigenwillig einsetzte. Bis heute ist sein Geigenstil ein Faszinosum sowohl für das musikliebende Publikum als auch für Profis. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Die Ausstellung zeigt die verschiedenen Lebensabschnitte eines der größten Violinvirtuos:innen des 20. Jahrhunderts, dessen Erfolgsstory von Wien ausging (Studium bei Joseph Hellmesberger jun. an der mdw und bei Anton Bruckner). Bereits mit 13 Jahren ging er auf eine erfolgreiche Amerikatournee. Konzerte mit den Wiener sowie den Berliner Philharmonikern öffneten ihm den Weg zu einer der brillantesten und lukrativsten Solist:innen-Karrieren der damaligen Zeit. Der Erste Weltkrieg unterbrach seine Karriere, da er von der österreichischen Armee eingezogen und an der russischen Front verwundet wurde. In den USA wurde er nach dem Kriegseintritt der Amerikaner:innen boykottiert und zog sich von der Öffentlichkeit zurück. Mit einem Konzert in der New Yorker Carnegie Hall 1919 konnte er seine Karriere wieder fortsetzen. Kreisler wurde zu einem Medienstar, sein Konzertkalender war voll ausgelastet und auch der Vertrag mit der Schallplattenfirma RCA Victor Company verpflichtete ihn zu einer großen Anzahl von Aufnahmen. In dieser Zeit erntete er mit seinen sogenannten Klassischen Manuskripten, die er früheren Komponisten zuschrieb, viel Bewunderung, aber nach Bekanntwerden der Tatsache, dass es sich vielmehr um Eigenkompositionen handelte, auch viel Kritik.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Ab 1933 lehnte es Fritz Kreisler ab, aus Solidarität mit Dirigenten wie Fritz Busch und Bruno Walter im „Deutschen Reich“ aufzutreten. Aufgrund seiner jüdischen Herkunft verboten die Nazis alle seine Auftritte, Kompositionen und Aufnahmen. Im September 1939 immigrierte er mit seiner Frau Harriet (geb. Lies) in die USA und wurde 1943 amerikanischer Staatsbürger. Kreisler war daher einerseits Kosmopolit und andererseits vom Exilant:innen-Schicksal betroffen.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Die Ausstellung zeigt aber auch seine philanthropischen und karitativen Tätigkeiten auf, und wir können in diesem Zusammenhang auf neu entdecktes Material hinweisen, das die schwierige Forschungslage ergänzt. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:right;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Text: Gerold Gruber</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV></BODY></HTML></div>
htmlText_6704978B_6DCF_BB76_41D8_7D1F07EF0A5E.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Fritz Kreisler – Interpret und Komponist</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">HS_9_1</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Fritz Kreisler:</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><I>Liebesleid</I></SPAN><SPAN STYLE="font-size:30px;"> (1905)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Hugo Kreisler (Violoncello), Fritz Kreisler (Klavier)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">HMV, London 1911</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">2:40</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">HS_9_2</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Fritz Kreisler:</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">„Die Liebe kommt, die Liebe geht“ (</SPAN><SPAN STYLE="font-size:30px;"><I>Liebesleid</I></SPAN><SPAN STYLE="font-size:30px;">) aus der Operette Sissy (1932)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Richard Tauber (Tenor), Odeon Künstlerorchester</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Odeon, Berlin 1933</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">2:49</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">HS_9_3</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Fritz Kreisler:</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Streichquartett in a-Moll (1919)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">1. Satz: Fantasia, Moderato</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Fritz Kreisler (Violine), Thomas Petre (Violine), William Primrose (Viola), Lauri Kennedy (Violoncello)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">HMV, London 1935</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">8:01</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_6683DCD1_6CC9_AE92_41D4_EB59010D0B94.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Fritz Kreisler – Interpret und Komponist</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">HS_9_4</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Ludwig van Beethoven:</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Violinsonate Nr. 5 in F-Dur, Op. 24 „Frühlingssonate" (1801)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">1. Satz: Allegro</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Fritz Kreisler (Violine), Franz Rupp (Klavier)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">HMV, London 1936</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">7:05</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">HS_9_5</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Fritz Kreisler:</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><I>Viennese Rhapsodic Fantasietta</I></SPAN><SPAN STYLE="font-size:30px;"> (1942)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Fritz Kreisler (Violine), RCA Victor Orchestra</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Dirigent: Donald Voorhees</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">RCA Victor, New York 1946</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">8:36</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">HS_9_6</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">"Voice Portrait: Fritz Kreisler" (unvollständig)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Aufnahme der Radio Section der USIS (United States Information Service)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">1950er Jahre </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">3:09</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Österreichische Mediathek/Wienbibliothek im Rathaus</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_28859219_5857_D7C9_41AA_BB763F352363.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Fritz Kreislers Geigenstil</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Fritz Kreisler kann in vielerlei Hinsicht als Ausnahmegeiger bezeichnet werden. Sein Geigenstil war einzigartig, seine Popularität als Stargeiger dominierte die erste Hälfte des 20. Jahrhunderts und seine Interpretationen hatten großen Einfluss auf die nachfolgenden Geiger:innen-Generationen – bis heute. Von sich behauptete er, dass er kein großes Bedürfnis nach ausgedehnten Übungsphasen hätte, seine Finger schienen immer eine ausgezeichnete Beweglichkeit ohne Ermüdungserscheinung aufzuweisen, er wirkte nie nervös oder angespannt. Er war ein Geiger der „großen“ Konzerte von Bach, Beethoven und Brahms, aber bedauerte die geringe Anzahl solcher Werke. Er interpretierte die „kleinen“ Charakterstücke, unabhängig davon, ob sie aus seiner eigenen Feder stammten oder „echte“ Bearbeitungen von Werken Tartinis, Corellis, Paderewskis etc. darstellten, mit ebensolchem Charme und unvergleichlicher Raffinesse. Die Violinstimme konnte er auswendig im Gedächtnis behalten und studierte die Werke über die Klavier- oder Orchesterpartitur. Auf diese Weise vermitteln seine Interpretationen auch eine untrennbare Einheit von Solo-Part und Begleitung. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Kreisler nannte eine große Anzahl an Violinen sein Eigen, einige Stradivaris und Guarneris stehen dabei im Vordergrund. Offenbar suchte er immer nach der „idealen“ Geige, darunter die 1741 Guarneri del Gesù „Hart, Kreisler“, die der Stargeiger von 1904 bis 1917 besaß und mit der er das ihm gewidmete Violinkonzert von Edward Elgar aus der Taufe hob. Die 1733 Guarneri del Gesù „Kreisler“ wird in seinem Nachlass in der Library of Congress in Washington D.C. aufbewahrt, aber zum Erhalt ihrer Qualität immer wieder bespielt. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Sein charakteristischer Geigenstil ist durch ein intensives Vibrato geprägt, das er je nach Tempo und Dynamik sehr subtil zu variieren verstand. Kreisler beherrschte das sogenannte Wiener Rubato perfekt und wandte es – zur Überraschung und gelegentlich auch Bestürzung von Zeitgenoss:innen – bedenkenlos und großzügig an. Seine Portamenti und andere persönliche Phrasierungstechniken sowie eine eher feste Bogenhaltung und eine geringere Ausnutzung der Bogenlänge als üblich faszinieren und irritieren Geiger:innen bis heute und tragen dazu bei, dass sein Name und seine Interpretationen nie verblassen werden.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:right;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Text: Gerold Gruber</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_1E90C14D_644F_B7F2_41D4_946D27D8984A.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Fritz Kreislers Kompositionsstil</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Fritz Kreisler war ein Vollblutmusiker: Sein virtuoses Violinspiel war außergewöhnlich, aber die Zeitgenoss:innen berichten auch, dass sein Klavierspiel ähnlich einfühlsam in der Tongebung war und pianistisch einwandfrei, sodass es Starpianisten wie Ignacy Jan Paderewski gab, die darüber scherzten, dass sie froh waren, dass Kreisler nicht ihr Metier gewählt habe. Bei gesellschaftlichen Zusammenkünften war es auch üblich, dass die Parts vertauscht wurden, Kreisler begleitete Jascha Heifetz am Klavier und umgekehrt, und Kreislers außerordentliche Begabung auf beiden Instrumenten wurde dabei immer hervorgehoben. Man sprach ihm auch eine besondere Gabe beim Improvisieren zu, die er auch bei seinen Kadenzen in den großen Konzerten von Bach, Beethoven und Brahms zum Erstaunen seiner Zeitgenoss:innen umsetzte. Zieht man all dies in Betracht ist es daher wenig erstaunlich, dass er seine ungeheure Kreativität auch im Komponieren unter Beweis stellen konnte. Er hinterließ ca. 200 Kompositionen, aus dem Exil in den USA ist bislang nur ein eigenständiges Werk bekannt, die </SPAN><SPAN STYLE="font-size:30px;"><I>Viennese Rhapsodic Fantasietta</I></SPAN><SPAN STYLE="font-size:30px;"> für Violine und Orchester. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Er bedauerte oft die für ihn zu geringe Anzahl an Violinkompositionen, sodass er diesem „Mangel“ entgegensteuern wollte. So entstand eine Vielzahl an Charakterstücken, die den Gehalt von poetischen Klavierstücken von Stephen Heller und Robert Schumann auf die Violine übertragen und deren kompositorische Qualität unbestritten ist. Die Besonderheit ist aber die raffinierte Einbeziehung des Wiener Flairs, die Kreisler gekonnt aus der Tradition der Tanzmusik Joseph Lanners und der Strauss-Dynastie herauskristallisierte. Sentimentale Wendungen und Phrasierungen gehören durchaus dazu, so wie das von ihm geliebte Wiener Rubato und die Portamenti – Yehudi Menuhin wies dabei auf Kreislers raffinierte Eleganz hin. Dass Kreisler diese Kompositionen anfänglich anonymen Komponisten (aus Wiener Archiven stammend) zuschrieb, begründete er damit, dass er es als unangebracht empfand, seinen Namen auf dem Programm zu oft zu finden. Als der Schwindel mit den Eigenkompositionen sowie den vermeintlichen </SPAN><SPAN STYLE="font-size:30px;"><I>Klassischen Manuskripten</I></SPAN><SPAN STYLE="font-size:30px;"> letztlich aufflog, wurde dies als Betrug an Publikum und Kritik angesehen und Kreisler scharf angegriffen. Die nationalsozialistische Presse nahm dies zum Anlass in Hetzartikeln gegen den „Jud Kreisler“ zu polemisieren. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Das Streichquartett in a-Moll von 1919 ist außergewöhnlich in seiner Länge und Komplexität. Es beginnt mit einem aufbrausenden Rezitativ, um dann in eine nostalgische Kantilene aufzugehen. Kreisler setzt die Farben der vier Streicher sehr variantenreich ein. Auch die übrigen Sätze vermögen die Ambivalenz von tragisch-sentimentaler Rückschau und glücklicher Erinnerungsmomente in Balance zu halten. Eine Deutung in Richtung autobiographischer Abrechnung mit dem Ende der Habsburgermonarchie und seiner Zuneigung zu Wien ist durchaus angebracht. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Kreislers Kompositionen leisten einen wertvollen Beitrag zur teilweise verlorengegangenen Stilvielfalt des 20. Jahrhunderts und stellen bis heute eine große Bereicherung und stilistische Herausforderung für Interpret:innen dar. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:right;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Text: Gerold Gruber</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_612D2BC4_7969_4B0B_41D8_9B53ACEF60BA.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Fritz Kreislers Kompositionsstil</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Fritz Kreisler war ein Vollblutmusiker: Sein virtuoses Violinspiel war außergewöhnlich, aber die Zeitgenoss:innen berichten auch, dass sein Klavierspiel ähnlich einfühlsam in der Tongebung war und pianistisch einwandfrei, sodass es Starpianisten wie Ignacy Jan Paderewski gab, die darüber scherzten, dass sie froh waren, dass Kreisler nicht ihr Metier gewählt habe. Bei gesellschaftlichen Zusammenkünften war es auch üblich, dass die Parts vertauscht wurden, Kreisler begleitete Jascha Heifetz am Klavier und umgekehrt, und Kreislers außerordentliche Begabung auf beiden Instrumenten wurde dabei immer hervorgehoben. Man sprach ihm auch eine besondere Gabe beim Improvisieren zu, die er auch bei seinen Kadenzen in den großen Konzerten von Bach, Beethoven und Brahms zum Erstaunen seiner Zeitgenoss:innen umsetzte. Zieht man all dies in Betracht ist es daher wenig erstaunlich, dass er seine ungeheure Kreativität auch im Komponieren unter Beweis stellen konnte. Er hinterließ ca. 200 Kompositionen, aus dem Exil in den USA ist bislang nur ein eigenständiges Werk bekannt, die </SPAN><SPAN STYLE="font-size:30px;"><I>Viennese Rhapsodic Fantasietta</I></SPAN><SPAN STYLE="font-size:30px;"> für Violine und Orchester. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Er bedauerte oft die für ihn zu geringe Anzahl an Violinkompositionen, sodass er diesem „Mangel“ entgegensteuern wollte. So entstand eine Vielzahl an Charakterstücken, die den Gehalt von poetischen Klavierstücken von Stephen Heller und Robert Schumann auf die Violine übertragen und deren kompositorische Qualität unbestritten ist. Die Besonderheit ist aber die raffinierte Einbeziehung des Wiener Flairs, die Kreisler gekonnt aus der Tradition der Tanzmusik Joseph Lanners und der Strauss-Dynastie herauskristallisierte. Sentimentale Wendungen und Phrasierungen gehören durchaus dazu, so wie das von ihm geliebte Wiener Rubato und die Portamenti – Yehudi Menuhin wies dabei auf Kreislers raffinierte Eleganz hin. Dass Kreisler diese Kompositionen anfänglich anonymen Komponisten (aus Wiener Archiven stammend) zuschrieb, begründete er damit, dass er es als unangebracht empfand, seinen Namen auf dem Programm zu oft zu finden. Als der Schwindel mit den Eigenkompositionen sowie den vermeintlichen </SPAN><SPAN STYLE="font-size:30px;"><I>Klassischen Manuskripten</I></SPAN><SPAN STYLE="font-size:30px;"> letztlich aufflog, wurde dies als Betrug an Publikum und Kritik angesehen und Kreisler scharf angegriffen. Die nationalsozialistische Presse nahm dies zum Anlass in Hetzartikeln gegen den „Jud Kreisler“ zu polemisieren. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Das Streichquartett in a-Moll von 1919 ist außergewöhnlich in seiner Länge und Komplexität. Es beginnt mit einem aufbrausenden Rezitativ, um dann in eine nostalgische Kantilene aufzugehen. Kreisler setzt die Farben der vier Streicher sehr variantenreich ein. Auch die übrigen Sätze vermögen die Ambivalenz von tragisch-sentimentaler Rückschau und glücklicher Erinnerungsmomente in Balance zu halten. Eine Deutung in Richtung autobiographischer Abrechnung mit dem Ende der Habsburgermonarchie und seiner Zuneigung zu Wien ist durchaus angebracht. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Kreislers Kompositionen leisten einen wertvollen Beitrag zur teilweise verlorengegangenen Stilvielfalt des 20. Jahrhunderts und stellen bis heute eine große Bereicherung und stilistische Herausforderung für Interpret:innen dar. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:right;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Text: Gerold Gruber</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_1ECD8BA5_487F_54F9_41C0_8BB3A34EECC9.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Fritz Kreislers soziales Engagement</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">„Fritz Kreisler in Ostasien. Auch dort stellt der große Geiger seine Kunst in den Dienst der Wohltätigkeit“ – die Zeitungsschlagzeile aus dem Jahr 1923 belegt, dass Fritz Kreisler als Philanthrop bekannt war. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Kreisler besuchte Europa im Sommer 1920 mit seiner Frau Harriet zum ersten Mal nach dem Ersten Weltkrieg. In Wien wurde Kreislers Heimkehr bereits vor seiner Anreise mit der Nachricht angekündigt, dass er und seine Frau bisher seine Heimat auf großzügige Weise unterstützt hatten. Darunter fiel eine Spende für eine Aktion des American Milk Distributing Committee, bei der 275.000 Wiener Kinder Milch erhielten. Harriet galt sogar als amerikanische Aktivistin bei der Kinderfürsorge in Österreich. Auch die Wiener Philharmoniker und andere Künstler:innen erhielten finanzielle Förderungen.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Die Hilfsbereitschaft von Fritz und Harriet Kreisler setzte sich auch während und nach dem Zweiten Weltkrieg fort. Nachdem Kreisler in den 1940er Jahren mehrere Geigen aus seiner Sammlung verkauft hatte, versteigerte er im Jänner 1949 auch seine seltenen historischen Bücher (etwa aus dem 15. Jahrhundert) und Manuskripte (u. a. eine Originalpartitur von Brahms’ Violinkonzert) in New York. Der Erlös aus dem Verkauf wurde zugunsten kranker und bedürftiger Kinder gespendet.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Auch fernab der Medien setzte sich Kreisler für seine Mitmenschen ein und leistete finanzielle Unterstützung. „Onkel Fritz“ schickte den deutschen Verwandten von Harriet und ihrem Freundeskreis zahlreiche CARE-Pakete mit Lebensmitteln und Kleidung, die er u. a. im New Yorker Kaufhaus Macy’s zusammenstellen ließ. Anlässlich dieser Ausstellung wurden mehr als 300 unveröffentlichte Briefe von Fritz Kreisler als Schenkung an das Archiv des Exilarte Zentrum übergeben. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:right;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Text: Nobuko Nakamura</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_1E91C14F_644F_B78E_41B7_8F2223C4563B.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Fritz Kreisler’s Compositional Style</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Fritz Kreisler was the innate musician: His violin performances were exceptional, while contemporaries also relate that his piano playing was equally expressive and flawless. Indeed, star pianist Ignacy Jan Paderewski joked once that he was relieved Kreisler had chosen the violin and lessened the threat of competition on the keyboard. At social gatherings, it was a common occurrence for Jascha Heifetz and Kreisler to switch instruments with one playing the piano and accompanying the other. Kreisler’s proficiency on both instruments was frequently a subject of comment. It has often been related how on the violin, he was an unusually gifted improviser, stunning listeners with his own cadenzas to concerti by Bach, Beethoven and Brahms. If one takes all of these talents together, it can hardly come as a surprise that his exceptional creativity would also turn to composition. He left some 200 compositions while probably only writing a single work, his Viennese Rhapsodic Fantasietta for violin and orchestra, during his exile years in the United States.   </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">He regretted the dearth of violin compositions and tried to compensate with countless character pieces, which took the piano poetry of Stephen Heller and Robert Schumann as a template. The quality of these works is beyond reproach. Their special characteristic, however, was Kreisler’s incorporation of Viennese flair, taken from the dance music traditions of Joseph Lanner and the Strauss dynasty. Sentimentality and expressive phrasing were part of their nature as well as his much-loved Viennese rubato and portamenti. Yehudi Menuhin often spoke of Kreisler’s innate elegance. He justified ascribing these works to anonymous composers (from Viennese archives) with the excuse that his own name was already generously visible on the program. When this particular “cheat” was revealed along with his so-called Classical Manuscripts, he was sharply attacked by both critics and public for the deception. The Nazi press used it as an excuse to write anti-Semitic polemics against “the Jew Kreisler”.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">The String Quartet in A minor from 1919 is exceptional in its length and complexity. It begins with a bracing recitative developing into a nostalgic cantilena while slowly dispersing. Kreisler exploited the colors of the four string instruments in a richly varied manner. The following movements share the mood of ambivalence with a tragic-sentimental retrospective placed against happier moments. It is perhaps an autobiographical reference to the end of the Habsburg Monarchy and his affection for the city of Vienna. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Kreisler’s output offers a valuable demonstration of the near complete loss of 20th century music plurality, while offering a huge enrichment to the repertoire and a challenge for contemporary interpreters.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:right;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Text: Gerold Gruber</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_612FFBC5_7969_4B15_41D5_60D5149B609C.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Fritz Kreisler’s Compositional Style</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Fritz Kreisler was the innate musician: His violin performances were exceptional, while contemporaries also relate that his piano playing was equally expressive and flawless. Indeed, star pianist Ignacy Jan Paderewski joked once that he was relieved Kreisler had chosen the violin and lessened the threat of competition on the keyboard. At social gatherings, it was a common occurrence for Jascha Heifetz and Kreisler to switch instruments with one playing the piano and accompanying the other. Kreisler’s proficiency on both instruments was frequently a subject of comment. It has often been related how on the violin, he was an unusually gifted improviser, stunning listeners with his own cadenzas to concerti by Bach, Beethoven and Brahms. If one takes all of these talents together, it can hardly come as a surprise that his exceptional creativity would also turn to composition. He left some 200 compositions while probably only writing a single work, his Viennese Rhapsodic Fantasietta for violin and orchestra, during his exile years in the United States.   </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">He regretted the dearth of violin compositions and tried to compensate with countless character pieces, which took the piano poetry of Stephen Heller and Robert Schumann as a template. The quality of these works is beyond reproach. Their special characteristic, however, was Kreisler’s incorporation of Viennese flair, taken from the dance music traditions of Joseph Lanner and the Strauss dynasty. Sentimentality and expressive phrasing were part of their nature as well as his much-loved Viennese rubato and portamenti. Yehudi Menuhin often spoke of Kreisler’s innate elegance. He justified ascribing these works to anonymous composers (from Viennese archives) with the excuse that his own name was already generously visible on the program. When this particular “cheat” was revealed along with his so-called Classical Manuscripts, he was sharply attacked by both critics and public for the deception. The Nazi press used it as an excuse to write anti-Semitic polemics against “the Jew Kreisler”.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">The String Quartet in A minor from 1919 is exceptional in its length and complexity. It begins with a bracing recitative developing into a nostalgic cantilena while slowly dispersing. Kreisler exploited the colors of the four string instruments in a richly varied manner. The following movements share the mood of ambivalence with a tragic-sentimental retrospective placed against happier moments. It is perhaps an autobiographical reference to the end of the Habsburg Monarchy and his affection for the city of Vienna. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Kreisler’s output offers a valuable demonstration of the near complete loss of 20th century music plurality, while offering a huge enrichment to the repertoire and a challenge for contemporary interpreters.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:right;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Text: Gerold Gruber</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_C8B54492_99E9_9FF9_41B4_86A45B3ADBCE.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Fritz Kreisler’s Social Engagement</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">“Kreisler in East Asia: Even there the great Fritz Kreisler placed his artistry in the service of charity.” – a headline from 1923 that shows Kreisler’s well-known philanthropy. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Kreisler visited Europe with his wife Harriet for the first time following the First World War in 1920. Even before their arrival in Vienna, it was reported that he and his wife were generously supporting his homeland. Among other things, there was a contribution towards milk for 275,000 Viennese children via the American Milk Distributing Committee. Harriet was even recognized as the American representative of Austria’s child welfare activities. The Vienna Philharmonic as well as other performers received financial support from the Kreislers.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Fritz and Harriet Kreisler’s willingness to help continued during and after the Second World War. Kreisler sold a number of violins from his collection during the 1940s; in New York in 1949 he also auctioned off his rare historic book collections, some of which dated from the fifteenth century, along with rare music manuscripts including the original score of Brahms’s Violin Concerto. He donated the funds raised for sick and needy children. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Even when publicity was absent, Kreisler continued his humanitarian activities. “Uncle Fritz” sent relatives of Harriet and their friends living in Germany countless CARE packages with groceries and clothing, at stores such as Macy’s. On occasion of this exhibition, more than 300 unpublished letters from Fritz Kreisler were donated to the Archive of the Exilarte Center.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:right;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Text: Nobuko Nakamura</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_28B38DBC_5857_6CCF_41C7_1178E0967690.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Fritz Kreisler’s Violin Style</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Kreisler can be seen as an exceptional violinist in several aspects. His style was individual and his popularity as a star performer dominated the first half of the 20th century. His interpretations continued to influence future generations of violinists right into the present. He always maintained for himself that he did not need much practicing; his fingers were always perfectly nimble, never tiring. He never came across as nervous or tense. He was a violinist of the big concertos of Bach, Beethoven and Brahms, but regretted the small number of such works. His interpretations of short character-pieces were individually conceived, regardless of whether they were composed by himself or Tartini, Corelli, Paderewski or others. Everything was played with the same charm and unforgettable elegance. He always learned the violin part by memory, studying works using either the piano or orchestral score. This allowed his interpretations to display an inseparable sense of cohesion between soloist and accompaniment. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Kreisler had a large collection of violins to call his own, with several Stradivariuses and Guarneris most prominent among them. He was always in search of the ideal violin, one of which would conceivably have been his 1741 Guarneri del Gesù “Hart, Kreisler”, on which he performed from 1904 until 1917 and used for the premiere of Edward Elgar’s Violin Concerto. The 1733 Guarneri del Gesù “Kreisler” is held as part of his musical estate at the Library of Congress in Washington D.C. It is frequently played upon in order to maintain its unique quality. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">His violin playing is distinguished by an intensive vibrato which he was able to vary subtly depending on tempo and dynamic. Kreisler was a master of the so-called “Viennese rubato”, which he used liberally to both the amazement and occasional shock of contemporaries and critics. His use of portamento and application of other personal expressive devices, along with his firm handling of the bow, which he kept tight and short, both fascinated and provoked fellow violinists up until the present and remains part of the reason his name and unique interpretations will continue to live on. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:right;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Text: Gerold Gruber</B></SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_704407AA_644E_9AB6_41CE_7179B99D0B22.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Galimir Quartet</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Felix Galimir: Vienna, 1910 – 1999, New York; <BR/>Adrienne Galimir: Vienna, 1912 – 1997, Brookline/Massachusetts; <BR/>Renée Galimir: Vienna, 1908 – 1973, New York; <BR/>Marguerite Galimir: Vienna, 1905 – 1985, USA</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">The Galimir family came from Vienna’s Sephardic Jewish community. Felix and his sisters, Adrienne, Marguerite and Renée studied at Vienna’s New Conservatory and in 1927 founded the Galimir Quartet, an ensemble that gained prominence with its performances of new music from Vienna and Europe. They premiered Berg’s Lyric Suite as well as quartets by Ravel and Milhaud, documenting their performances with recordings. When due to anti-Semitism, Felix Galimir was denied full membership of the Vienna Philharmonic, he and his sister Renée joined the violinist Bronisław Huberman in Palestine, who in 1935 had founded the Palestine Symphony Orchestra (today, Israel Philharmonic Orchestra). In 1939, he was made concertmaster of the NBC Orchestra under Arturo Toscanini in New York. Adrienne married the American violinist Louis Krasner who was able to provide the necessary affidavits for the rest of the family. The Galimir Quartet reformed itself with various members in the United States, giving their final performance in 1993.</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_70521CE5_644A_AEB2_41D1_8685C68095A9.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Galimir-Quartett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Felix Galimir: Wien, 1910 – 1999, New York; <BR/>Adrienne Galimir: Wien, 1912 – 1997, Brookline/Massachusetts; <BR/>Renée Galimir: Wien, 1908 – 1973, New York; <BR/>Marguerite Galimir: Wien, 1905 – 1985, USA</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Die Familie Galimir war Teil der sephardischen Gemeinde in Wien. Felix und seine Schwestern Adrienne, Marguerite und Renée studierten am Neuen Wiener Konservatorium und gründeten 1927 das Galimir-Quartett, das für die neue Musik in Wien und Europa eine große Rolle spielte. Sie interpretierten Bergs Lyrische Suite und Quartette von Ravel und Milhaud und dokumentierten dies auch auf Schallplatte. Als Felix Galimir 1936 aufgrund von Antisemitismus nicht als vollwertiges Mitglied der Wiener Philharmoniker aufgenommen wurde, folgte er gemeinsam mit seiner Schwester Renée dem Geiger Bronisław Huberman nach Palästina, der 1935 das Palestine Symphony Orchestra (heute: Israel Philharmonic Orchestra) gegründet hatte. 1939 wurde Felix Galimir in New York Konzertmeister des NBC Symphony Orchestra unter Arturo Toscanini. Adrienne heiratete den amerikanischen Geiger Louis Krasner, wodurch auch die nötigen Bürgschaftserklärungen für die Familienmitglieder gesichert waren. Das Galimir-Quartett schloss sich in Amerika mit verschiedenen Partner:innen wieder zusammen und trat bis 1993 auf.</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_70714BF3_6446_AA96_41D8_855A12D453A1.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Kolisch Quartet</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Rudolf Kolisch: Klamm/Lower Austria, 1896 – 1978, Watertown/Massachusetts</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Kolisch studied composition with Franz Schreker and violin with Otakar Ševčík at Vienna’s Music Academy (today, the mdw). From 1919 he continued his studies with Arnold Schoenberg who in 1924 married Kolisch’s sister Gertrud. Kolisch founded the Viennese String Quartet as part of Schoenberg’s “Society for Private Performances” and in 1927, renamed the ensemble Kolisch Quartet. In the following years, Schoenberg, Berg, Krenek, Webern and Bartók composed works for the ensemble. With the outbreak of the war and Kolisch already in New York, he decided to dissolve the quartet and co-founded a chamber orchestra with Otto Klemperer at New York’s New School for Social Research, premiering works by Bartók, Stravinsky and Schoenberg. He took the position of first violin in the Pro Arte Quartet at the University of Wisconsin-Madison. He was later appointed head of the chamber music department at the New England Conservatory.</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_70714BF5_6446_AA92_41CF_0E98DAC79BA9.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Kolisch-Quartett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Rudolf Kolisch: Klamm/Niederösterreich, 1896 – 1978, Watertown/Massachusetts</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Kolisch studierte an der mdw bei Franz Schreker Komposition und bei Otakar Ševčík Violine. Ab 1919 setzte er seine Ausbildung bei Schönberg fort, der 1924 seine Schwester Gertrud heiratete. Kolisch gründete das Wiener Streichquartett in direktem Zusammenhang mit Schönbergs „Verein für musikalische Privataufführungen“, 1927 wurde es in Kolisch-Quartett umbenannt. In den Folgejahren komponierten Schönberg, Berg, Krenek, Webern und Bartók Werke für dieses Ensemble. Bei Ausbruch des Krieges war Kolisch bereits in New York, vermochte aber das Quartett nicht weiterzuführen. Mit Otto Klemperer gründete er ein Kammerorchester an der New School for Social Reserach in New York, an der Uraufführungen von Werken Bartóks, Strawinskys und Schönbergs stattfanden. Er erhielt die Position des Primgeigers im Pro Arte Quartet an der University of Wisconsin-Madison, später leitete er auch die Kammermusikabteilung am New England Conservatory.</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_2BF137B3_7AAB_BB0D_41BE_B4559D42EF13.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Overview of the Exhibited Estates</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">The Exilarte Center at the mdw – University of Music and Performing Arts Vienna is dedicated to research, preservation and communication of those composers, musicians and performing artists who were persecuted and ostracized in the “Third Reich” and denied a place in collective memory by National Socialism. The scientific and sociopolitical processing of the numerous and valuable bequests serves to rediscover a lost cultural heritage and to pass it on to future generations. The Exilarte Center is committed to making this heritage visible through concerts, recordings, exhibitions, symposia and publications, as well as through seminars for students. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">In the context of this exhibition, twelve estates preserved in the archive of the Exilarte Center will also be presented in the showcases on the window wall. These estates provide insight into the diversity of compositions and life stories. Audio stations make the works of these creative minds accessible. These works convey an idea of the plurality of styles in the first half of the 20th century – before National Socialism tore a deep crater of barbarism into the European landscape.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">The audio stations can be accessed by scanning the respective QR codes or listened to with headphones.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Anita Bild: born in Vienna, ballet dancer, singer, composer of cabaret songs, exile in GB</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Walter Bricht: born in Vienna, pianist, successful composer, refused the title “Honorary Aryan” and went into exile in the USA instead</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Theo Buchwald: born in Vienna, pianist, conductor, general music director in Halberstadt, founded and lead the Orquesta Sinfónica Nacional in Lima, Peru</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Julius Bürger: born in Vienna, composer, repetiteur, conductor in Berlin and at the MET New York, exile in the USA</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Robert Freistadtl (Frey): born in Vienna, composer of marches and operettas (great success at the Raimundtheater in Vienna), exile in GB </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Richard Fuchs: born in Karlsruhe, prominent architect, composer with the Jewish Cultural Association, exile in New Zealand</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Hans Gál: born in Brunn am Gebirge near Vienna, musicologist, composer, director of the Music Academy in Mainz, exile in GB, cofounder of the Edinburgh Festival</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Wilhelm Grosz: born in Vienna, composer of serious and popular music, conductor, record producer, exile in GB and the USA</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Egon Lustgarten: born in Vienna, successful composer, music theorist, choirmaster, critic, anthroposophist, exile in the USA</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">André Singer: born in Szabadka (Austria-Hungary, today: Serbia), composer, co-founder of the cabaret stage “Literatur am Naschmarkt,” exile in the USA</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Jan Urban: born in Prague (Austria-Hungary, today: Czech Republic), composer, conductor, took over the Guard Music of the Serbian King, later the Osijek Theater, fled from the fascist Ustasha militias, exile in Serbia</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Hans (Hanuš) Winterberg: born in Prague (Austria-Hungary, today: Czech Republic), composer, deportation to the Terezín Ghetto, performances at the Bavarian Radio, after his death temporary suspension of his work</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV></BODY></HTML></div>
htmlText_1A619F7F_5B02_0078_41CA_470586BCCA81.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Overview of the Exhibited Estates</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">The Exilarte Center at the mdw – University of Music and Performing Arts Vienna is dedicated to research, preservation and communication of those composers, musicians and performing artists who were persecuted and ostracized in the “Third Reich” and denied a place in collective memory by National Socialism. The scientific and sociopolitical processing of the numerous and valuable bequests serves to rediscover a lost cultural heritage and to pass it on to future generations. The Exilarte Center is committed to making this heritage visible through concerts, recordings, exhibitions, symposia and publications, as well as through seminars for students. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">In the context of this exhibition, twelve estates preserved in the archive of the Exilarte Center will also be presented in the showcases on the window wall. These estates provide insight into the diversity of compositions and life stories. Audio stations make the works of these creative minds accessible. These works convey an idea of the plurality of styles in the first half of the 20th century – before National Socialism tore a deep crater of barbarism into the European landscape.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">The audio stations can be accessed by scanning the respective QR codes or listened to with headphones.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Anita Bild: born in Vienna, ballet dancer, singer, composer of cabaret songs, exile in GB</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Walter Bricht: born in Vienna, pianist, successful composer, refused the title “Honorary Aryan” and went into exile in the USA instead</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Theo Buchwald: born in Vienna, pianist, conductor, general music director in Halberstadt, founded and lead the Orquesta Sinfónica Nacional in Lima, Peru</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Julius Bürger: born in Vienna, composer, repetiteur, conductor in Berlin and at the MET New York, exile in the USA</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Robert Freistadtl (Frey): born in Vienna, composer of marches and operettas (great success at the Raimundtheater in Vienna), exile in GB </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Richard Fuchs: born in Karlsruhe, prominent architect, composer with the Jewish Cultural Association, exile in New Zealand</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Hans Gál: born in Brunn am Gebirge near Vienna, musicologist, composer, director of the Music Academy in Mainz, exile in GB, cofounder of the Edinburgh Festival</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Wilhelm Grosz: born in Vienna, composer of serious and popular music, conductor, record producer, exile in GB and the USA</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Egon Lustgarten: born in Vienna, successful composer, music theorist, choirmaster, critic, anthroposophist, exile in the USA</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">André Singer: born in Szabadka (Austria-Hungary, today: Serbia), composer, co-founder of the cabaret stage “Literatur am Naschmarkt,” exile in the USA</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Jan Urban: born in Prague (Austria-Hungary, today: Czech Republic), composer, conductor, took over the Guard Music of the Serbian King, later the Osijek Theater, fled from the fascist Ustasha militias, exile in Serbia</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Hans (Hanuš) Winterberg: born in Prague (Austria-Hungary, today: Czech Republic), composer, deportation to the Terezín Ghetto, performances at the Bavarian Radio, after his death temporary suspension of his work</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV></BODY></HTML></div>
htmlText_38860C22_7968_CD0F_41CF_76CD1E4EAF13.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Overview of the Exhibited Estates</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">The Exilarte Center at the mdw – University of Music and Performing Arts Vienna is dedicated to research, preservation and communication of those composers, musicians and performing artists who were persecuted and ostracized in the “Third Reich” and denied a place in collective memory by National Socialism. The scientific and sociopolitical processing of the numerous and valuable bequests serves to rediscover a lost cultural heritage and to pass it on to future generations. The Exilarte Center is committed to making this heritage visible through concerts, recordings, exhibitions, symposia and publications, as well as through seminars for students. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">In the context of this exhibition, twelve estates preserved in the archive of the Exilarte Center will also be presented in the showcases on the window wall. These estates provide insight into the diversity of compositions and life stories. Audio stations make the works of these creative minds accessible. These works convey an idea of the plurality of styles in the first half of the 20th century – before National Socialism tore a deep crater of barbarism into the European landscape.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">The audio stations can be accessed by scanning the respective QR codes or listened to with headphones.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Anita Bild: born in Vienna, ballet dancer, singer, composer of cabaret songs, exile in GB</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Walter Bricht: born in Vienna, pianist, successful composer, refused the title “Honorary Aryan” and went into exile in the USA instead</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Theo Buchwald: born in Vienna, pianist, conductor, general music director in Halberstadt, founded and lead the Orquesta Sinfónica Nacional in Lima, Peru</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Julius Bürger: born in Vienna, composer, repetiteur, conductor in Berlin and at the MET New York, exile in the USA</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Robert Freistadtl (Frey): born in Vienna, composer of marches and operettas (great success at the Raimundtheater in Vienna), exile in GB </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Richard Fuchs: born in Karlsruhe, prominent architect, composer with the Jewish Cultural Association, exile in New Zealand</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Hans Gál: born in Brunn am Gebirge near Vienna, musicologist, composer, director of the Music Academy in Mainz, exile in GB, cofounder of the Edinburgh Festival</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Wilhelm Grosz: born in Vienna, composer of serious and popular music, conductor, record producer, exile in GB and the USA</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Egon Lustgarten: born in Vienna, successful composer, music theorist, choirmaster, critic, anthroposophist, exile in the USA</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">André Singer: born in Szabadka (Austria-Hungary, today: Serbia), composer, co-founder of the cabaret stage “Literatur am Naschmarkt,” exile in the USA</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Jan Urban: born in Prague (Austria-Hungary, today: Czech Republic), composer, conductor, took over the Guard Music of the Serbian King, later the Osijek Theater, fled from the fascist Ustasha militias, exile in Serbia</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Hans (Hanuš) Winterberg: born in Prague (Austria-Hungary, today: Czech Republic), composer, deportation to the Terezín Ghetto, performances at the Bavarian Radio, after his death temporary suspension of his work</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV></BODY></HTML></div>
htmlText_3FE9B86B_7979_551D_41C8_3CDA258689DF.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Overview of the Exhibited Estates</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">The Exilarte Center at the mdw – University of Music and Performing Arts Vienna is dedicated to research, preservation and communication of those composers, musicians and performing artists who were persecuted and ostracized in the “Third Reich” and denied a place in collective memory by National Socialism. The scientific and sociopolitical processing of the numerous and valuable bequests serves to rediscover a lost cultural heritage and to pass it on to future generations. The Exilarte Center is committed to making this heritage visible through concerts, recordings, exhibitions, symposia and publications, as well as through seminars for students. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">In the context of this exhibition, twelve estates preserved in the archive of the Exilarte Center will also be presented in the showcases on the window wall. These estates provide insight into the diversity of compositions and life stories. Audio stations make the works of these creative minds accessible. These works convey an idea of the plurality of styles in the first half of the 20th century – before National Socialism tore a deep crater of barbarism into the European landscape.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">The audio stations can be accessed by scanning the respective QR codes or listened to with headphones.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Anita Bild: born in Vienna, ballet dancer, singer, composer of cabaret songs, exile in GB</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Walter Bricht: born in Vienna, pianist, successful composer, refused the title “Honorary Aryan” and went into exile in the USA instead</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Theo Buchwald: born in Vienna, pianist, conductor, general music director in Halberstadt, founded and lead the Orquesta Sinfónica Nacional in Lima, Peru</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Julius Bürger: born in Vienna, composer, repetiteur, conductor in Berlin and at the MET New York, exile in the USA</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Robert Freistadtl (Frey): born in Vienna, composer of marches and operettas (great success at the Raimundtheater in Vienna), exile in GB </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Richard Fuchs: born in Karlsruhe, prominent architect, composer with the Jewish Cultural Association, exile in New Zealand</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Hans Gál: born in Brunn am Gebirge near Vienna, musicologist, composer, director of the Music Academy in Mainz, exile in GB, cofounder of the Edinburgh Festival</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Wilhelm Grosz: born in Vienna, composer of serious and popular music, conductor, record producer, exile in GB and the USA</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Egon Lustgarten: born in Vienna, successful composer, music theorist, choirmaster, critic, anthroposophist, exile in the USA</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">André Singer: born in Szabadka (Austria-Hungary, today: Serbia), composer, co-founder of the cabaret stage “Literatur am Naschmarkt,” exile in the USA</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Jan Urban: born in Prague (Austria-Hungary, today: Czech Republic), composer, conductor, took over the Guard Music of the Serbian King, later the Osijek Theater, fled from the fascist Ustasha militias, exile in Serbia</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Hans (Hanuš) Winterberg: born in Prague (Austria-Hungary, today: Czech Republic), composer, deportation to the Terezín Ghetto, performances at the Bavarian Radio, after his death temporary suspension of his work</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV></BODY></HTML></div>
htmlText_7056E931_644B_9792_4167_48AE93DB58DE.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Rostal Quartet</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Max Rostal: Teschen (today: Cieszyn, Poland), 1905 – 1991, Bern</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Rostal’s family arrived in Vienna in 1913 so that the eight-year-old Max could study with Arnold Rosé and Franz Suchy. In 1920, he moved to Berlin in order to continue his studies with Carl Flesch and Emil Bohnke. In 1929, he became Flesch’s assistant at Berlin’s Music Academy, and in 1930 Rostal founded the Rostal Quartet, an ensemble that despite its success, only existed three years. In 1933, Rostal was offered his own class at the Academy, an offer that was rescinded due to anti-Semitism following the Nazi takeover. He immigrated to England in 1934, taking a number of his pupils with him into exile. From 1958, he lived in Switzerland with professorships in Bern and Cologne.</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_7056E933_644B_9796_41CC_4BA0A204564A.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Rostal-Quartett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Max Rostal: Teschen (heute: Cieszyn, Polen), 1905 – 1991, Bern</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Rostals Familie kam 1913 nach Wien, sodass Max im Alter von acht Jahren bei Arnold Rosé und Franz Suchy studieren konnte. 1920 zog er nach Berlin, um seine Ausbildung bei Carl Flesch und Emil Bohnke fortzusetzen. 1928 wurde er Assistent von Flesch an der Berliner Hochschule für Musik. Rostal gründete 1930 das erfolgreiche Rostal-Quartett, das allerdings nur drei Jahre lang bestand. 1933 wurde ihm eine eigene Klasse angeboten – ein Angebot, das nach der Machtergreifung der Nazis sofort aus „rassischen“ Gründen zurückgenommen wurde. Er immigrierte 1934 nach England und nahm einige seiner Schüler:innen mit ins Exil, um sie dort weiter zu unterrichten. Ab Herbst 1958 lebte er in der Schweiz und übernahm Professuren in Köln und Bern.</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_70285CC8_63C6_AEF2_41DA_D17847D1185B.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Rosé Quartet</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Arnold Rosé: Jassy (today: Iaşi, Romania), 1863 – 1946, London</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Arnold Rosé was the brother-in-law of Gustav Mahler and was concertmaster of the Vienna Philharmonic for more than 50 years, as well as leader of Vienna’s Opera Orchestra. He held a professorship at the Concervaty (today, the mdw). The Rosé Quartet was founded with his brother Eduard in 1882, soon to become one of the leading chamber ensembles in Europe. In addition to performing the Viennese classics, the quartet also premiered new works by all Viennese composers from Brahms, to Schoenberg to Toch. In British exile, Rosé attempted to re-establish the quartet with his daughter Alma and the Austrian cellist Friedrich Buxbaum. Following Austria’s annexation, Rosé was forced into retirement, living through the war-years in English exile.</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_702930FA_63C6_F696_41A1_02382D427FBC.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Rosé-Quartett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Arnold Rosé: Jassy (heute: Iaşi, Rumänien), 1863 – 1946, London</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Arnold Rosé, der Schwager von Gustav Mahler, war mehr als 50 Jahre Konzertmeister der Wiener Philharmoniker sowie Stimmführer des Wiener Opernorchesters. Außerdem hatte er eine Professur an der mdw inne. Das Rosé-Quartett wurde 1882 von ihm und seinem Bruder Eduard gegründet und avancierte zu einem der wichtigsten Ensembles Europas. Es spielte nicht nur das klassische Repertoire, sondern übernahm auch die Uraufführungen aller Wiener Komponisten – von Brahms über Schönberg bis Toch. Im britischen Exil versuchte Arnold Rosé das Quartett mit seiner Tochter Alma und dem ebenso immigrierten Friedrich Buxbaum als Cellisten wiederzubeleben. Nach dem sogenannten „Anschluss“ Österreichs wurde Rosé zwangsweise in den Ruhestand versetzt und überlebte die Kriegsjahre verarmt im britischen Exil.</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_71C1431A_6446_9B96_41CC_19CAA4124DE5.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Violin Virtuosi Persecuted by the Nazi Regime</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Countless colleagues of Fritz Kreisler were forced into exile or murdered during the Holocaust due to their Jewish heritage or political opposition. The following individuals were close to Kreisler, interpreting his works and admiring his virtuosity. The names listed here are only symbolic for a far larger group of musicians whose lives took a tragic turn due to Nazi persecution. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">The Hungarian born teacher and soloist </SPAN><SPAN STYLE="font-size:30px;"><B>Carl Flesch</B></SPAN><SPAN STYLE="font-size:30px;"> referred to Kreisler as “the guide to modern violin playing”. Kreisler also held Flesch in high regard and used his music editions for concerts. When Flesch was arrested by the Nazis in the Netherlands in 1940, Kreisler provided Flesch with an affidavit for the United States. In Flesch’s own memoirs, published in 1957, he described Kreisler’s violin technique and performances. The international soloist and composer </SPAN><SPAN STYLE="font-size:30px;"><B>Adolf Busch</B></SPAN><SPAN STYLE="font-size:30px;">, the former concertmaster of the Wiener Concertverein, (today, Vienna Symphony Orchestra) also joined Kreisler in New York. The Polish violinist </SPAN><SPAN STYLE="font-size:30px;"><B>Bronisław Huberman</B></SPAN><SPAN STYLE="font-size:30px;"> counted as one of the most significant violinists of Kreisler’s generation and founder of the Palestine Symphony Orchestra, (today, Israel Philharmonic Orchestra) in 1935, an ensemble that ultimately rescued countless musicians and families from the Holocaust. In 1937, he acquired Kreisler’s 1733 Stradivari, which today is referred to as the “Huberman, Kreisler” Stradivari.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Many violinists had compositions by Fritz Kreisler in their repertoire. </SPAN><SPAN STYLE="font-size:30px;"><B>Rudolf Kolisch</B></SPAN><SPAN STYLE="font-size:30px;"> who was more noted for his performances of Schoenberg regularly performed works by Kreisler in his recitals. The violinist </SPAN><SPAN STYLE="font-size:30px;"><B>Ferdinand Adler</B></SPAN><SPAN STYLE="font-size:30px;"> who fled to Shanghai in 1939 was able to bring a bit of Vienna into Chinese immigration with performances of </SPAN><SPAN STYLE="font-size:30px;"><I>Caprice Viennois</I></SPAN><SPAN STYLE="font-size:30px;"> and </SPAN><SPAN STYLE="font-size:30px;"><I>Tambourin</I></SPAN><SPAN STYLE="font-size:30px;"> Chinois. The soloist </SPAN><SPAN STYLE="font-size:30px;"><B>Alma Rosé</B></SPAN><SPAN STYLE="font-size:30px;">, daughter of Arnold Rosé, had works of Kreisler arranged for performances by her women’s orchestra “Die Wiener Walzermädeln” (Viennese Waltz Girls), which they performed when on European tour. After her arrest by the Gestapo, she conducted the women’s orchestra in Auschwitz. Violinist </SPAN><SPAN STYLE="font-size:30px;"><B>Erika Morini</B></SPAN><SPAN STYLE="font-size:30px;">, who like Kreisler immigrated to New York, performed and recorded Kreisler’s compositions for RCA Victor Records, the same label as Fritz Kreisler. Morini performed at Kreisler’s memorial concert in 1962.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:right;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Text: Ulrike Anton</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_61583658_4D3B_7DC7_41B2_C78C7745DB5E.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Violin Virtuosi Persecuted by the Nazi Regime</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Countless colleagues of Fritz Kreisler were forced into exile or murdered during the Holocaust due to their Jewish heritage or political opposition. The following individuals were close to Kreisler, interpreting his works and admiring his virtuosity. The names listed here are only symbolic for a far larger group of musicians whose lives took a tragic turn due to Nazi persecution. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">The Hungarian born teacher and soloist </SPAN><SPAN STYLE="font-size:30px;"><B>Carl Flesch</B></SPAN><SPAN STYLE="font-size:30px;"> referred to Kreisler as “the guide to modern violin playing”. Kreisler also held Flesch in high regard and used his music editions for concerts. When Flesch was arrested by the Nazis in the Netherlands in 1940, Kreisler provided Flesch with an affidavit for the United States. In Flesch’s own memoirs, published in 1957, he described Kreisler’s violin technique and performances. The international soloist and composer </SPAN><SPAN STYLE="font-size:30px;"><B>Adolf Busch</B></SPAN><SPAN STYLE="font-size:30px;">, the former concertmaster of the Wiener Concertverein, (today, Vienna Symphony Orchestra) also joined Kreisler in New York. The Polish violinist </SPAN><SPAN STYLE="font-size:30px;"><B>Bronisław Huberman</B></SPAN><SPAN STYLE="font-size:30px;"> counted as one of the most significant violinists of Kreisler’s generation and founder of the Palestine Symphony Orchestra, (today, Israel Philharmonic Orchestra) in 1935, an ensemble that ultimately rescued countless musicians and families from the Holocaust. In 1937, he acquired Kreisler’s 1733 Stradivari, which today is referred to as the “Huberman, Kreisler” Stradivari.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Many violinists had compositions by Fritz Kreisler in their repertoire. </SPAN><SPAN STYLE="font-size:30px;"><B>Rudolf Kolisch</B></SPAN><SPAN STYLE="font-size:30px;"> who was more noted for his performances of Schoenberg regularly performed works by Kreisler in his recitals. The violinist </SPAN><SPAN STYLE="font-size:30px;"><B>Ferdinand Adler</B></SPAN><SPAN STYLE="font-size:30px;"> who fled to Shanghai in 1939 was able to bring a bit of Vienna into Chinese immigration with performances of </SPAN><SPAN STYLE="font-size:30px;"><I>Caprice Viennois</I></SPAN><SPAN STYLE="font-size:30px;"> and </SPAN><SPAN STYLE="font-size:30px;"><I>Tambourin</I></SPAN><SPAN STYLE="font-size:30px;"> Chinois. The soloist </SPAN><SPAN STYLE="font-size:30px;"><B>Alma Rosé</B></SPAN><SPAN STYLE="font-size:30px;">, daughter of Arnold Rosé, had works of Kreisler arranged for performances by her women’s orchestra “Die Wiener Walzermädeln” (Viennese Waltz Girls), which they performed when on European tour. After her arrest by the Gestapo, she conducted the women’s orchestra in Auschwitz. Violinist </SPAN><SPAN STYLE="font-size:30px;"><B>Erika Morini</B></SPAN><SPAN STYLE="font-size:30px;">, who like Kreisler immigrated to New York, performed and recorded Kreisler’s compositions for RCA Victor Records, the same label as Fritz Kreisler. Morini performed at Kreisler’s memorial concert in 1962.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:right;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Text: Ulrike Anton</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_71C1431B_6446_9B96_41D2_1195A93D31CE.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Vom NS-Regime verfolgte Geigenvirtuos:innen </B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Zahlreiche Kolleg:innen von Fritz Kreisler waren aufgrund ihrer jüdischen Herkunft sowie ihrer politischen Haltung zur Flucht gezwungen oder wurden im Holocaust ermordet. Die folgenden Persönlichkeiten standen mit Kreisler in Verbindung, interpretierten seine Werke und bewunderten seine Virtuosität. Sie stehen hier stellvertretend für die Gruppe von Interpret:innen, deren Leben durch den gravierenden Einschnitt der NS-Verfolgung eine tragische Wendung nahm.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Als „Wegweiser zum modernen Geigenspiel“ bezeichnete der in Ungarn geborene Geiger und berühmte Pädagoge </SPAN><SPAN STYLE="font-size:30px;"><B>Carl Flesch</B></SPAN><SPAN STYLE="font-size:30px;"> seinen Kollegen. Auch Kreisler schätze Flesch sehr und verwendete dessen Noteneditionen für seine Konzerte. Als Flesch 1940 in Holland von den Nazis verhaftet wurde, schickte ihm Kreisler ein Affidavit (Bürgschaft) für die USA. In Fleschs 1957 publizierten Erinnerungen beschrieb er Kreislers Geigentechnik sowie seine Interpretationen. Der Geiger und Komponist </SPAN><SPAN STYLE="font-size:30px;"><B>Adolf Busch</B></SPAN><SPAN STYLE="font-size:30px;">, ehemaliger Konzertmeister des Wiener Concertvereins (heute: Wiener Symphoniker) und internationaler Solist, teilte Kreislers Immigrant:innenschicksal in New York, wo er weiterhin mit ihm in Kontakt blieb. Der polnische Geiger </SPAN><SPAN STYLE="font-size:30px;"><B>Bronisław Huberman</B></SPAN><SPAN STYLE="font-size:30px;"> zählte zu den bedeutendsten Violinsolist:innen in Kreislers Generation und gründete 1935 das Palestine Symphony Orchestra (heute: Israel Philharmonic Orchestra), wodurch er unzählige Musiker:innen vor dem Holocaust bewahren konnte. 1937 erwarb er Kreislers Stradivari von 1733. Die Geige ist heute als „Huberman, Kreisler“ Stradivari bekannt. Mit </SPAN><SPAN STYLE="font-size:30px;"><B>Arnold Rosé</B></SPAN><SPAN STYLE="font-size:30px;">, dem langjährigen Konzertmeister der Wiener Philharmoniker, der 1939 zur Flucht nach London gezwungen war, kam Kreisler schon in jungen Jahren in Kontakt. Rosés Violinspiel hatte großen Einfluss auf Kreislers Geigenstil. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Viele Interpret:innen hatten Kompositionen von Fritz Kreisler in ihrem Konzertrepertoire. </SPAN><SPAN STYLE="font-size:30px;"><B>Rudolf Kolisch</B></SPAN><SPAN STYLE="font-size:30px;">, der vor allem für seine Bemühungen um die Werke Schönbergs bekannt war, spielte Kreislers Musik regelmäßig in seinen Konzerten. Der 1939 nach Schanghai geflüchtete Geiger </SPAN><SPAN STYLE="font-size:30px;"><B>Ferdinand Adler</B></SPAN><SPAN STYLE="font-size:30px;"> brachte mit seinen Aufführungen von </SPAN><SPAN STYLE="font-size:30px;"><I>Caprice Viennois</I></SPAN><SPAN STYLE="font-size:30px;"> und </SPAN><SPAN STYLE="font-size:30px;"><I>Tambourin</I></SPAN><SPAN STYLE="font-size:30px;"> Chinois ein Stück Wiener Musiktradition in das chinesische Exil. Die Violinsolistin </SPAN><SPAN STYLE="font-size:30px;"><B>Alma Rosé</B></SPAN><SPAN STYLE="font-size:30px;">, Tochter von Arnold Rosé, ließ Werke von Fritz Kreisler für ihr 1932 gegründetes Frauen-Salonorchester „Die Wiener Walzermädeln“ arrangieren und führte sie auch bei ihren Europatourneen regelmäßig auf. Nach ihrer Verhaftung durch die Gestapo leitete Alma Rosé das Mädchenorchester von Auschwitz, wo sie 1944 ums Leben kam. Die Wiener Geigerin </SPAN><SPAN STYLE="font-size:30px;"><B>Erika Morini</B></SPAN><SPAN STYLE="font-size:30px;">, die als Wunderkind galt, immigrierte 1938 nach New York. Sie spielte und nahm regelmäßig Kreislers Kompositionen für RCA Victor Records, das gleiche Label bei dem auch Fritz Kreisler unter Vertag war, auf. Morini trat 1962 bei Kreislers Gedenkkonzert in der Carnegie Hall auf.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:right;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Text: Ulrike Anton</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_6C609291_7C47_BA92_41B8_9B4FF01F3243.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Vom NS-Regime verfolgte Geigenvirtuos:innen </B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Zahlreiche Kolleg:innen von Fritz Kreisler waren aufgrund ihrer jüdischen Herkunft sowie ihrer politischen Haltung zur Flucht gezwungen oder wurden im Holocaust ermordet. Die folgenden Persönlichkeiten standen mit Kreisler in Verbindung, interpretierten seine Werke und bewunderten seine Virtuosität. Sie stehen hier stellvertretend für die Gruppe von Interpret:innen, deren Leben durch den gravierenden Einschnitt der NS-Verfolgung eine tragische Wendung nahm.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Als „Wegweiser zum modernen Geigenspiel“ bezeichnete der in Ungarn geborene Geiger und berühmte Pädagoge </SPAN><SPAN STYLE="font-size:30px;"><B>Carl Flesch</B></SPAN><SPAN STYLE="font-size:30px;"> seinen Kollegen. Auch Kreisler schätze Flesch sehr und verwendete dessen Noteneditionen für seine Konzerte. Als Flesch 1940 in Holland von den Nazis verhaftet wurde, schickte ihm Kreisler ein Affidavit (Bürgschaft) für die USA. In Fleschs 1957 publizierten Erinnerungen beschrieb er Kreislers Geigentechnik sowie seine Interpretationen. Der Geiger und Komponist </SPAN><SPAN STYLE="font-size:30px;"><B>Adolf Busch</B></SPAN><SPAN STYLE="font-size:30px;">, ehemaliger Konzertmeister des Wiener Concertvereins (heute: Wiener Symphoniker) und internationaler Solist, teilte Kreislers Immigrant:innenschicksal in New York, wo er weiterhin mit ihm in Kontakt blieb. Der polnische Geiger </SPAN><SPAN STYLE="font-size:30px;"><B>Bronisław Huberman</B></SPAN><SPAN STYLE="font-size:30px;"> zählte zu den bedeutendsten Violinsolist:innen in Kreislers Generation und gründete 1935 das Palestine Symphony Orchestra (heute: Israel Philharmonic Orchestra), wodurch er unzählige Musiker:innen vor dem Holocaust bewahren konnte. 1937 erwarb er Kreislers Stradivari von 1733. Die Geige ist heute als „Huberman, Kreisler“ Stradivari bekannt. Mit </SPAN><SPAN STYLE="font-size:30px;"><B>Arnold Rosé</B></SPAN><SPAN STYLE="font-size:30px;">, dem langjährigen Konzertmeister der Wiener Philharmoniker, der 1939 zur Flucht nach London gezwungen war, kam Kreisler schon in jungen Jahren in Kontakt. Rosés Violinspiel hatte großen Einfluss auf Kreislers Geigenstil. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Viele Interpret:innen hatten Kompositionen von Fritz Kreisler in ihrem Konzertrepertoire. </SPAN><SPAN STYLE="font-size:30px;"><B>Rudolf Kolisch</B></SPAN><SPAN STYLE="font-size:30px;">, der vor allem für seine Bemühungen um die Werke Schönbergs bekannt war, spielte Kreislers Musik regelmäßig in seinen Konzerten. Der 1939 nach Schanghai geflüchtete Geiger </SPAN><SPAN STYLE="font-size:30px;"><B>Ferdinand Adler</B></SPAN><SPAN STYLE="font-size:30px;"> brachte mit seinen Aufführungen von </SPAN><SPAN STYLE="font-size:30px;"><I>Caprice Viennois</I></SPAN><SPAN STYLE="font-size:30px;"> und </SPAN><SPAN STYLE="font-size:30px;"><I>Tambourin</I></SPAN><SPAN STYLE="font-size:30px;"> Chinois ein Stück Wiener Musiktradition in das chinesische Exil. Die Violinsolistin </SPAN><SPAN STYLE="font-size:30px;"><B>Alma Rosé</B></SPAN><SPAN STYLE="font-size:30px;">, Tochter von Arnold Rosé, ließ Werke von Fritz Kreisler für ihr 1932 gegründetes Frauen-Salonorchester „Die Wiener Walzermädeln“ arrangieren und führte sie auch bei ihren Europatourneen regelmäßig auf. Nach ihrer Verhaftung durch die Gestapo leitete Alma Rosé das Mädchenorchester von Auschwitz, wo sie 1944 ums Leben kam. Die Wiener Geigerin </SPAN><SPAN STYLE="font-size:30px;"><B>Erika Morini</B></SPAN><SPAN STYLE="font-size:30px;">, die als Wunderkind galt, immigrierte 1938 nach New York. Sie spielte und nahm regelmäßig Kreislers Kompositionen für RCA Victor Records, das gleiche Label bei dem auch Fritz Kreisler unter Vertag war, auf. Morini trat 1962 bei Kreislers Gedenkkonzert in der Carnegie Hall auf.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:right;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Text: Ulrike Anton</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_38841C24_7968_CD0B_41DD_DA2FC3556A41.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Übersicht über die ausgestellten Nachlässe</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Das Exilarte Zentrum der mdw – Universität für Musik und darstellende Kunst Wien widmet sich in Forschung, Bewahrung und Vermittlung jenen Komponist:innen, Musiker:innen, darstellenden Künstler:innen, die im „Dritten Reich“ verfolgt und verfemt wurden und denen es der Nationalsozialismus verwehrte, einen Platz im kollektiven Gedächtnis zu finden. Die wissenschaftliche und gesellschaftspolitische Aufarbeitung der zahlreichen und wertvollen Nachlässe dient der Wiederentdeckung eines verschollenen Kulturerbes und der Weitergabe an zukünftige Generationen. Das Exilarte Zentrum verschreibt sich der Sichtbarmachung dieses Erbes durch Konzerte, CD-Aufnahmen, Ausstellungen, Symposien und Publikationen sowie durch Seminare für Studierende.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Im Rahmen dieser Ausstellung werden auch zwölf Nachlässe aus dem Archiv des Exilarte Zentrum präsentiert (siehe Vitrinen an der Fensterwand). Diese Nachlässe geben Einblick in die Vielfalt an Kompositionen und Lebensschicksalen. An den Audiostationen kann man die Werke dieser Musikschaffenden hören, welche die Pluralität der Stile in der ersten Hälfte des 20. Jahrhunderts erahnen lassen – bevor der Nationalsozialismus einen tiefen Krater des Barbarismus in die europäische Landschaft gerissen hat.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Die Audiostationen sind mit QR-Code anwählbar oder können mittels Kopfhörer abgehört werden.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Anita Bild: geb. in Wien, Balletttänzerin, Sängerin, Komponistin von Kabarettliedern, Exil in GB</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Walter Bricht: geb. in Wien, Pianist, erfolgreicher Komponist, lehnte den Titel „Ehrenarier“ ab und ging stattdessen ins Exil in die USA</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Theo Buchwald: geb. in Wien, Pianist, Dirigent, Generalmusikdirektor in Halberstadt, Gründer und Leiter des Orquesta Sinfónica Nacional in Lima, Peru</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Julius Bürger: geb. in Wien, Komponist, Korrepetitor, Dirigent in Berlin und an der MET New York, Exil in den USA</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Robert Freistadtl (Frey): geb. in Wien, Komponist von Märschen und Operetten (großer Erfolg am Raimundtheater in Wien), Exil in GB</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Richard Fuchs: geb. in Karlsruhe, prominenter Architekt, Komponist beim Jüdischen Kulturbund, Exil in Neuseeland</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Hans Gál: geb. in Brunn am Gebirge nahe Wien, Musikwissenschaftler, Komponist, Direktor der Musikakademie in Mainz, Exil in GB, Mitbegründer des Edinburgh Festival</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Wilhelm Grosz: geb. in Wien, Komponist von E- und U-Musik, Dirigent, Plattenproduzent, Exil in GB und den USA</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Egon Lustgarten: geb. in Wien, erfolgreicher Komponist, Musiktheoretiker, Chorleiter, Kritiker, Anthroposoph, Exil in den USA</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">André Singer: geb. in Szabadka (Österreich-Ungarn, heute: Republik Serbien), Komponist, Mitbegründer der Kleinkunstbühne „Literatur am Naschmarkt“, Exil in den USA</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Jan Urban: geb. in Prag (Österreich-Ungarn, heute: Tschechische Republik), Komponist, Dirigent, Militärkapellmeister in der serbischen Armee, später Musikdirektor des Stadttheaters im kroatischen Osijek, Flucht vor den faschistischen Ustascha-Milizen, Exil in Serbien</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Hans (Hanuš) Winterberg: geb. in Prag (Österreich-Ungarn, heute: Tschechische Republik), Komponist, Deportation in das Ghetto Theresienstadt, Aufführungen beim Bayerischen Rundfunk, nach seinem Tod vorübergehende Sperre seines Werks</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV></BODY></HTML></div>
htmlText_3FEA986C_7979_551B_41D3_81BEABF20652.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Übersicht über die ausgestellten Nachlässe</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Das Exilarte Zentrum der mdw – Universität für Musik und darstellende Kunst Wien widmet sich in Forschung, Bewahrung und Vermittlung jenen Komponist:innen, Musiker:innen, darstellenden Künstler:innen, die im „Dritten Reich“ verfolgt und verfemt wurden und denen es der Nationalsozialismus verwehrte, einen Platz im kollektiven Gedächtnis zu finden. Die wissenschaftliche und gesellschaftspolitische Aufarbeitung der zahlreichen und wertvollen Nachlässe dient der Wiederentdeckung eines verschollenen Kulturerbes und der Weitergabe an zukünftige Generationen. Das Exilarte Zentrum verschreibt sich der Sichtbarmachung dieses Erbes durch Konzerte, CD-Aufnahmen, Ausstellungen, Symposien und Publikationen sowie durch Seminare für Studierende.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Im Rahmen dieser Ausstellung werden auch zwölf Nachlässe aus dem Archiv des Exilarte Zentrum präsentiert (siehe Vitrinen an der Fensterwand). Diese Nachlässe geben Einblick in die Vielfalt an Kompositionen und Lebensschicksalen. An den Audiostationen kann man die Werke dieser Musikschaffenden hören, welche die Pluralität der Stile in der ersten Hälfte des 20. Jahrhunderts erahnen lassen – bevor der Nationalsozialismus einen tiefen Krater des Barbarismus in die europäische Landschaft gerissen hat.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Die Audiostationen sind mit QR-Code anwählbar oder können mittels Kopfhörer abgehört werden.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Anita Bild: geb. in Wien, Balletttänzerin, Sängerin, Komponistin von Kabarettliedern, Exil in GB</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Walter Bricht: geb. in Wien, Pianist, erfolgreicher Komponist, lehnte den Titel „Ehrenarier“ ab und ging stattdessen ins Exil in die USA</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Theo Buchwald: geb. in Wien, Pianist, Dirigent, Generalmusikdirektor in Halberstadt, Gründer und Leiter des Orquesta Sinfónica Nacional in Lima, Peru</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Julius Bürger: geb. in Wien, Komponist, Korrepetitor, Dirigent in Berlin und an der MET New York, Exil in den USA</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Robert Freistadtl (Frey): geb. in Wien, Komponist von Märschen und Operetten (großer Erfolg am Raimundtheater in Wien), Exil in GB</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Richard Fuchs: geb. in Karlsruhe, prominenter Architekt, Komponist beim Jüdischen Kulturbund, Exil in Neuseeland</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Hans Gál: geb. in Brunn am Gebirge nahe Wien, Musikwissenschaftler, Komponist, Direktor der Musikakademie in Mainz, Exil in GB, Mitbegründer des Edinburgh Festival</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Wilhelm Grosz: geb. in Wien, Komponist von E- und U-Musik, Dirigent, Plattenproduzent, Exil in GB und den USA</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Egon Lustgarten: geb. in Wien, erfolgreicher Komponist, Musiktheoretiker, Chorleiter, Kritiker, Anthroposoph, Exil in den USA</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">André Singer: geb. in Szabadka (Österreich-Ungarn, heute: Republik Serbien), Komponist, Mitbegründer der Kleinkunstbühne „Literatur am Naschmarkt“, Exil in den USA</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Jan Urban: geb. in Prag (Österreich-Ungarn, heute: Tschechische Republik), Komponist, Dirigent, Militärkapellmeister in der serbischen Armee, später Musikdirektor des Stadttheaters im kroatischen Osijek, Flucht vor den faschistischen Ustascha-Milizen, Exil in Serbien</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Hans (Hanuš) Winterberg: geb. in Prag (Österreich-Ungarn, heute: Tschechische Republik), Komponist, Deportation in das Ghetto Theresienstadt, Aufführungen beim Bayerischen Rundfunk, nach seinem Tod vorübergehende Sperre seines Werks</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV></BODY></HTML></div>
htmlText_08C59F69_5B0E_0198_41C9_ECF3E1530683.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Übersicht über die ausgestellten Nachlässe</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Das Exilarte Zentrum der mdw – Universität für Musik und darstellende Kunst Wien widmet sich in Forschung, Bewahrung und Vermittlung jenen Komponist:innen, Musiker:innen, darstellenden Künstler:innen, die im „Dritten Reich“ verfolgt und verfemt wurden und denen es der Nationalsozialismus verwehrte, einen Platz im kollektiven Gedächtnis zu finden. Die wissenschaftliche und gesellschaftspolitische Aufarbeitung der zahlreichen und wertvollen Nachlässe dient der Wiederentdeckung eines verschollenen Kulturerbes und der Weitergabe an zukünftige Generationen. Das Exilarte Zentrum verschreibt sich der Sichtbarmachung dieses Erbes durch Konzerte, CD-Aufnahmen, Ausstellungen, Symposien und Publikationen sowie durch Seminare für Studierende.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Im Rahmen dieser Ausstellung werden auch zwölf Nachlässe aus dem Archiv des Exilarte Zentrum präsentiert (siehe Vitrinen an der Fensterwand). Diese Nachlässe geben Einblick in die Vielfalt an Kompositionen und Lebensschicksalen. An den Audiostationen kann man die Werke dieser Musikschaffenden hören, welche die Pluralität der Stile in der ersten Hälfte des 20. Jahrhunderts erahnen lassen – bevor der Nationalsozialismus einen tiefen Krater des Barbarismus in die europäische Landschaft gerissen hat.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Die Audiostationen sind mit QR-Code anwählbar oder können mittels Kopfhörer abgehört werden.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Anita Bild: geb. in Wien, Balletttänzerin, Sängerin, Komponistin von Kabarettliedern, Exil in GB</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Walter Bricht: geb. in Wien, Pianist, erfolgreicher Komponist, lehnte den Titel „Ehrenarier“ ab und ging stattdessen ins Exil in die USA</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Theo Buchwald: geb. in Wien, Pianist, Dirigent, Generalmusikdirektor in Halberstadt, Gründer und Leiter des Orquesta Sinfónica Nacional in Lima, Peru</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Julius Bürger: geb. in Wien, Komponist, Korrepetitor, Dirigent in Berlin und an der MET New York, Exil in den USA</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Robert Freistadtl (Frey): geb. in Wien, Komponist von Märschen und Operetten (großer Erfolg am Raimundtheater in Wien), Exil in GB</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Richard Fuchs: geb. in Karlsruhe, prominenter Architekt, Komponist beim Jüdischen Kulturbund, Exil in Neuseeland</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Hans Gál: geb. in Brunn am Gebirge nahe Wien, Musikwissenschaftler, Komponist, Direktor der Musikakademie in Mainz, Exil in GB, Mitbegründer des Edinburgh Festival</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Wilhelm Grosz: geb. in Wien, Komponist von E- und U-Musik, Dirigent, Plattenproduzent, Exil in GB und den USA</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Egon Lustgarten: geb. in Wien, erfolgreicher Komponist, Musiktheoretiker, Chorleiter, Kritiker, Anthroposoph, Exil in den USA</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">André Singer: geb. in Szabadka (Österreich-Ungarn, heute: Republik Serbien), Komponist, Mitbegründer der Kleinkunstbühne „Literatur am Naschmarkt“, Exil in den USA</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Jan Urban: geb. in Prag (Österreich-Ungarn, heute: Tschechische Republik), Komponist, Dirigent, Militärkapellmeister in der serbischen Armee, später Musikdirektor des Stadttheaters im kroatischen Osijek, Flucht vor den faschistischen Ustascha-Milizen, Exil in Serbien</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Hans (Hanuš) Winterberg: geb. in Prag (Österreich-Ungarn, heute: Tschechische Republik), Komponist, Deportation in das Ghetto Theresienstadt, Aufführungen beim Bayerischen Rundfunk, nach seinem Tod vorübergehende Sperre seines Werks</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV></BODY></HTML></div>
htmlText_2BF307B4_7AAB_BB0B_4167_4F4FC9C24CC3.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Übersicht über die ausgestellten Nachlässe</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Das Exilarte Zentrum der mdw – Universität für Musik und darstellende Kunst Wien widmet sich in Forschung, Bewahrung und Vermittlung jenen Komponist:innen, Musiker:innen, darstellenden Künstler:innen, die im „Dritten Reich“ verfolgt und verfemt wurden und denen es der Nationalsozialismus verwehrte, einen Platz im kollektiven Gedächtnis zu finden. Die wissenschaftliche und gesellschaftspolitische Aufarbeitung der zahlreichen und wertvollen Nachlässe dient der Wiederentdeckung eines verschollenen Kulturerbes und der Weitergabe an zukünftige Generationen. Das Exilarte Zentrum verschreibt sich der Sichtbarmachung dieses Erbes durch Konzerte, CD-Aufnahmen, Ausstellungen, Symposien und Publikationen sowie durch Seminare für Studierende.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Im Rahmen dieser Ausstellung werden auch zwölf Nachlässe aus dem Archiv des Exilarte Zentrum präsentiert (siehe Vitrinen an der Fensterwand). Diese Nachlässe geben Einblick in die Vielfalt an Kompositionen und Lebensschicksalen. An den Audiostationen kann man die Werke dieser Musikschaffenden hören, welche die Pluralität der Stile in der ersten Hälfte des 20. Jahrhunderts erahnen lassen – bevor der Nationalsozialismus einen tiefen Krater des Barbarismus in die europäische Landschaft gerissen hat.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Die Audiostationen sind mit QR-Code anwählbar oder können mittels Kopfhörer abgehört werden.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Anita Bild: geb. in Wien, Balletttänzerin, Sängerin, Komponistin von Kabarettliedern, Exil in GB</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Walter Bricht: geb. in Wien, Pianist, erfolgreicher Komponist, lehnte den Titel „Ehrenarier“ ab und ging stattdessen ins Exil in die USA</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Theo Buchwald: geb. in Wien, Pianist, Dirigent, Generalmusikdirektor in Halberstadt, Gründer und Leiter des Orquesta Sinfónica Nacional in Lima, Peru</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Julius Bürger: geb. in Wien, Komponist, Korrepetitor, Dirigent in Berlin und an der MET New York, Exil in den USA</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Robert Freistadtl (Frey): geb. in Wien, Komponist von Märschen und Operetten (großer Erfolg am Raimundtheater in Wien), Exil in GB</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Richard Fuchs: geb. in Karlsruhe, prominenter Architekt, Komponist beim Jüdischen Kulturbund, Exil in Neuseeland</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Hans Gál: geb. in Brunn am Gebirge nahe Wien, Musikwissenschaftler, Komponist, Direktor der Musikakademie in Mainz, Exil in GB, Mitbegründer des Edinburgh Festival</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Wilhelm Grosz: geb. in Wien, Komponist von E- und U-Musik, Dirigent, Plattenproduzent, Exil in GB und den USA</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Egon Lustgarten: geb. in Wien, erfolgreicher Komponist, Musiktheoretiker, Chorleiter, Kritiker, Anthroposoph, Exil in den USA</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">André Singer: geb. in Szabadka (Österreich-Ungarn, heute: Republik Serbien), Komponist, Mitbegründer der Kleinkunstbühne „Literatur am Naschmarkt“, Exil in den USA</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Jan Urban: geb. in Prag (Österreich-Ungarn, heute: Tschechische Republik), Komponist, Dirigent, Militärkapellmeister in der serbischen Armee, später Musikdirektor des Stadttheaters im kroatischen Osijek, Flucht vor den faschistischen Ustascha-Milizen, Exil in Serbien</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Hans (Hanuš) Winterberg: geb. in Prag (Österreich-Ungarn, heute: Tschechische Republik), Komponist, Deportation in das Ghetto Theresienstadt, Aufführungen beim Bayerischen Rundfunk, nach seinem Tod vorübergehende Sperre seines Werks</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV></BODY></HTML></div>
htmlText_670CF96B_6DDF_77B6_41C7_2C8996CDC086.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Alles in allem stellt Kreisler für uns Geiger die wichtigste Erscheinung seit Ysaÿes Niedergang dar. In der Geschichte des Violinspiels wird er nicht nur als genialer Anreger und Erweiterer des Bestehenden, sondern auch als wertvolles Symbol einer ganzen Epoche weiterleben. (Carl Flesch)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:center;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">in: Carl Flesch, </SPAN><SPAN STYLE="font-size:30px;"><I>Erinnerungen eines Geigers</I></SPAN><SPAN STYLE="font-size:30px;">, Zürich 1960</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Kreisler has been the most important figure for us violinists since Ysaÿe’s decline. In the history of violin playing he will live not only as an artist whose genius stimulated and expanded the art, but also as a most valuable symbol of a whole epoch. (Carl Flesch)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:right;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">in: Carl Flesch, </SPAN><SPAN STYLE="font-size:30px;"><I>The Memoires of Carl Flesch</I></SPAN><SPAN STYLE="font-size:30px;">, translated by Hans Keller, London 1957</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_66F6D8BF_6C4B_B68E_41A3_45E96B8743CD.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Als ich Fritz Kreisler zum ersten Mal hörte, war er ein junger Mann und ich ein Knabe. Er spielte das Mendelssohn-Concerto und ich war vom ersten Ton an hingerissen. Sein herrliches Spiel und sein echtes Musikantentum haben mir seither stets Genuß verschafft. Ich bin als einer seiner größten und ältesten Bewunderer und ich fühle mich ihm in Dankbarkeit verbunden, weil er mir durch seine eminente Kunst des Violinspielens und des schöpferischen Musizierens so viel Freude und Anregung bescherte. (Adolf Busch)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:right;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">in: Louis P. Lochner, </SPAN><SPAN STYLE="font-size:30px;"><I>Fritz Kreisler</I></SPAN><SPAN STYLE="font-size:30px;">, übersetzt von H. R. Nack, Wien 1957</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">When I first heard Fritz Kreisler, he was a young man and I was a boy. From his first note on his violin (he played the Mendelssohn Concerto) I was enchanted. It was his beautiful violin playing and his musicianship which I have enjoyed ever since then. So I am one of his greatest and oldest admirers and I feel grateful to him for giving me so much joy and Anregung though his great art of violin playing and music making. (Adolf Busch)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:right;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">in: Louis P. Lochner, </SPAN><SPAN STYLE="font-size:30px;"><I>Fritz Kreisler</I></SPAN><SPAN STYLE="font-size:30px;">, New Jersey 1950</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_35D3F37A_65C6_FB96_41BE_319F0D00B456.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Antisemitischer Zeitungsartikel den Skandal um die Klassischen Manuskripte betreffend, unbekannte Zeitung, 25.12.1941</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Privatsammlung</SPAN></SPAN></DIV></BODY></HTML></div>
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htmlText_4CA6C44E_5C3A_9D8E_41CB_1D7A5D818DAF.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Arthur Löwental (1879 – 1964), Büste von Fritz Kreisler, Datum unbekannt</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_6ADF0055_647A_9592_41D5_45E4C612C529.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Autogramm von Fritz Kreisler auf einer Korrespondenzkarte des Hotel Imperial Wien, 1930 (Faksimile)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Sammlung von Handschriften und alten Drucken, Österreichische Nationalbibliothek</SPAN></SPAN></DIV></BODY></HTML></div>
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htmlText_93627CCC_6FCF_EEF2_41D6_C7449A337604.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Autogramm von Fritz Kreisler mit Notenzitat von Edward Elgars Violinkonzert, 7.11.1910</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Privatsammlung John Maltese</SPAN></SPAN></DIV></BODY></HTML></div>
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htmlText_0D2DC56D_65C9_7FB2_41D6_DFA970507BE0.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Brief von Fritz Kreisler an eine deutsche Verwandte von Harriet, 7.5.1938; einer der letzten Briefe von Fritz Kreisler aus Berlin</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Privatsammlung</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_DF2EDD3E_5D06_01F8_41CD_F1B5CF2A3BFC.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Flugblatt von einem der letzten Auftritte in den USA vor der Beschränkung der Konzerttätigkeit, Symphony Hall, Boston 24.11.1917</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Privatsammlung John Maltese</SPAN></SPAN></DIV></BODY></HTML></div>
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htmlText_3C0DE403_65C9_FD76_4189_7BBEE2FB1E79.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Foto von Fritz und Harriet Kreisler sowie dem Chauffeur vor ihrem Lincoln Cabriolet; im Hintergrund: Kreislers Villa in Grunewald, Berlin ca. 1928; Kreisler hatte das Foto zuerst einer Freundin Harriets geschenkt und später umgewidmet.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Privatsammlung</SPAN></SPAN></DIV></BODY></HTML></div>
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htmlText_0F6472E6_65C7_BABE_41D0_5A5799F86FDD.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Foto von Harriet und Fritz Kreisler im Wohnzimmer ihrer Wohnung am Kurfürstendamm, Berlin ca. 1913</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Aus: Enno Kaufhold, </SPAN><SPAN STYLE="font-size:30px;"><I>Berliner Interieurs 1910 – 1930: Fotografien von Waldemar Titzenthaler</I></SPAN><SPAN STYLE="font-size:30px;">, 2013</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_CBD5C045_5D07_FF88_41C0_9FB1CBE54AB4.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Fotokopie eines Reskripts mit vorgedrucktem Ablassantrag und päpstlichem Siegel von Papst Pius XII. für Fritz und Harriet Kreisler, 15.11.1948</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Privatsammlung</SPAN></SPAN></DIV></BODY></HTML></div>
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htmlText_46A0C568_5B1E_0198_41C8_DA30C808B5A1.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Fotos von Fritz Kreisler mit dem Maler Rudolf Bernatschke in dessen Atelier, fotografiert von Peter A. Juley &amp; Son, New York 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Gesellschaft der Musikfreunde in Wien, Archiv, Bibliothek, Sammlungen</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV></BODY></HTML></div>
htmlText_6B769DCD_644B_AEF2_41C1_BAAB0AC667F6.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Fritz Kreisler im Alter von 10, Conservatorium der Gesellschaft der Musikfreunde in Wien, 1885</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Fritz Kreisler Collection, Music Division, Library of Congress, Washington D.C.</SPAN></SPAN></DIV></BODY></HTML></div>
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htmlText_69E01BF3_6446_AA96_41D7_17C7FCDF1FEA.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Fritz Kreisler, </SPAN><SPAN STYLE="font-size:30px;"><I>Preghiera</I></SPAN><SPAN STYLE="font-size:30px;"> (Gebet), Bearbeitung von Sergei Rachmaninows 2. Klavierkonzert, 2. Satz, Handschrift, transkribiert von Kreisler, datiert 9.1.1940</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Fritz Kreisler Collection, Music Division, Library of Congress, Washington D.C.</SPAN></SPAN></DIV></BODY></HTML></div>
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htmlText_755CF896_5B06_0088_41C9_5FF570555BD6.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Fritz Kreisler:<BR/></SPAN><SPAN STYLE="font-size:30px;"><B><I>Liebesfreud</I></B></SPAN><SPAN STYLE="font-size:30px;"> (1905)<BR/>Fritz Kreisler (Violine), Carl Lamson (Klavier)<BR/>Victor, New York 1926<BR/>03:09</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Fritz Kreisler:<BR/></SPAN><SPAN STYLE="font-size:30px;"><B><I>Liebesleid</I></B></SPAN><SPAN STYLE="font-size:30px;"> (1905)<BR/>Fritz Kreisler (Violine), Carl Lamson (Klavier)<BR/>Victor, New York 1926<BR/>03:22</SPAN></SPAN></DIV></BODY></HTML></div>
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htmlText_59C11E33_6449_6D96_41A0_45BC80712A69.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Geburts- und Trauungsbuch für die Israelitische Kultusgemeinde in Wien, Familie Kreisler betreffend</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Archiv der Israelitischen Kultusgemeinde Wien</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_A028FC50_9BB7_8F79_41DC_75533DD1E8C6.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Goldene Taschenuhr (Illinois/Keystone), Geschenk von Fritz Kreisler an einen deutschen Verwandten von seiner Frau Harriet</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Privatsammlung</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_A9BA006F_3ABD_D1B7_41B9_1A953F3148B0.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">HS_3_1 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Julius Bürger: </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Cellokonzert</B></SPAN><SPAN STYLE="font-size:30px;"> (1932), 2. Satz: „An meine Mutter ...“ </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Maya Beiser (Cello), Deutsches Symphonie-Orchester Berlin, Dirigentin: Simone Young</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Toccata Classics</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">10:14</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">HS_3_2</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Julius Bürger: </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B><I>Symphonic Scherzo</I></B></SPAN><SPAN STYLE="font-size:30px;"> (1939) </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Atout Kammerensemble</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Konzert im Clara-Schumann-Saal der mdw, 23.4.2017</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">6:19</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">HS_3_3</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Julius Bürger: </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B><I>Goodbye, Vienna</I></B></SPAN><SPAN STYLE="font-size:30px;"> (1988). Text: Julius Bürger </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Julius Bürger im Alter von 95 Jahren (Gesang und Klavier) </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Spätlese Musik</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">1:22</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_B4520394_3AA3_5769_4187_EAA8FE9DB40E.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">HS_3_4 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Hans Gál: </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Zwischenspiel aus der Oper </B></SPAN><SPAN STYLE="font-size:30px;"><B><I>Das Lied der Nacht</I></B></SPAN><SPAN STYLE="font-size:30px;">, op. 23 (1924)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Osnabrücker Symphonieorchester, Dirigent: Andreas Hotz</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Live-Aufnahme, 2017</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">cpo</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">6:46</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">HS_3_5</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Hans Gál: </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Cellokonzert</B></SPAN><SPAN STYLE="font-size:30px;">, op. 67 (1944), 1. Satz: Allegro moderato (Beginn)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Moray Welsh (Violoncello), BBC Scottish Symphony Orchestra, Dirigent: Graeme Jenkins</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">BBC-Ausstrahlung, 1987 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">5:27</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">HS_3_6 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Hans Gál: </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B><I>Huyton Suite</I></B></SPAN><SPAN STYLE="font-size:30px;">, op. 92 (1940), 4. Satz: Fanfaronata </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Ulrike Anton (Flöte), Cornelia Löscher (Violine), Wolfhart Schuster (Violine) Gramola</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">4:41</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_AFBB6B2A_3AA2_D7B9_4173_025A8DA1AFA7.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">HS_4_1</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Jan Urban: </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B><I>Zvuciis pod Medvednika / Klänge des Berges Medvednik </I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Ouvertüre</B></SPAN><SPAN STYLE="font-size:30px;"> (1916)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Radiosymphonieorchester Belgrad, Dirigent: Bojan Sudjic</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Aufnahme aus dem Archiv des RTVS (Radio Television of Serbia) </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">6:32</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">HS_4_2</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Jan Urban: </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B><I>Srpske igre br.9 – Trojanac / Serbischer Tanz Nr. 9</I></B></SPAN><SPAN STYLE="font-size:30px;"> (1916) Radiosymphonieorchester Belgrad, Dirigent: Bojan Sudjic</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Aufnahme aus dem Archiv des RTVS (Radio Television of Serbia) </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">4:19</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">HS_4_3</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Jan Urban: </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Sonatine</B></SPAN><SPAN STYLE="font-size:30px;"> (1905), 2. Satz: Andante cantabile, 3. Satz: Rondo</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Biljana Urban (Klavier) </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Naxos </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">3:55 </SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_A80BE9EA_3ABD_B2B9_41C8_F4E1CD0F48AB.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">HS_4_4</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Wilhelm Grosz: </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B><I>Harbour Lights</I></B></SPAN><SPAN STYLE="font-size:30px;"> (1937). Text: Jimmy Kennedy </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Kelly Hunter (Sopran), Matrix Ensemble, Dirigent: Robert Ziegler</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Decca </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">2:19</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">HS_4_5</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Wilhelm Grosz: </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B><I>Rondels</I></B></SPAN><SPAN STYLE="font-size:30px;">, op. 11 (1921), Nr. 1: </SPAN><SPAN STYLE="font-size:30px;">Geh leise</SPAN><SPAN STYLE="font-size:30px;"><B><I>.</I></B></SPAN><SPAN STYLE="font-size:30px;"> Text: Ernst Feigl</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Cynthia Clarey (Sopran), Matrix Ensemble, Dirigent: Robert Ziegler </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Decca</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">2:45</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">HS_4_6 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Wilhelm Grosz: </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B><I>Symphonische Variationen über ein eigenes Thema für Klavier</I></B></SPAN><SPAN STYLE="font-size:30px;">, op. 9 (1920) (Beginn)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Kolja Lessing (Klavier)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">EDA Edition Abseits </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">5:24</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_A322BF97_3A5D_CE97_41C1_F91B8D1E222A.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">HS_5_1 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Hans Winterberg: </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>1. Symphonie: </B></SPAN><SPAN STYLE="font-size:30px;"><B><I>Sinfonia drammatica</I></B></SPAN><SPAN STYLE="font-size:30px;"> (1936), 1. Satz: Vivace (Beginn)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Münchner Philharmoniker, Dirigent: Karl List</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Aufnahme aus dem Archiv des Bayerischen Rundfunks, 1955</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">3:30 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">HS_5_2 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Hans Winterberg: </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>2. Klavierkonzert </B></SPAN><SPAN STYLE="font-size:30px;">(1948), 1. Satz: Leicht fließend (Beginn)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Agi Brand-Setterl (Klavier), Münchner Philharmoniker, Dirigent: Fritz Rieger </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Aufnahme aus dem Archiv des Bayerischen Rundfunks, 1950</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">5:00</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">HS_5_3</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Hans Winterberg: </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Streichquartett</B></SPAN><SPAN STYLE="font-size:30px;"> (1957, rev. 1971), 3. Satz: Presto</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Sonnleitner Quartett</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Aufnahme aus dem Archiv des Bayerischen Rundfunks, 1971</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">7:38</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_A24D5898_3AA5_7299_41C0_EAAFC19F1149.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">HS_5_4</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Walter Bricht: </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Klaviersonate Nr. 7</B></SPAN><SPAN STYLE="font-size:30px;"> in E-Dur, op. 39 (1940), 1. Satz: Allegro moderato </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Walter Robert (Klavier)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Live-Aufnahme: Indiana University, School of Music, 1956</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">3:58 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">HS_5_5</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Walter Bricht: </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Symphonie in a-Moll</B></SPAN><SPAN STYLE="font-size:30px;">, op. 33 (1936), 1. Satz: Mäßig bewegt (Beginn)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Fort Wayne Philharmonic, Dirigent: Andrew Constantine</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Toccata Classics</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">4:50</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">HS_5_6</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Walter Bricht: </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Symphonische Suite in a-Moll</B></SPAN><SPAN STYLE="font-size:30px;">, op. 25 (1931)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">1. Satz: Unruhig bewegt, schwankend</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Fort Wayne Philharmonic, Dirigent: Andrew Constantine</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Toccata Classics</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">5:08</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_9E123E12_3A63_7169_41C7_DF981D01A539.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">HS_6_1</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Robert Freistadtl (Frey): </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B><I>Heimat Erde – Marsch</I></B></SPAN><SPAN STYLE="font-size:30px;"> (o. J.)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Orchester der Regionalmusikschule Stockerau, Dirigent und Arrangeur: Géza-Michael Vörösmarty</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Konzert im Kulturzentrum Stockerau, 5.5.2017</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">3:19</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_A63FC609_3A5D_517B_41BA_4E353A671429.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">HS_6_4 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Anita Bild (Lelewer): </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B><I>Nacht für Nacht träum ich immer von Dir</I></B></SPAN><SPAN STYLE="font-size:30px;"> (o. J.). Text: Anita Bild</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Ursula Baumgartl (Gesang), Alois Bauerstatter (Klavier)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Private Aufnahme </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">4:32</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">HS_6_5</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Franz Eugen Klein: </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B><I>Auf Wiedersehen</I></B></SPAN><SPAN STYLE="font-size:30px;"> (1938). Text: Anita Bild </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Ursula Baumgartl (Gesang), Alois Bauerstatter (Klavier)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Private Aufnahme </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">2:14</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_9E1CC444_3A67_B1E9_41C7_AC132572B030.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">HS_7_1</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">André Singer: </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B><I>Eight Serial Pieces</I></B></SPAN><SPAN STYLE="font-size:30px;">, op. 43 (1959–1960, 1963)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">André Singer (Klavier)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Private Aufnahme, Provenienz: Sammlung George Wolf</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">14:39</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">HS_7_2 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">André Singer: </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Three Colloquies</SPAN><SPAN STYLE="font-size:30px;"> (1978, rev. 1982) (Ausschnitt) </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Bill Reinert (Klarinette), Mark Veregge (Schlagwerk)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Waterloo Festival, 28.1.1982</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">2:02</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">HS_7_3</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">André Singer: </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B><I>Requiem for the Homeless</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Rezitation: George Wolf</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">exil.arte Konzert „Echo des Unerhörten”, ORF Radiokulturhaus, 19.3.2019 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">2:10</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_9D387025_3A62_B1AB_41B2_4954D95F21EA.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">HS_8_1</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Ernesto López Mindreau: </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B><I>Marinera y Tondero </I></B></SPAN><SPAN STYLE="font-size:30px;">(o. J.)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Orquestra Sinfónica Nacional del Perú, Dirigent: Theo Buchwald</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Indiana University, Cook Music Library</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">2:58</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">HS_8_2 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Daniel Hoyle: </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B><I>Suite trujillana</I></B></SPAN><SPAN STYLE="font-size:30px;"> (o. J.) (Beginn) </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Orquestra Sinfónica Nacional del Perú, Dirigent: Theo Buchwald </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Indiana University, Cook Music Library</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">3:58</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_91EDF2A3_3A6E_D6AF_41CA_9D333A617A88.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">HS_8_3 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Richard Fuchs: </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Symphonie in f-Moll „Wellington“</B></SPAN><SPAN STYLE="font-size:30px;"> (1943)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">1. Satz: Allegro non troppo, appassionato (Beginn)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">New Zealand Symphony Orchestra, Dirigent: Kenneth Young </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Konzert „Made in New Zealand”, Wellington Town Hall, 9.5.2008, New Zealand National Radio, Concert FM</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">5:21</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">HS_8_4</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Richard Fuchs: </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B><I>Vom jüdischen Schicksal</I></B></SPAN><SPAN STYLE="font-size:30px;"><B>, Vier Gesänge für Soli, Chor und Orchester</B></SPAN><SPAN STYLE="font-size:30px;"> </SPAN><SPAN STYLE="font-size:30px;">(1936). Text: Karl Wolfskehl und Süßkind von Trimberg. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Nr. 1: Und dennoch (Beginn) &amp; Nr. 3: Aufbruch, Aufbruch (Beginn)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Jennifer Feinstein (Mezzosopran), Nicholas Brownlee (Bariton), Bachchor Karlsruhe, Badische Staatskapelle, Dirigent: Dominic Limburg, Konzert im Badischen Staatstheater Karlsruhe, 28.1.2020 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"> 4:21</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">HS_8_5</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"> </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Richard Fuchs: </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B>Streichquartett in d-Moll</B></SPAN><SPAN STYLE="font-size:30px;"> (1932), 1. Satz: Allegro moderato (Beginn)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Jade String Quartet</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Live-Aufnahme vom 25.4.2009</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Atoll Records</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">3:25</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">HS_8_6</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Richard Fuchs: </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><B><I>In der Fremde</I></B></SPAN><SPAN STYLE="font-size:30px;"> (1937). Text: Heinrich Heine</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Rosemary Gordon (Sopran), Fritz Steiner (Klavier)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Sonic Records Studio</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">1:54</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_992F5909_6FC9_9772_419D_5A4189047FD2.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Im Jänner 1949 ließ Fritz Kreisler seine wertvolle Bücher- und Manuskriptsammlung zugunsten wohltätiger Zwecke versteigern.<BR/><BR/>Beschreibung der kostbaren Bücher von Fritz Kreisler für die Auktion, Jänner 1949<BR/><BR/>Zeitungsartikel „Kreislers Bücher helfen Kindern“, unbekannte Zeitung, Jänner 1949</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Privatsammlung</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV></BODY></HTML></div>
htmlText_670A5252_6DDA_B596_41CD_41AA0716D65E.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">In Wirklichkeit ist es keine Frage von Violinkonzerten oder der Juden; das Thema ist die Bewahrung der Dinge, die unsere Väter mit Blut und Opfern erreicht haben, der elementaren Voraussetzungen unserer europäischen Kultur, der Freiheit des Individuums und seiner bedingungslosen Eigenverantwortung, unbehindert durch Fesseln von Kaste oder Rasse. (Bronisław Huberman, Offener Brief an Wilhelm Furtwängler, 1933)</SPAN></SPAN></DIV><DIV STYLE="text-align:right;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">In reality it is not a question of violin concertos nor even merely of the Jews; the issue is the retention of those things that our fathers achieved by blood and sacrifice, of the elementary preconditions of our European culture, the freedom of personality and it's unconditional self-responsibility unhampered by fetters of caste or race. (Bronisław Huberman, open letter to Wilhelm Furtwängler, 1933) </SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_FFA1A66C_9996_BB29_41D8_4DF480A28902.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Konzertprogramm mit Fritz Kreislers Autogramm, Carnegie Hall, New York 15.12.1937</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Sammlung von Handschriften und alten Drucken, Österreichische Nationalbibliothek</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_69DF1227_647A_B5BE_41CE_539D8C8D4183.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Konzertprogramm, Schanghai 10.9.1941: Dieses Konzert wurde von der Japanischen Gesellschaft der Musikfreunde in Schanghai organisiert. Der 1939 geflüchtete Geiger Ferdinand Adler spielte </SPAN><SPAN STYLE="font-size:30px;"><I>Tambourin Chinois</I></SPAN><SPAN STYLE="font-size:30px;">. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Nachlass Ferdinand Adler, Archiv des Exilarte Zentrum</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_6AE9EE16_6459_6D9E_41AF_98F3AC64127D.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Kritik zum Konzert von Fritz Kreisler als Solist mit den Wiener Philharmonikern, </SPAN><SPAN STYLE="font-size:30px;"><I>Neue Freie Presse,</I></SPAN><SPAN STYLE="font-size:30px;"> Wien 25.1.1898</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_667A58E0_6C3A_B6B2_41D1_4B1BF8AB0E43.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Kritik über Kreislers erstes Konzert in der Carnegie Hall nach seinem Unfall; New York Premiere seiner Komposition </SPAN><SPAN STYLE="font-size:30px;"><I>Viennese Rhapsodic Fantasietta</I></SPAN><SPAN STYLE="font-size:30px;">, </SPAN><SPAN STYLE="font-size:30px;"><I>New York Times</I></SPAN><SPAN STYLE="font-size:30px;">, 1.11.1942</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_6B019968_65C9_B7B2_41CD_7B5D2B3C31C2.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Matrikel von Fritz Kreisler, Conservatorium der Gesellschaft der Musikfreunde in Wien, 1882-1885, S. 1 und 3 (Reproduktion)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Gesellschaft der Musikfreunde in Wien, Archiv, Bibliothek, Sammlungen</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_70544183_644E_9776_41AB_BB4F571E42C1.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Max Rostal</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_6AD59038_6449_B592_41CE_5F40A195E7D7.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Meldezettel für Reisende, Wien 16.12.1932</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Wiener Stadt- und Landesarchiv</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_6AFCABDD_643F_EA92_41BB_1295D1BD8783.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Meldezettel für Reisende, Wien 3.2.1935</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Wiener Stadt- und Landesarchiv</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_DEEF6BE2_58DB_F47B_41D3_B3A92C569CE4.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Nach dem Zweiten Weltkrieg unterstützte Fritz Kreisler großzügig deutsche Verwandte seiner Frau Harriet.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Brief von Fritz Kreisler an einen deutschen Verwandten von Harriet mit Produktverzeichnissen von CARE, 21.11.1947; Kreisler kündigt den Versand von Weihnachts-CARE-Paketen an Verwandte und Nachbar:innen an.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"/></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Brief von Fritz Kreisler an eine deutsche Verwandte von Harriet mit Stoffproben vom Kaufhaus Macy’s, 29.9.1948; Kreisler kündigt den Versand von Kaffee, Zigaretten, Strumpfhosen, Stoffen und Zeitschriften an.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Privatsammlung</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV></BODY></HTML></div>
htmlText_7133FF44_48B7_ADBF_41C6_6C655B07067F.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Nach dem Zweiten Weltkrieg unterstützte Fritz Kreisler großzügig deutsche Verwandte seiner Frau Harriet.<BR/><BR/>Brief von Fritz Kreisler an einen deutschen Verwandten von Harriet mit Produktverzeichnissen von CARE, 21.11.1947; Kreisler kündigt den Versand von Weihnachts-CARE-Paketen an Verwandte und Nachbar:innen an.<BR/><BR/>Brief von Fritz Kreisler an eine deutsche Verwandte von Harriet mit Stoffproben vom Kaufhaus Macy’s, 29.9.1948; Kreisler kündigt den Versand von Kaffee, Zigaretten, Strumpfhosen, Stoffen und Zeitschriften an.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Privatsammlung</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><I/></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><I/></SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_66735890_6C4A_B692_41D9_93911E89C996.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Plakat der Operette Sissy im Raimundtheater, Wien 1946 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Wienbibliothek im Rathaus</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_666D3834_6C5E_F592_41A7_13555D7FF57F.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Plakat der Operette Sissy im Stadttheater, Wien 1950</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Wienbibliothek im Rathaus</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_6ADE5F21_647A_ABB2_41D5_50CFE5BD1C21.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Postkarte von Fritz Kreisler an Karl Redlich über die Probe des Konzerts mit den Wiener Philharmonikern, 22.1.1898; Kreisler schreibt: „Richter leider morgen verhindert.“</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Privatsammlung John Maltese</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_AFE7B64E_9B96_BB69_41B2_ED780CC81E0C.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Programm von einem Benefizkonzert, Carnegie Hall, New York 22.3.1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Courtesy of Carnegie Hall Rose Archives</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV></BODY></HTML></div>
htmlText_90A1A38C_6FFA_9B72_414F_18C8FACD23B4.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Programm von einem Benefizkonzert, Carnegie Hall, New York 22.3.1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Courtesy of Carnegie Hall Rose Archives</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV></BODY></HTML></div>
htmlText_BEFC4FC2_6FC9_AAF6_41CF_509CF7D5EF8E.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Programm von einem Benefizkonzert, Metropolitan Opera House, New York 7.5.1916</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Privatsammlung John Maltese</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_0F65E2E8_65C7_BAB2_41C7_39EA5BF06286.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Programm von einem Konzert in dem Fritz Kreisler </SPAN><SPAN STYLE="font-size:30px;"><I>Much Ado About Nothing</I></SPAN><SPAN STYLE="font-size:30px;"> (</SPAN><SPAN STYLE="font-size:30px;"><I>Viel Lärm um Nichts</I></SPAN><SPAN STYLE="font-size:30px;">) von Erich Wolfgang Korngold spielte, Carnegie Hall, New York 15.12.1940</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Courtesy of Carnegie Hall Rose Archives</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_6B0D2E16_65DE_ED9E_41D6_AA2AA7E8E52D.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Programmzettel vom Abonnement-Konzert der Wiener Philharmoniker mit Fritz Kreisler als Solist, 23.1.1898 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Historisches Archiv der Wiener Philharmoniker</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_A0C9365F_6C46_FD8E_41B5_097CED8BFCFF.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Rudolf Bernatschke (1913 – 2010): Ölportrait von Fritz Kreisler, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Gesellschaft der Musikfreunde in Wien, Archiv, Bibliothek, Sammlungen</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><I/></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;"><I/></SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_708732CB_64CA_FAF6_41C5_45A5626D55CB.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Sitzordnung des Abendessens zu Ehren Fritz Kreislers, organisiert von „The Bohemians“ (New York Musicians Club, gegründet 1907), Waldorf-Astoria, New York 22.12.1940</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Edwin Hughes Collection, Music Library at the University of South Carolina</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_70631D10_644A_AF92_41D0_DC5E86927F7B.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Sitzordnung des Abendessens zu Ehren Fritz Kreislers, organisiert von „The Bohemians“ (New York Musicians Club, gegründet 1907), Waldorf-Astoria, New York 22.12.1940</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Edwin Hughes Collection, Music Library at the University of South Carolina</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_6AD1836C_6449_9BB2_41D8_213C34CDB14B.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Szenenfoto der Uraufführung, Operette Sissy im Theater an der Wien, 23.12.1932</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">KHM-Museumsverband, Theatermuseum Wien</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_9A1CA4A5_6C5E_9EB2_41BD_2EAF5C8BD20F.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Theaterzettel der Uraufführung von der Operette Sissy im Theater an der Wien, 23.12.1932</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Bildarchiv und Grafiksammlung, Österreichische Nationalbibliothek</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_69C74022_644A_95B6_41B5_6F0312F80AE1.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Wolfgang Amadeus Mozart, 3. Violinkonzert, KV 216, herausgegeben von Carl Flesch, Klavierauszug von Ignaz Strasfogel, Leipzig 1930; teilweise mit Änderungen von Fritz Kreisler überklebt </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Fritz Kreisler Collection, Music Division, Library of Congress, Washington D.C.</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_69C76BA6_6449_6ABE_41D9_F5120EC67893.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Wolfgang Amadeus Mozart, 3. Violinkonzert, KV 216, herausgegeben von Carl Flesch, Leipzig 1930 (1958)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Bibliothek der mdw</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_DEDB6E31_5D06_0388_41AF_03FC17E9FAEF.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Zeitungsartikel aus der New York Times, 29.11.1914</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_0E489FBB_2F66_31B5_41BC_991303AC5208.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Zeitungsartikel über den Übertritt zum Katholizismus von Fritz und Harriet Kreisler, </SPAN><SPAN STYLE="font-size:30px;"><I>New York Times</I></SPAN><SPAN STYLE="font-size:30px;">, 1.4.1947</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_0FD44A77_6449_B59E_41C4_A64FF3DA2413.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Zeitungsartikel über die Ankunft der SS Washington, </SPAN><SPAN STYLE="font-size:30px;"><I>New York Times</I></SPAN><SPAN STYLE="font-size:30px;">, 19.9.1939</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_74500CA4_5CDE_AEB2_41D4_30572CA13E1C.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Zeitungsartikel über die Glückwünsche von Papst Pius XII. zu Fritz Kreislers 75. Geburtstag, unbekannte Zeitung, 1950</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Privatsammlung</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_8F6E5AD0_6FDB_AA92_41C2_A07D822FB69E.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Zeitungsartikel „Fritz Kreisler in Ostasien“, Sonntagsblatt Staats-Zeitung und Herold, New York 24.6.1923</SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Privatsammlung</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_0F6DC2E2_65C7_BAB6_41D6_F90A5676BC8C.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Zeitungsartikel „Kreisler’s Berlin Home Destroyed“, </SPAN><SPAN STYLE="font-size:30px;"><I>Baltimore Sun</I></SPAN><SPAN STYLE="font-size:30px;">, 7.7.1945</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_591603D6_9DDB_3618_41DA_96B905AF5153.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Zeitungsartikel „Kreisler’s Berlin Home Destroyed“, </SPAN><SPAN STYLE="font-size:30px;"><I>Baltimore Sun</I></SPAN><SPAN STYLE="font-size:30px;">, 7.7.1945</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_6AC38F4F_6449_AB8E_41CC_3491139412F8.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Zeitungsartikel „The Kreisler Girl“, </SPAN><SPAN STYLE="font-size:30px;"><I>Daily Telegraph</I></SPAN><SPAN STYLE="font-size:30px;">, London 17.11.1932</SPAN></SPAN></DIV></BODY></HTML></div>
htmlText_69DF1224_647A_B5B2_41C7_A09A7BE5355D.html = <div style="text-align:left; color:#000; "><HTML><BODY><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">“United States of America, Declaration of Intention”, erstes Antragsformular bezüglich US-Einbürgerung von Fritz Kreisler, 27.3.1941 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN/></SPAN></DIV><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:30px;">Fritz Kreisler Collection, Music Division, Library of Congress, Washington D.C.</SPAN></SPAN></DIV></BODY></HTML></div>

## Skin

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### Image
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### Multiline Text
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## Tour

### Beschreibung

### Titel
tour.name = fritz_kreisler_2022